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Urban75 Album of the Year 1983

Tbf, I suppose I don't think of them as being album-listening genres either (house and techno, not hiphop). But just from listening to 1983 albums on this thread that I don't know as well as I should, there's Heaven 17 with the Luxury Gap, Cocteau Twins with Head Over Heels, Daniel Johnston with Hi How Are You and Tom Waits with Swordfishtrombones, none of them really feel like they're just retreads of styles that were already familiar in 83, all seem like they would (as far as I can tell from this vantage point) have been doing something pretty new at the time.
And Daniel Johnston was just continuing where the Beatles left off.
 
March 2020. That week when it became apparent that the pandemic was upon us, that a lockdown needed to happen and no-one was certain what lay ahead. Tension. Anxiety. My usual soundtrack wasn't cutting it. I think a lot of people were in a similar position. A lot of folk seemed to dive into soothing ambient sounds to sooth their worried minds, but all that gentle shit just grated on my nerves.

Then out of nowhere the perfect background music to those troubling times came to me: ZZ Top's Eliminator.

I'd never even thought to listen to it since it's release in 1983, but for that week their daft new-wave boogie-synth dance-metal jams were about all my brain could tolerate.

ZZ Top - I salute you


One of my faves from that year - absolutely loved it
 
Tbf, I suppose I don't think of them as being album-listening genres either (house and techno, not hiphop). But just from listening to 1983 albums on this thread that I don't know as well as I should, there's Heaven 17 with the Luxury Gap, Cocteau Twins with Head Over Heels, Daniel Johnston with Hi How Are You and Tom Waits with Swordfishtrombones, none of them really feel like they're just retreads of styles that were already familiar in 83, all seem like they would (as far as I can tell from this vantage point) have been doing something pretty new at the time.

There's a lot of influences and ideas going on with Swordfishtrombones, and Kathleen Brennan was probably the biggest influence.

 
Also, since no-one's mentioned Speaking in Tongues by Talking Heads yet, worth mentioning the best song in the world is from an album that came out in 1983.

I was thinking about mentioning it.

IMO it's a good album, not a great one, not as good as either Fear of Music or Remain in Light. It will probably make my top twenty, but not my top ten.

And I'll bite - what is the "best song in the world" you're referring to?
 
I was thinking about mentioning it.

IMO it's a good album, not a great one, not as good as either Fear of Music or Remain in Light. It will probably make my top twenty, but not my top ten.

And I'll bite - what is the "best song in the world" you're referring to?
Yeah, it's not one of the Talking Heads albums I'd think of first. And This Must Be The Place. I do like my hyperbole and would never actually be able to pick a single favourite song, but that's got to be up there.
 
i know nothing about punk really but i know what i like ;) via a stray youtube comment came across this great label
Roster includes Subhumans/ Instigators / A-Heads / Organized Chaos / Wild Youth and more....
Looking at the 83 albums (there were 4) only this one has youtube audio

ITs really great IMO


Would like to hear the two live Subhumans albums ....will dig later...
 
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found this
available here

todays the first time ive ever heard subhumans - love them - proper! opening up a new world to me tbh...its a fine line for me but theyre way on the right side of it
 
So, what do we think of UB40's Labour of Love, if we're talking albums of 1983?
grew up on that record, my mum loved it, i love it too i guess
ive totally come around to full commercial ub40
not enough to vote for it though, theres enough other contenders for me
 
found this
available here

todays the first time ive ever heard subhumans - love them - proper! opening up a new world to me tbh...its a fine line for me but theyre way on the right side of it
Think Bluurg was the Subs' own label - lots more non-tape stuff here: Bluurg Records
1983 seems to have been a very busy year for them!
 
Spectralism was a tendency in modern classical music to explore sound via the harmonic series integrating timbre and harmony, it's a collection of compositional techniques that gets applied across a range of schools and compositions but from the mid 60's there were a couple of definite schools of thought. It shares a lot with minimalism but whereas minimalism is generally associated with America, the spectralists were associated with French composers (key figure - Gérard Grisey) and some less formal Romanian composers (key figure Corneliue Cezar) some of whom were exiles from Ceausescu's regime.

This is some of the most sonically rich music you will ever hear but then to be fair, that's exactly what they were going for. Concepts around melody don't really fit in, but it's not necessarily especially difficult to get into.

