butchersapron
Bring back hanging
Ahhh sigh I wrote a big reply and it just got back-button destroyed, oh noes.
I was reading this pretty late, and I mainly objected to the points in this thread where the (perhaps legitimate) criticism, cynicism and character assassination instead turned into a "look at her pic, what an ugly cunt" or "what a posh clueless cunt, being called Tamsin says it all" blah blah blah. Pretty nasty kinda undertone imo. I do think her articles are at times pretty shitty; the lolsome lies about singing the Internationale and harping on about her 'living in poverty' etc, the sense of proportion is really not there, but also is she really claiming to be a 'voice of the yoof'? I guess newspaper editors do genuinely think like that, which is pretty fucking sad really.
Making a quip about the SWP (and essentially their 'marketing' at protests) isn't exactly the end of the world, personally the whole facebook/CIF handbags-out debate wankery just makes me chuckle (or even eye-roll like the evil green smilie). She's only 22 or something though isn't she, maybe i'm naive and over-optimistic but writing someone off as a useless liar future lib dem abuser of their class privileges is just as snidey as her SWP comments; compared to Richard Littlejohn or someone her articles are hardly the inadvertent evil some are making them out heh.
Penny's petty sectarian comments are exactly what some people are replicating (here and elsewhere) on some level, in some ways she's a non issue, a her few CIF pages is not going to either make or destroy how young adults in protest movements are viewed imo, and to say this will buys into a pretty low opinion of people in society as a whole, and their ability to read around, and y'know... think for themselves a bit.
You've mixed up two different people and have the chronology back to front there. LP has already variously done the Labour party, then the lib-dems, then back to labour now to full fledged revolutionary blah blah.
The point isn't so much about the content or effects of her writing, but
a)how you really cannot find a better example of the use of cultural capital based on privilege to extend and transmit that privilege into the future
b) how certain people attempt to recuperate social movements for their own careerists ends (some journos) and how other groups of people help/make this happen (editors, media bosses) and
c) how politics is reduced in this game to just another fashion, this years fad. In short how the media and the culture they create and reflect works
d) personal annoyance at the sort of barely disguised pushy middle class self-obsession that we've all seen in our social or work lives being (self) promoted as the voice of a generation (without even going into the infantile divisions this sort of crap assumes).