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Glastonbury 2005

Dubversion said:
so The Undertones are to headline one night on the John Peel Stage next year. appropriate, but i bet they're rubbish ;)

No Feragal Sharkey. I saw them at Guildford :oops: in 2002, they weren't at all bad, the replacement bloke has been singing with them for about 15 years and is far from a disaster, but nothing like the good old days ... not that I ever saw them live then, just heard Peel raving about them and agreed with him ...
 
Dubversion said:
so The Undertones are to headline one night on the John Peel Stage next year.
I'm thinking that might draw quite a crowd (out of respect for Peel if nothing else), will the tent (or is it a stage now :confused: ) be able to cope? :eek:
 
Recently posted on the news area of EFestivals

The latest issue of Time Out (the London listing's magazine) has a question and answer type interview with Michael Eavis.

He explains that things have been busy since the last Festival in June, clearing up Worthy Farm to make it fit for cows, and booking bands - of which, apparently, around a third are already booked.

He mentions that John Peel's wife Sheila has approved the idea of the New Tent being renamed the John Peel Stage, and that a re-name of this stage with some John Peel connection had been considered several years ago.

And then the all important ticketing. Apparently, tickets are to be sold in a similar way to last year, but with a much bigger call centre and bigger web-server capacity, by which they expect to sell the tickets in two hours. The tickets won't be paper, but will be similar to a credit card, containing a chip, presumably with the chip containing information about the purchaser, to be checked on entry.

Although the article gives the impression that this system is firmly decided, our own enquiries tell us that the ticketing system for next year still hasn't been finally agreed. This is currently the most preferred option, but things may yet change.

If this is how ticketing will work, these changes could be good or bad news for the Glastonbury addicted. With tickets possibly selling in two hours, it will mean that 'casual' buyers will get tickets more easily than they did this year, and so reducing the number that will be bought by those most keen to attend. But it will at least mean that everyone will know whether they have that important ticket within a few hours.

eFestivals expects that the tickets for next year to be sold on a Sunday, as the phone network is least busy that day, avoiding many of the problems that affected this year with calls were being blocked before even reaching the call centre exchange. The date of sale is yet to be confirmed, but we don't currently expect the tickets on sale before 1st April.

After last year's all-night fiasco, I never thought I'd find myself being concerned should the ticket people beef up their computer capacity -- but now, I wonder .... last time, the hardcore persistant got tickets while the casuals tended not to bother after the first hour or so of frustration. This time, signs are it will be a free for all and a lot of us may miss out ... :(
 
they expect to sell the tickets in two hours.

:eek:

Given last year's shenanigans, that's very optimistic.

WoW, I agree - a lot of people will miss out, it's been that way for a while now, eh?

I'll probably be hitting refresh on the day, but I'm kinda sanguine about the whole affair. I've had 10 great years at Glastonbury, so can live on the memories if I miss out.

I've never bought into the idea the festival should be in any way the preserve of 'a chosen few' (though, should tickets not come my way, I'll naturally be feeling somewhat out of place on the last weekend of June).

Anyone who wants to go and misses out will have my sympathy - everyone should have the chance to go at least once.
 
corporate whore said:
:eek:

Given last year's shenanigans, that's very optimistic.

WoW, I agree - a lot of people will miss out, it's been that way for a while now, eh?

I'll probably be hitting refresh on the day, but I'm kinda sanguine about the whole affair. I've had 10 great years at Glastonbury, so can live on the memories if I miss out.

I've never bought into the idea the festival should be in any way the preserve of 'a chosen few' (though, should tickets not come my way, I'll naturally be feeling somewhat out of place on the last weekend of June).

Anyone who wants to go and misses out will have my sympathy - everyone should have the chance to go at least once.

I find it hard to agree with you (doubtless for selfish reasons!) -- if I get there, 2005 will be my eleventh, and I want to go more than ever ... it's not that I want to exclude anyone, but I would prefer it if there was a reasonably high proportion of people who know and love festivals and go Glastonbury for the vibe at least as much as for the lineup.

Yes, since at least 2002, people have had difficulties to a greater or lesser extent getting tickets, but at the moment, I'd rather it took LONGER than two hours for the tickets to sell, so that the persistant people who really want to go get a better chance.
 
i don't understand why they put all the tickets on sale at once anyway. why don't they do it in batches, in a staggered way? that would be more equitable and also less strain on the system surely?
 
kea said:
i don't understand why they put all the tickets on sale at once anyway. why don't they do it in batches, in a staggered way? that would be more equitable and also less strain on the system surely?

I asked this very question on efestivals las week kea, why not staggered release of tickets in batches.

Here is the not very satisfactory answer I got :

Webmaster of EFestivals said:
with the demand for tickets what it is, it's nonsensical for them to do staggered releases of tickets, as this would merely create the same mass chaos more than just the once, as everyone tried to get through.

