Got back from my first time at Glasto late last night. Absolutely loved it, although I had a fair few moments of hating it too.
The worst bits were mostly due to the mud. Even though it wasn't that bad it just made life that bit more difficult, having to trudge everywhere for a couple of days to see anything, on top of having to trudge around the site picking litter. The actual picking litter in the mud was much easier than I thought it would be as there's much less of it than when it's dry, it was just the extra trudging that was a slog. And having the flip-flops I had to buy on Sunday after my platform flip-flops broke (three times, making me miss Lykke Li
) get completely stuck in just about the only mud left on site at 3am on Sunday night/Monday morning was quite upsetting...
But! I had a wonderful time meeting lots of random people - my phone packed up when it got wet so I spent lots of time having adventures on my own.
Janelle Monae's set was just the most awesome thing in the world. She is SUCH a star. Great voice, and songs, and performance and band and everything you could possibly want from a live show. Probably the most fun I've had at any gig bar Bowie at the Hanover Grand. And although when I first heard her stuff I couldn't make any sense of a press comparison of her to Ziggy Stardust, I could actually see what the reviewer meant during that show. I think I'm in love
Asian Dub Foundation had me dancing a lot though sadly I had to run away to the loo (not their fault) in the middle of the set. Pulp were excellent, but I agree with whoever said earlier that having them on the Park stage wasn't the best idea. I could see because I was standing on a handy bench, but most people would have had sod all view and there were no screens.
South East corner was wonderful and I could have spent my entire time between there and the stone circle. The Arcadia spectacular had me jumping up and down and clapping my hands like a small, excitable child and I was even in a good enough mood to dance to house in the London Underground. (I know it's not fashionable, but *please* just a bit of techno, somewhere, PLEASE!!!).
Roll on 2013 - I want to go back
I think we had about 20k in Arcadia last night for the show. If I'm right, that probably counts as the fourth largest stage at Glastonbury, for the 45 mins or so that the show kicks out. Michael came down to watch the whole thing.
Nothing like Arcadia anywhere else in Europe. Mutant vehicles out in the crowd, blasting them with CO2 and lighting them up with distress flares. Four million volts coming off the top of the rig arcing into people in cages hanging from crane arms atop the rig.
I was flagging a bit at our crew party, so went up to the Stone Circle where there were a few thousand up for dawn, and then on to underground piano bar, which has no specific closing time - they just keep going with their weirdness until noone is left standing. Irish travellers run that one. It's in John Peel's memoirs and was resurrected about three years ago. Awesome.
Fuck - I found the piano bar but got there a couple of hours before it opened on Friday and didn't get a chance to go back...
I'd love to see the late area do their own thing collectively. Might happen at brownfield site in London this/next year.
*much excitement!*
It's not racist if you don't like Beyonce and JZ because of their music. Seriously, it's not.
This is undoubtedly true. However there is often quite a bit more going on in the background to how come some acts are promoted to some people at some times and places and how that contributes to how an act will be received. Race does play a part in that. And there are also a shed load of people who will claim and even believe that race (probably more likely perceived 'otherness') isn't their motivation for not finding something appealing. (And, as I said first, there will of course be some people who straightforwardly just think the music is crap!)
I agree...though with the added point of - just how big does it need to be?
What's the driving force other than a pissing contest to get more people through the door every year? To raise more for charities I suppose could be given as an honourable cause.
They could have easily stripped off the 3 headliners and still sold out (and cheapened the ticket price) and had a, yes I'll say it, better crowd...Aside from the promoters/sponsors, there's no shareholders to attract/keep, yet they seem to be heading one way down a path that seems to contradict everything it used to, and professes to, be, so it becomes a watered down outing for Clapham types wanting to be known as the edgy one in their office.
At Michael Eavis' Meltdown talk the other week, he did say he didn't want it to get any bigger. Perhaps a realisation that it is in danger? (says she without any previous Glasto knowledge.) I can well imagine it being quite easy to go with advice about how to make things bigger, better, more contemporary and dynamic for a while before you stop and think, hang on, this isn't a direction worth continuing...