And, get this, musicians from the UK managed to perform in Europe long before we joined the EU, without any real issues, The Beatles were performing in Germany long before they became famous.
So why should that change after we leave?
THIS GOES DOUBLY FOR LIBCOM ANARCHISTS THAT ABSTAINED AND LAID INTO BREXIT VOTERS FOR USING MIGRANTS AS COLLATEROL, WHAT DID YOU THINK YOU WERE DOING WHEN YOU SPOILED YOUR BALLOT YE THICK CUNTS
I think treelover's nicked your login
Is a translation available?
I can spell thick racist cunt.
Did Bono and Sting also sign ?
Quoting a post that’s nearly a year old to have a dig was far more important.
Dubversion's auld tagline'Oh sting, where is thy death?'
My favourite Shakespeare quote.
Not a subject I know much about so could be wide of mark here, but wasn't that more to do with the power of the musician unions (here and elsewhere)?Not entirely accurate. There were all sorts of weird rules whereby if a British band performed in Europe, a European band had to be allowed to gig in the UK. That didn't get set aside until the mid-60s, and caused a lot of aggro even afterwards, as musician's unions in all the different countries wanted barriers kept up in order to keep their music 'pure'.
Not a subject I know much about so could be wide of mark here, but wasn't that more to do with the power of the musician unions (here and elsewhere)?
I don’t mind them spoiling em but if they want to talk about collateral damage they did themselves have the option of voting remain.I sort of forgive any who spoiled their ballots with the sign of the spunking cock, but if they just scribbled over it, then chuck 'em on a pyre.
New Brexit Deal Does Nothing for Musicians says MUThe new Brexit Deal and Political Declaration published today does not fix any of the problems that musicians will face in a post-Brexit world. It is disappointing to see that the government has not dealt with these issues despite the clear and repeated arguments that have been made by the Musicians’ Union.
Over the past two years we have explained on many occasions that freedom of movement within the EU is vital to most working musicians.
Tours that happen beyond the EU are always very costly and time-consuming to put together, not least because of the complex visa, carnet and paperwork requirements. European touring has been much easier – with the ability to tour to 27 European countries without any need for visas or work permits for musicians or carnets (temporary export licenses) for instruments.
Many of our members visit several European countries over the course of a week, often with very little notice, and do this on a regular basis. Anything that hampers their ability to do this is potentially catastrophic for our members’ careers.
This new deal doesn’t deal with any of the issues musicians will face. Indeed, because the commitment to the ‘single customs territory’ has been removed this would appear to confirm that goods will need to be checked at borders meaning that this deal could be even more damaging than the previous one brought forward by Theresa May.
As Britain now coasts into Brexit, music industry names continue to voice their fears over the uncertain future that faces homegrown touring artists. Last year, the value of the UK’s live music scene surged to £1.1billion, but now many say the implications of Brexit could be “devastating” to artists wishing to tour Europe.
Its thought that the extra expenses incurred and added paperwork relating to Visas, taxation and transporting equipment and merchandise will make crossing the Channel “completely unviable” for new and mid-level artists. Tens of thousands have already signed a petition by the Musicians’ Union calling for a new passport that will allow acts and crew to travel freely between EU member states, ridding them of new required permits.
“It’s OK when you’re a big-time act and you can afford to swallow costs, but if you’re the average or emerging artist then you’re hand-to-mouth,” Isle Of Wight Festival boss and music agent John Giddings tells NME. “If it’s going to cost more money to tour there or you’re going to have to take extra days off, then it’s not going to be financially possible.”
“Counting on the government for anything is the biggest waste of time going. Brexit is going to do serious harm to touring in Europe,” adds Giddings. “If you have to import and export your equipment in and out of each country, it’s going to take longer to do. There will be more travel days, and every day you’re on the road you have the overhead of staff, hotels and everything that goes with it. It will increase the overall cost of everything.”
I am old enough to remember when it was the left that wanted out of the EU, and referendum results were respected.
Update:
"It's going to be devastating" – here's how Brexit will screw over British touring artists
But all is not lost – sign the petition now to grant British artists a Musicians’ Passport to make touring Europe easierwww.nme.com
The entire music industry is not 'catastrophic' and there's far worse offenders to vent your spleen at - like private execs flying around in big jets on their own, or billionaires burning up vast amounts of resources for their own over-indulgences. That said, mega bands going on endless global tours need to find ways to cut down their carbon emissions.Bizarre. That petition is asking for what’s in place to stay in place, namely Schengen.
The live music industry has been booming in recent years and is a good way of gaining exposure and for making money, but the live music industry is fucking catastrophic environmentally and if we’re serious about combating climate change we need to cut down on this form of entertainment.
The entire music industry is not 'catastrophic' and there's far worse offenders to vent your spleen at - like private execs flying around in big jets on their own, or billionaires burning up vast amounts of resources for their own over-indulgences. That said, mega bands going on endless global tours need to find ways to cut down their carbon emissions.
Whether it is Iron Maiden in a 747 or a start up in a transit, there’s loads of people making loads of journeys to provide entertainment to others. Surely there’s a better way than 1000’s of people continually moving around all the time..?
This from the bloke who once bragged about having a model flown into London from New York for a single morning's work.
I do that kind of thing day in, day out. It’s not great. I also do travel for some mid-level bands, some of my colleagues who specialise in music travel do tours for the biggest names going. It is shocking just how many flights, limos, coaches, trucks etc. are needed to provide this entertainment.
BB1 will be going to Dublin to see My Chemical Romance and Paris to see Billie Eilish this summer, I will see the Killers in London, they and their massive crew will come over from the States, just like they did last summer. And so on.
Like I said, if we are to be serious about it, we need to change the way this entertainment is delivered.
I'd introduce an oxygen tax on you first.Or an introduction of a carbon tax to these globe trotting bands?
People make far more journeys to work every single day, with many being sole occupant cars. A van full of musicians going up the M1 is hardly an eco disaster.Whether it is Iron Maiden in a 747 or a start up in a transit, there’s loads of people making loads of journeys to provide entertainment to others. Surely there’s a better way than 1000’s of people continually moving around all the time..?
Do you remember Labours Bob Cryer? Almost a forerunner to Farage.
From approx 5mins 15secs.
People usually only make one journey to work each day But most of them don't fly to America to work.People make far more journeys to work every single day, with many being sole occupant cars. A van full of musicians going up the M1 is hardly an eco disaster.