As I understand it, the reason that tickets are no longer sold through high street outlets is because there's no chain of outlets to do them through, and I believe that it was HMVs decision to stop selling them (a few years back now).

As for people complaining about GF placing adverts, and having radio 1 annouunce it, and stuff, don't forget that not all people use the net as we do, and so ads, th radio, etc, is their only way of getting to know when and how tickets are on sale.

I was told the £££s they spent (but now I've forgotton what it was) on newspaper and magazine ads last year, and at first I thought it very excessive. But the more I thought about how important it was for them to get the new ticket buying info out there (only two tix, debit cards only, etc) the more I understood the necessity.

And on top of that, Michael risks the farm to put on the festival, and so he always has a natural concern about getting them sold. As he once lost a huge amount on the festival, I think his worries are reasonable (even if in reality unneccessary now).
 
As three-quarters of all tickets issued last year were to a SW postcode, I think you lot should get last dibs... :p :D

(Only joking - but they could try to make the distribution more fair with the internet playing a much smaller part in how tickets are bought. Probably mentioned it before, but if it was up to me you'd have to go in a shop and buy a ticket with hard cash.)
 
William of Walworth said:
I asked this very question on efestivals las week kea, why not staggered release of tickets in batches.

Here is the not very satisfactory answer I got :


you're right, that isn't particularly satisfactory.
i agree that they should sell some 'hard copies' through shops or whatever, as well as the net. and i disagree with the idea that selling in batches would just prolong the chaos. if people trusted the ticketing process and felt confident in it (an important factor, that, and one which is seriously lacking at the moment) i think people would hold back and not stampede.
 
Like the person who tried to parachute/glide in on Saturday night :eek: :confused:

You'd think batches would make more sense because the more casual punters would probably not bother waiting for a 2am batch meaning there'd be less people trying to get those tickets and most likely those who would be there would be the more dedicated lot.
 
Oh, and just in case you were wondering, there are 7 calendar months until Wednesday 22nd June, or 30 weeks and 2 days or 212 days :cool:

This year I've also set up one of those nifty countdown clocks :)






(I realise some people may think it's too early for a countdown, but I figured that since the thread's here and out of idle curosity it couldn't hurt too much to have a one-off announcement ;))
 
moose said:
Good grief. :rolleyes:
possible photo ID
Time to call it a day, I think.

From BBC story :

BBC said:
But they are concerned the measure may seem too oppressive and want fans' views via the BBC Radio 1 website

Fucks sake? Do they only want the subcoherent semi-literate 'views' of textspeak using Radio 1-ers??

There are OTHER websites, Michael? ;)

But I agree with bees ...

Anti-Glasto types here : treat this story with extreme scepticism and don't just believe the Glasto-discrediting stories that you want to believe ......
 
Dubversion said:
we might have a BUDGET :)

(gets excited)

Is this for PROD at glasto proper or back stage? If its front of stage, how's that gonna work exactly?

You'd have to have a leaflet with the ticket, to get people to bring a CD with them.
 
in a new expanded top secret area..

as for the mechanics, the extremely completed XML software/video projection jukebox is being developed as we speak... don't worry, we're drunks... i mean, professionals.. ;)
 
i'm not going next year. time for a year off. i said i wasn't going to go last year either but then forgot all about it and bought a pair of tickets in a rush of excitement. i had a great time, but there was a real sense of over familiarity about it all. to be expected after 12 odd years of going i guess.

anyway, a year off.

and to primavera sound instead.

:)
 
Yeah.. I'm tempted to give it a miss.. maybe try the Big Green Gathering & get me Chakra's re-aligned.. we'll see nearer the time.
 
William of Walworth said:
.. but I would prefer it if there was a reasonably high proportion of people who know and love festivals and go Glastonbury for the vibe at least as much as for the lineup.

Well, as a veteran of two years.. I can't say I really think the vibe is anything that special or unique.. The main reason I'd go in future years is to see the bands/some of the comedy acts etc. If I wanna listen to dance music/party/get wasted for 12 hours i'd rather head out to one of the parties in London.

Tbh I actully prefer the vibe at some of the freebie one dayers in London/Strawberry Fair or Ashton Court.. horses for courses I guess.

<Dunno if there's really a point to this post btw.. :rolleyes: :D >
 
Hollis said:
Well, as a veteran of two years.. I can't say I really think the vibe is anything that special or unique.. The main reason I'd go in future years is to see the bands/some of the comedy acts etc. If I wanna listen to dance music/party/get wasted for 12 hours i'd rather head out to one of the parties in London.

Tbh I actully prefer the vibe at some of the freebie one dayers in London/Strawberry Fair or Ashton Court.. horses for courses I guess.