Around 1983 Tristan Murail's orchestral composition Désintégrations was composed and performed. It's a significant work I believe but you won't find it on any album - and this is one of the less talked about limitations of looking at albums.

However we do have an important album in the shape of Ocatvian Nemescu's Graeatia - Natural which according to its bandcamp is the first fully electronic album to be released in Romania. It's actually really likable - you could mistake parts of it for early Tangerine Dream.

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This album of (more choral) compositions from Călin Ioachimescu and Şerban Nichifor is also really great.

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On the French side there is an album of music composed by Allain Gaussin Éclipse / Eau-Forte / Ogive

1693046948785.png
 
Anyway we're coming to a close. I've got three submissions so far and the rest of you should start thinking about getting your lists together. Deadline Thursday, will probably extend it to Friday.
 
Anyway we're coming to a close. I've got three submissions so far and the rest of you should start thinking about getting your lists together. Deadline Thursday, will probably extend it to Friday.
Might be worth thinking about a deadline of Friday and then if any Pink Floyd like stuff is gaining momentum bring the deadline forward to Thursday
unexpectedly and with no warning.
 
i know nothing about punk really but i know what i like ;) via a stray youtube comment came across this great label
Looking through the discogs page I've got a couple of Bluurg tapes (not from '83) by gothy punks Funeral Party and punky ska act Blue Meanies. It was proper DIY distribution - they sold the tapes at a stall at gigs and the only other way to get them was mail order from a place in Warminster (I've also got a Mad Professor live show on tape I ordered from them). Love those photocopied covers.
 
While I'm thinking about Bluurg and Subhumans I've got a question about the release date of From The Cradle To The Grave.

It was released as a cassette in 1983:

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but it didn't get a vinyl release til 1984:

LTY2NzMuanBlZw.jpeg


Do we get to vote for it in both years? Or just 83 or just 84?

Love the A-side of this, have to 'be in the mood' for that long track that fills up side B.
 
Drawing up my list now, just remembered/been reminded that Fucking Cunts Treat Us Like Pricks was 83. It's a unique album I suppose, can't claim I listen to it on that much of a regular basis I suppose.
 
OK, submitted my list, plus a bonus list of EPs because there's too many good EPs this year to not vote for any of them. Sorry to Slayer, Suicidal Tendencies and Daniel Johnston.
 
Orchestral Manoeuvres in the Dark's Dazzleships is actually really good. Don't think I've listened to it since 1983 and godknows if it sounded futuristic then but it sounds almost like an album made in the 2023s trying to sound like a futuristic album made in 1983. Underated.


 
just remembered/been reminded that Fucking Cunts Treat Us Like Pricks was 83.
Released 31st March 1984

"Nothing ever came of it but Greater Manchester Police had a go at banning this album along with others by CRASS and the DEAD KENNEDYS. Beyond attempts to use the Obscene Publications Act, raid shops and seize copies, some record shops - HMV for one - just refused to stock it. Their objection was both the title and the artwork by CRASS guitarist Andy Palmer. Later reissues use different cover art."
 
Just got recommended Bluurg TV on youtube

Dick stuggled to get a word in with Steve in full flow :D I know 1983 is a long time ago, but I was surprised to see the writer of Ashtray Dirt chuffing away on fags throughout that video.

 
Never going to get a look in in all the clutter but The Go Betweens - Before Hollywood has some lovely subtle moments

 
I played Rickie Lee Jones' Girl at Her Volcano a lot back then. It's mainly live versions of covers, including my fave ever version of My Funny Valentine. Officially an ep, released on 10" vinyl with 7 tracks, but the cassette version (which I had) had a great bonus track, Something Cool, which pushed the running time to about 30mins, which is an LP for me.

 
Released 31st March 1984

"Nothing ever came of it but Greater Manchester Police had a go at banning this album along with others by CRASS and the DEAD KENNEDYS. Beyond attempts to use the Obscene Publications Act, raid shops and seize copies, some record shops - HMV for one - just refused to stock it. Their objection was both the title and the artwork by CRASS guitarist Andy Palmer. Later reissues use different cover art."
That would explain why it hadn't been mentioned on this thread before! OK, I officially retract my not-that-enthusiastic-in-the-first-place vote for it. Will have to remember to vote for it in the 84 poll, along with Too Many Humans by No Trend, which my media library also insists is from 83.
 
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