Couple more years it'll be a middle class 'national treasure'. .
The only place I can remember dodgy sound was the John Peel stage for Battles when I could only hear drums for most of it.
How terrible that two black headline acts in the last umpteen years have interfered with Glasto's diet of tedious white dad rock.
couple more years?Couple more years it'll be a middle class 'national treasure'. Like Wimbledon,
couple more years?
Arcadia was absolutely amazing. I was down there till the bitter end this morning dancing to d'n'b at the base of the spider. I think I might have spotted Paolo999 snapping all the crew dancing on the spider at the end.
Are u seriously suggesting im racist?
I don't care what colour they are - they're just not very good. Paying £200 to watch perfomers who wouldn't be outta place on the fucking x-factor? Nope. Not for me.
I don't know whether you are racist or not. It just seems odd that the two acts you choose to denigrate just happen to be two of the only black acts to headline Glastonbury in the last 20 odd years. And Beyonce is the only woman to headline in 20+. Surely when you go to a festival you have to take the rough with the smooth - if you don't like someone on one stage, there's another act to go to at the same time. If you only want to listen to your own personal taste in music, why don't you just stay at home and listen to your iPod?
fucking muppet.just happen to be two of the only black acts to headline Glastonbury in the last 20 odd years.
No, because you're a sad fucker who seems to think Glastonbury should be catered specifically to your tastes. As I say, if you don't like Beyonce and Jay-Z go and watch something else on a different stage. Both acts had superb reviews and the crowd loved them which is kind of the point of having them, isn't it? Perhaps you should drop Emily Eavis a line and offer to personally vet all future headline acts for their musical authenticity and indie cred. Crikey, I bet that Beyonce woman has never sank a pint of snakebite in her life!
fucking muppet.
Interesting times
You are conflating disliking musicians with disliking a race and ignoring a couple of other black headliners to make your piss weak point.I said 'two of the only black acts to headline Glastonbury'. I never said they were the only black acts or that other black acts hadn't played the pyramid stage. So right back at you, you illiterate bellend.
By your logic, andy, U2 are 'one of the only' white bands to headline
I think you'll find she got positive reviews pretty much across the board.Beyonce was given a rave review by the Guardian. Who are the fucking sponsors.
No it wasn't. Her band are incredible musicians:Beyonce's set was almost completely pre-recorded. As was Jay-Z. That is shit.
She might be soul's foremost diva, but Beyoncé would be far less impressive without her hand-picked, all-female live band. The singer auditioned thousands of female session musicians to make up her slick, 10-piece group, which first accompanied her on the 2007 Beyoncé Experience tour.
Between concerts the band members, who perform under the name Suga Mama, teach improvised jazz classes to music students and work on solo projects.
Most of Suga Mama are classically trained to the highest level, such as drummer Nikki Glaspie, who enrolled at Boston's prestigious Berklee College of Music. Bassist Divinity Roxx is a graduate of the equally influential, if less academically renowned, Bootsy Collins' Funk University.
They are kept in line by Bibi McGill, guitarist, musical director and yoga teacher. Her job, she says, is to "tell everyone what time they have to be there, being responsible to give the cue for the stage to rise, being responsible if Beyoncé wants to change something in the middle of the show, talking in my mic to everyone who has in-ears [earpieces] and making it look seamless".
In addition to Sugar Mama, Beyoncé employs three regular backing vocalists, Montina Cooper, Crystal Collins and Tiffany Moníque Riddick. Cooper, like most backing singers, hankered after the spotlight herself. After signing as a solo artist, she fell into a career singing with Kelly Rowland, Beyonce's former bandmate from Destiny's Child, and Jamie Foxx, before joining Beyoncé's live band.
The Mamas are fiercely loyal to their bandleader. Roxx says: "Beyoncé is a hard worker and she inspired me to work hard and push myself beyond what I thought I was capable of doing. I will forever be indebted to her for that."
However, not everything heard on stage is the live work of the singer and her band. McGill admits that there is a programmer backstage who triggers pre-recorded sounds from Beyoncé's recorded hits, which not even a 10-piece group can reproduce.
http://www.independent.co.uk/arts-e...n-that-all-women-can-be-proud-of-2303668.html
You are conflating disliking musicians with disliking a race and ignoring a couple of other black headliners to make your piss weak point.
Riding racism for petty point scoring on the internet. I.e. you are slime.
No it wasn't. Her band are incredible musicians:
Would you go see Gary Glitter on the Other Stage?
laughing at you now. So now its 'years and years' not 20 yearsIf someone is singling out two of only three black headlining acts to have appeared at Glastonbury in years and years f
So you think its only 3?just happen to be two of the only black acts to headline Glastonbury in the last 20 odd years.