<Dunno if there's really a point to this post btw.. :rolleyes: :D >

I suppose I'm guilty of seeing the whole thing through nostalgia-tinted glasses after ten times, but I love it all, still, I'm looking forward to my eleventh hugely, and I'm one who's been critical as hell of some of the less welcome changes since 2000. To me, the atmosphere, especially in the nicer-weather years, is unique and special (still -- but no doubt that's to do with my view of the areas of the site that I favour). I've said for quite a few years that the lineup really is irrelevant to me, or at best just an added bonus, there'll ALWAYS be bands/sounds there that I like, from the littlest tents (especially) right up to the main stages.

It would take a lot and I mean a lot, for me not to go.

But I'll be at Ashton Court as well (for the first time since 2000), and Strawberry Fair, which really is up there with the absolute best for me, and as many other smaller ones as possible .... only a few months to go!!! :p
 
ianw said:
i'm not going next year. time for a year off. i said i wasn't going to go last year either but then forgot all about it and bought a pair of tickets in a rush of excitement. i had a great time, but there was a real sense of over familiarity about it all. to be expected after 12 odd years of going i guess.

What can you mean!!!??? :confused: :p

To me the familiarity of the site, atmosphere, etc., is partly what I go for, there's always plenty new but lots of old favourites too .... :cool:

Still ianw and Hollis -- ticket demand lessened by two ... :D
 
beesonthewhatnow said:
Bet you still go :p

TBH I don't think they'll end up doing this...
I didn't mean me calling it a day! They'll be sweeping me and my Zimmer frame out with the last cowpat. I meant the festival, if it comes to that!
 
Looks like I was wrong to be sceptical :(

Well, it's now looking like Glastonbury 2005 WILL be going down the photo-ID for tickets route. :(

BBC story reporting contrived, trumped up 'popular support' for this move here

And who did Glastonbury invite to give this oh-so-well-informed opinion??? Readers of the Radio 1 section of the BBC website. Bet the responses were in txtspk ...

When was the 'consultation' launched? A few days ago ...

Here's the story :

BBC story said:
Fans support Glastonbury ID cards

Michael Eavis was the founder of the festival
Glastonbury organiser Michael Eavis has said he has had strong support for his idea to issue festival-goers with photo ID cards instead of tickets next year.
He wants to beat touts after heavy black market trade in recent years.

On Wednesday, he said: "The response today has been very, very positive. We have had about 400 emails and I think about 90% are in favour."

He had been concerned the measure may have seemed too oppressive and asked for views via the BBC Radio 1 website.

On Tuesday, his daughter Emily said: "Rather than a ticket, it will be like an entrance card, and it really is to try to limit forgeries and touting.

"As long as it's approached in the right way, it might really work, it might really change the system."

The cards would include a photo and a chip with personal information that would be read at the festival gates.

Ms Eavis said it would be "quite a big step in terms of ticketing for events" if implemented and they were "going as far as we can" to cut touting and forgeries.

This year, all 112,000 tickets were sold within 24 hours.

They were personalised with the names of the purchasers and festival-goers were asked to bring identification, such as a driving licence, passport or household bill.

But some fans forgot to take the right information while some touts simply offered to supply their own ID along with the ticket bearing their name.

Ms Eavis also said they were busy booking bands for next year's event and preparations were "coming along incredibly well", but no line-ups would be announced until 2005.

A few days ago, there was a window on the BBC R1 page in which responses to the idea were invited. If I'd known the whole thing would be wrapped up so soon (as it appears to have been??), then I'd have acted moore urgently here in urging Urbanites, and eFestivallers of a more informed and sceptical tendancy, to respond.

It's probably too late now, but here was my objection that I sent to the BBC, a (slightly) edited version of this post by me on EFestivals (you have to register to actually contribute to their discussion forums, but you can read them without registering. Be nice if you do join!) :

me said:
My objections are somewhat vague. It will probably be stated that that few people can have any logical objection to provising photo id. This is all very well -- most people probably WILL swallow their doubts and go along with it for the sake of getting to the festival they love.

But my objection lies with what this says about what the festival will seem to have become in terms of compelling a yet greater degree of conformity than has already happened. That minority of people who live on the fringes of society and have not yet self-excluded themselves from Glastonbury already, those people who prefer to live a transient, no-fixed-abode based and a mobile, shifting ID centred life are NOT necessarily criminals, some of them have indeed been the backbone of crewing the Green Fields, helping move and set up and derig the infrastructure, staff the voluntary organisation cafes etc., bering their acts to the Circus Fields, be roadies for their mates' band etc. Some still do this, some did in the past but might now have shifted to becoming paying punters more reently, while still preferring to be little known as possible to the electoral register and the inland revenue. It doesn't matter how much reassurance mdp and others give that ID on Glasto's database will not leak to any other bodies, the point is the perception -- people who for very understandable reasons (eg have a colourful road protesting background?) keep their distance from the police and other official bodies, might still prefer to lead as anonymous a life as they can, that should be their choice so long as they do no harm to others ...

