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Urban75 Album of the Year 1983

Talking of Miles Davis there is this but not heard it yet


This live set featuring tracks from the album is better than the album IMO


this is even better - really enjoyed these jams - not sure if its based on any of the material off the album thought it is 83
 
Following the departure of "Fast" Eddie Clarke - Motorhead rock on with Brian "Robbo" Robertson and "Another Perfect Day"



Lemmy's thoughts on the album:

"Recording Another Perfect Day was fucking torture. Brian, he'd take seventeen hours doin' a guitar track. It fuckin' took so long compared with the other albums. And then when it was released everybody fucking hated it."
 
Top Notch Dennis Brown LP this - loads of classic tunes inc Easy Take It Easy, Satisfaction Feeling, Praise Without Raise and the big anthem Don't Want To Be No General

and this a great DJ rubadub LP album - full Ribbit! and Bim! business
rrrright
 
Following the departure of "Fast" Eddie Clarke - Motorhead rock on with Brian "Robbo" Robertson and "Another Perfect Day"



Lemmy's thoughts on the album:

"Recording Another Perfect Day was fucking torture. Brian, he'd take seventeen hours doin' a guitar track. It fuckin' took so long compared with the other albums. And then when it was released everybody fucking hated it."
 
I don't know if you're interested in theory/analysis but here's something saying something about Blister in the Sun


I reckon I'd be quite up for that if it was a written article, but I struggle to find enthusiasm for a 17-minute video about a 2-minute song.
 
A classic bit of crusty US hardcore from Crucifix:


If nothing else, notable for how he weirdly manages to pronounce "arms production" to sound like "orange production" at the start.
 
I don't know if you're interested in theory/analysis but here's something saying something about Blister in the Sun



Is it supposed to be 'deep' though? It's just a fucking rollicking tune and I seriously doubt whoever made that video has ever or will ever come up with anything better.
 
Is it supposed to be 'deep' though? It's just a fucking rollicking tune and I seriously doubt whoever made that video has ever or will ever come up with anything better.

Indeed, that's what the thumbnail says. But how did they create a fucking rollicking tune? edit: it's not saying what you think it's saying, it's analysis not criticism.
 
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Couple of nice Hi-NRG albums from Motion.


 
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Trying to get through albums that I feel I should have opinions on but don't know well enough to vote on/for, I think I'll leave Slayer and Metallica until they properly find their feet a few years later. Trying Daniel Johnston now, but even with my thoroughly Shaggs/Beat Happening-trained ears I think it'll take a bit of effort to get into this.
 
I was going to comment that this one hasn't exactly set the forum alight the way the 1973 thread did. I think that this is a sign of things "beginning their descent". Love it or hate The Dark Side of the Moon was an incredible development in a genre that had started with Elvis and Jerry Lee et al - and that development took place in less than 20 years. And not only that, there's been nothing like it since.

Which is why the feeling of being spoilt for choice that we had in the 1973 is absent here, and I can't really work up the same enthusiasm for this one.
 
I was going to comment that this one hasn't exactly set the forum alight the way the 1973 thread did. I think that this is a sign of things "beginning their descent". Love it or hate The Dark Side of the Moon was an incredible development in a genre that had started with Elvis and Jerry Lee et al - and that development took place in less than 20 years. And not only that, there's been nothing like it since.

Which is why the feeling of being spoilt for choice that we had in the 1973 is absent here, and I can't really work up the same enthusiasm for this one.
Completely the opposite here! Guessing you're not big into hiphop or house/techno?
 
Tbf, I suppose I don't think of them as being album-listening genres either (house and techno, not hiphop). But just from listening to 1983 albums on this thread that I don't know as well as I should, there's Heaven 17 with the Luxury Gap, Cocteau Twins with Head Over Heels, Daniel Johnston with Hi How Are You and Tom Waits with Swordfishtrombones, none of them really feel like they're just retreads of styles that were already familiar in 83, all seem like they would (as far as I can tell from this vantage point) have been doing something pretty new at the time.
 
Tbf, I suppose I don't think of them as being album-listening genres either (house and techno, not hiphop). But just from listening to 1983 albums on this thread that I don't know as well as I should, there's Heaven 17 with the Luxury Gap, Cocteau Twins with Head Over Heels, Daniel Johnston with Hi How Are You and Tom Waits with Swordfishtrombones, none of them really feel like they're just retreads of styles that were already familiar in 83, all seem like they would (as far as I can tell from this vantage point) have been doing something pretty new at the time.
I was reading contemporary reviews of Swordfishtrombones the other day and they all accuse him of ripping off Beefheart.
 
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