Not me, but am aware of his work on debt and neoliberalism. Maurizio Lazzarato, The Making of Indebted ManAfter spending today wading through Negri's stuff on Spinoza (don't ask) I've stumbled across the name Mauricio Lazzarato whilst trying to avoid Deluxe & Guattari. Anybody read him?
Noel Ignatiev died tonight.
(I'll come back on ML tmw)
You were lucky comrade.Damn, I just saw him speak in Brooklyn two weeks ago and he seemed in fine fettle.
R.I.P.
The one reffed here?You were lucky comrade.
The one reffed here?
Just to remind people that he said white w/c people were poor in the US partly because of racism not rich because of racism. Misuse of the ideal of white privilege will be all over RIPs and overviews.
Ta butchers.Brooklyn Rail has a new article from NI and a very interesting political obit (with some harsh words, see below for an example) from his co-founder of Race Traitor, John Garvey (Hard Crackers and Insurgent Notes contributor/editor):
A Life Defined by Political Engagement - Noel Ignatiev, 1940–2019
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And the article itself - which i've not read yet:
Frederick Douglass, John Brown, and the Virtues of Impracticality
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I'm not sure it ever will be - i can't even access it as a subscriber. They used to have the archives on their own cse site and everything was archived and available to subscribers but now the archives direct you to the commercial publishers instead.Ta butchers.
I keep on checking back on that CSE article you linked to a while back, do you know when/if it will be free to access?
Damn. I tried accessing it through my institution but no go. I'll ask around and see if anybody I know can get access to it.I'm not sure it ever will be - i can't even access it as a subscriber. They used to have the archives on their own cse site and everything was archived and available to subscribers but now the archives direct you to the commercial publishers instead.
In the 1950s and at the beginning of the 1960s, when Alquati and his comrades began carrying out conricerca, the workers and the factories had been politically abandoned. In a sort of unconscious Frankfurtism, the Italian Communist Party (PCI) held that the working class was now irreversibly integrated into the capitalist machine. And so a vicious circle was created. The PCI – which had chosen to follow the middle classes and the”‘Italian road to socialism” (a road without revolutionary class struggle) – asked the factory militants if anything was stirring, and they confirmed the line at the top, saying that there was no possibility of revolutionary class struggle amongst the workers. Immigrants from southern Italy who had been inserted into the production line, who a few years later would become the “mass worker,” were seen by the PCI and trade union militants at the time as passive and alienated opportunists. However, the operaist militants, when talking with these young “new forces,” revealed real ambivalence in their behavior: it was true that they often voted for the reactionary trade unions, but that was because they didn’t feel represented by anyone; they didn’t take part in the strikes because they thought they were useless. The operaisti showed that even their passivity was potentially more effective as a form of struggle. And very soon their outsider status at work turned into refusal and insubordination. What’s more, these southern Italians who had immigrated into the industrial metropoles of northern Italy bore little resemblance to their representation in leftwing literature and cinema, of victims laden down with cardboard boxes, needing our tears and sympathy. On the contrary, they were a potential force, bringing with them new behaviors and cultures of conflict foreign to the traditions of the workers’ movement institutions, which now co-managed exploitation in the factory. Enough with the tears, with talking about the needs of the victim, with the culture of the left: the revolutionary militant searches for strength, not weakness. That’s why we say operaismo is a communist experience that breaks with the Communist Party and which is foreign to the culture of the left.
The term “post-operaismo” was coined in Anglo-Saxon and North American universities in an attempt to capture the power of operaismo, to depoliticize it and abstract it from conflict and class composition, to render it good for academia and the political economy of knowledge, and no longer good for struggles. This then became “Italian theory” which differentiates itself from “Italian thought.” In turn this will become “Critical Italian theory,” then “Critical Italian thought” and so on to the bad infinity of a theory that’s decoupled from class composition and class struggles, moving from university conferences and desks to become solidly embedded in the valorization and reproduction of capital.
The delicious irony of an 'anarchist' publication being behind a paywall. So much for egalitarianism.Ta butchers.
I keep on checking back on that CSE article you linked to a while back, do you know when/if it will be free to access?
Cheers butchers, looks interesting, will have read of that over the weekend.<snipped>
It's not an anarchist publication you div. And they do give out some of their content for free.The delicious irony of an 'anarchist' publication being behind a paywall. So much for egalitarianism.
Which piece is it? I might be able to get it (I seem to have institutional access to that issue).Ta butchers.
I keep on checking back on that CSE article you linked to a while back, do you know when/if it will be free to access?
Thanks for the offer Wilf, we managed to get a copy in the end - posted on this thread.Which piece is it? I might be able to get it (I seem to have institutional access to that issue).
The delicious irony of an 'anarchist' publication being behind a paywall. So much for egalitarianism.
Cheers for that BA, going to have to read it again but enlightening. Alquati sounds interesting.Viewpoint have just put up a wonderful scathing interview with Gigi Roggero that essentially calls for a use of the original operaismo against post-operaismo and related fads (accelerationism etc) in the same manner as the original operaists used marx against Marxism. Lots of really interesting stuff in here with some great lines ("In recent years workers’ inquiry and coresearch have been much talked about, perhaps even too much, in the sense that it would be better to talk about them less and do them more"), section on composition that's really important - compare that with the stuff angry workers are doing right now, plus lots more on intellectual/manual labour, the myth of spontaneity
It’s best to leave meteorologists to predict the rain, as militants we must create storms.
...
Tendency means a political wager. The wager is not about throwing a dice, nor about making a scientific forecast, but about choosing a path. It is about identifying a line that doesn’t exist but could. It is a materialist wager, within and against the existing force relations. Without a political wager there is no politics in a revolutionary sense, but only the administration of what exists, or rather the techniques of institutional politics.
Now, with L’operaismo politico italiano: Genealogia, storia, metodo (DeriveApprodi 2019), Roggero sets out to make the case, in concise and accessible prose, as why the experience of operaismo and the gli operaisti might be worthy of consideration by a new generation of readers today. Above all, he asks on the opening page, “perché parlare di operaismo quando ormai si è consumata da tempo la sconfitta di quel soggetto che sta alla radice della sua definizione, cioè della classe operaia di fabbrica, ovvero il tramonto della sua centralità politica?” His answer, as set out across six short chapters and a concluding interview, is that if operaismo was a product of its time, the method it has bequeathed – its way of reading class politics, the questions that it posed about class subjectivity: in sum, ‘a method and style’ developed from a partisan perspective – continue to offer something that reaches beyond the particular context within which the tendency emerged.
Tronti has often argued that operaismo had come to an end by 1968 or thereabouts. As Roggero demonstrates in his fourth chapter, however, there was ‘un operaismo oltre l’operaismo’ that extended well into the 1970s. If anything, the tendency was invigorated by the struggles of the late 1960s – not only winning more militants to its banner (as did most currents in the far left at that time), but also engaging in important further reflections about class composition
Alquati is the main influence on the writer, see above. I put most/all of his translated 'political' texts ( it think all at the time at least) on-line at the old site years ago so i expect they're still out there somewhere. Wasn't much., few very influential pieces that others then ran with.Cheers for that BA, going to have to read it again but enlightening. Alquati sounds interesting.
Love these lines