People like this will be forced with a choice -- go overground and document yourself maybe with a false ID, or don't go to Glastonbury. Glastonbury used to be known as the main gathering of the alternative clans, of course that aspect has already become much diluted over the years, for various reasons we all understand and appreciate security has had to be tightened and former free for all avenues of getting in closed off, but in becoming that much less alternative the festival it will lose yet more of its character.


I'm very uneasy, for reasons I can't exactly put my finger on. I will test the waters of opinon around Urbanland and other places ....

So come on Urban Glasto types, what do you think??

Yes, the festival has changed, a lot of the unwelcxome changes have already happened, is this photo-ID thing crossing the rubicon to a Step Too Far, or just another nail in the conformity coffin?

Will Glasto's character survive??

I''d be interested to see in particular the reactions of people who haven't already become inveterately Glasto-sceptical and Glasto-hostile ...

Ellal's response on efestivals :

I didn't say Glastonbury would 'lead to an ID card'!..I said that if it decides to use photo ID, and sells out as usual within a few hours, then the government may use it as an example of how 'we are accepting the ID idea'!!

As is his history for 'flying kites' over ticketing ideas, hopefully when ME works out the logistics/practicalities of this, he'll see he's being a bit silly!..Oh, and he must be using the same reasoning as the government for working out 'public opinion'!...he bases his on 400 emails ( how many from festival goers? ), and the government tells us 80% are in favour of ID on a poll of 10,000...hardly hard evidence in either case is it?

And ME has just said on the radio that the 'tout problem' now only affects about a thousand tickets!! Why is everything getting over complicated to, as many have said, 'use a sledgehammer to crack a nut'..THE best way to beat the touts is not to pay over the odds!..how many times have people come on here and said they'd handed over money to rogue ticket agencies after being advised not to etc!

It COULD be at least plausible that this idea is a bit of an impromptu dry run for national ID cards ...

Posted by mdp963 on efestivals :

I simply believe ME has a bee in his bonnet about touts and is trying to do someting about it.

To which ellal responds :

But maybe that Bee is buzzing too loudly, and has got out of all proportion...

Or maybe there is another agenda?..many have questioned whether the 'alternative crowd' is being slowly squeezed out..maybe ME ( with a little bit of gentle persuasion! ) is looking for a more 'normal' crowd. Why?...because they spend more!...Commercialisation rears it's ugly head again!..

Lets be having your views ....
 
Some strictly practical objections :

Webmaster of EFestivals said:
Glastonbury's agreement with Aloud runs until 2005, as do all the other GF contracts. Do you trust Aloud to not f**k up?????

Buying the ticket will be one process, and sending in the photo will be a seperate process - it will HAVE to be, as no one has yet worked out how to send a photo down a speech phone line and many peeps will order by phone.

So, you have to trust aloud to match your photo with the right ticket. Do you have that trust????

And as the photos can be sent later, that gives the opportunity for people to re-sell the tickets before they need to send in their photo, and so the buyer can send in their photo.

As for fraudsters who have the equipment to fake cards not being interested in faking Glasto cards, what planet are you on? Fraudsters will go for anything they can turn a profit on.

And they'll be able to turn a profit on Glasto IDs easily, they're high value (so they'll make lots of dosh), and they won't get the legal comeback if caught that they would doing fraud on banks, and the chances of being caught faking the Glasto tickets will be hugely less than faking bank cards.

The whole idea is no more secure than last year, and there's extra problems created due to the tickets/cards not being checkable for the correct details as the tickets were this year.

Michael, don't do it: if you thought you got bad flack this year, it's nothing to what you'll get next year if this goes ahead.

And on top of all that, the atmosphere (and so the fun) of Glasto will be much reduced this year, due to it being full of people who've only ever gone to V (or whereever, or nowhere) before, who will get tickets easily as a result of the ticket selling scheme. It will be a completely different, and less good, festival.

What a potential nightmare .... :(
 
God that sounds like an awful mess/hassle.


I reckon they should do it how they used to do and sell tickets in HMV, two allowed per person. People could camp outside allnight if they wanted to to get tickets. Now THAT's democracy!
 
From a restriction of touts POV han, that would never work.

That doesn't mean I agree with the extremely OTT sledgehammer to nut ticket selling and ID methods they are now considering ...:(

OK so Glasto is seven months away and ticket sale day (around April 1) is four months away, but I can't believe Glasto going Urbanites haven't got any opinions on this??? :confused: :eek:

Bumped to make you fuckers sit up and take notice :D ;)
 
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