J Ed
Follow Back Pro Expropriation
I managed to go to university for three years (from my mid to late twenties) without noticing student politics at all.
Not a minority experience!
I managed to go to university for three years (from my mid to late twenties) without noticing student politics at all.
Not sure where this goes in the intersectional analysis of Father Ted
Low-status men, and especially women and girls, often don't have that expectation. We expect to be forgettable supporting characters, or sometimes, if we're lucky, attainable objects to be slung over the hero's shoulder and carried off the end of the final page.
Is she saying she's a low status woman/girl here?
Low-status men, and especially women and girls, often don't have that expectation. We expect to be forgettable supporting characters
She's wrong then. I expect to be the hero in my story. And I am!
children? bit of pro-natalist privilege checking for you required, sihhieventually, our children are expected to take priority."
Have you read James Kelman's Elitism and English Literature? She has pinched it, filleted it of class politics and rendered it through the prism of 30k school and oxford privilege. I could be wrong but the bits about 'heroes' and 'expectations' might not be easily waved away as pure happenstance.She has a degree in english literature from Oxford, yet she insists on reading novels as works about individual heroes and villains. How did she ever pass? I suppose it fits the worldview of 1)glamorous active types able to don different identities at will (the heroes) and 2) those trapped in one passive victim-identity forever (these are who the heroes do their heroing for) and 3) the villains who are really the heroes gone bad, or more accurately, the people who have the same range of identity and action option open to them - the other people with agency.
It's in And The Judges Said (and here) - Elitism and English Literature
I'm very much an antihero.
Yeah, fuck off.
You could have had class, you could have been a contender - instead of a bum, which is what you are, let's face it.
It's not a bedsit... it's a flat!Careful thinking. Forward planning. And that is why I sleep in the arms of a beautiful woman and you spend your evenings alone in your bedsit. With cheap porn.
Flat flat.Flat flat or studio flat?
What does all this mean, especially this part
It doesn't mean anything, she just makes it up. I don't have an Eng Lit degree from Oxford but if I did I'm sure I would have read Thomas Hardy, Virginia Woolf, George Elliot, Jane Austen, maybe Doris Lessing, Angela Carter, Margaret Atwood, none of whom write forgettable, supporting female characters, and they're just a few off the top of my head. She'll have also done courses in critical theory, probably feminist critical theory, so she's more than capable of more 'sophisticated' analyses. It's almost like she's pretending to be less educated than she is. Why?
And I'd be very surprised if she's read James Kelman. They have nothing in common.
I can't bring myself to watch her, so don't know - since they always get her in has she bothered to do much research? Can she reel off the numbers to cut through the bullshit or is it all just touchy-feely emoting?
Her point, I think, was that male writers write only forgettable, supporting female characters so from the list it's solely Thomas Hardy who counts but I've never read him so I don't know.
The screenwriters for films which feature this sort of supporting love interest character - only mentions one film though - are male.
I think this is the claim, could be wrong.
Her point, I think, was that male writers write only forgettable, supporting female characters so from the list it's solely Thomas Hardy who counts but I've never read him so I don't know.
The screenwriters for films which feature this sort of supporting love interest character - only mentions one film though - are male.
I think this is the claim, could be wrong.
There are meant to be four basic plots which most stories are based on and I guess that's one of them ...
She talks about screenwriters but then also talks about stories, fiction in general. She doesn't say anything about male writers specifically when she's doing that. Maybe she just assumes that they're male which is bizarre from a woman who claims to live in world of books and did an Eng Lit degree.
Of course it's true that many male writers still rely on stereotyping for their female characters. It's not exactly news that actors find it hard to get good roles in US films. And I recently tried to read Snow, in which the main character, a poet, goes back to his home town in Turkey all the way from Germany to seek out a woman he used to have feelings for in order to marry her. I haven't figured out why yet apart from that she is beautiful. It pisses me off that 'serious' literature can still be based on a tale of man meets beautiful woman - I think, 'Are you kidding?'
I recognise the stereotype she writes about. I hate it too. It's just that she's not writing about the stereotype, pulling it apart, trying to understand it in it's historical, social context etc. It's just a fantasy, a geek's fantasy, the type of geek who fancies her. She's not writing about how that fantasy comes into being in the head of the geek or why it gets made into a film costing millions to produce because as usual she's not interested in the external world, she's only interested in talking about herself.
I'm going to see if I can guess what they are.
1) Boy meets girl then does some love.
2) The audacious heist.
3) War.
4) Jokes about penis.
I'm going to see if I can guess what they are.
1) Boy meets girl then does some love.
There are meant to be four basic plots which most stories are based on and I guess that's one of them ...