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We Can Be Heroes: How the Nerds Are Reinventing Pop Culture

Here's what mugs get for their patreon cash. A long brag about being a successful screenwriter from Oxford 'wizarding school'.

Some of us were working-class, most of us were queer, almost all of us were twitchy weirdos emerging from the special neurosis of lonely intelligent children everywhere, namely that we thought far too much and far too little of ourselves at the same time.

I publish a short novel, Everything Belongs to the Future, which is barely disguised fan fiction about me and my friends, set in a far-future Oxford, with a group of queer anarchists in a filthy flatshare trying to make art in a world that has no space for them.

Of the original members of our Oxford Fan Fiction and Folklore society, by the way, two are now published authors, one is a cultural critic, and one is a major editor at a science fiction/fantasy publishing house.

Milo has been cast aside for now.
A fringe far-right rally at the Republican National Convention. I'm here as a reporter, and I hold up my recorder as the far-right nanocelebrity on the podium segues seamlessly from a rant about the threat of Islam to a rant about the new Ghostbusters reboot. “Terrible feminist flop!” Milo Yiannopoulos yells.
 
Amazing that a load of kids ('some working class' - one of them went to state school) in oxford university have gone on to have succesfull careers
 
That patreon really is just a fund my holiday twats thing isn't it?

What's like to be patronised. Like a 16th century duke's servant, or more like a fund my party twats leninist subs style feeling?
 
I remember getting into blogging in mid-ish 00s (I'm embarrassed thinking about it) and that pennyred blog being one of the darlings of the 'left blogosphere' (fucks sake) and me wondering wtf and here we are fifteen years later with her leveraging 50k a year out of dickheads for pumping out the same teenage angst outsider posh bollocks. It is almost admirable really, in the same way as that horrible fella who faked the lottery ticket
 
So her new thing is that elite dominance is ok - it's deserved right? She's consistent on this at least - here's her in 2013 talking at the oxford union: Who are we? People who are ambitious. People who expect to be in the top 10 to 1% of global society, either now or in a few years.

And as if by some magic - it happened!
 
I dont have any particular problem with paying to read someone's writing, but the patreon model has you paying way more for far less than you would under other models- ie, a monthly subscription to a magazine or whatever.

The minimum to 'unlock' most patreon's content is usually about £3 - for that you might as well buy a paper magazine with lots of writers - and I'm sure I'm not the only person making that calculation. So as a way of funding individual writers, I cant see it working for anyone other than grifters like Penny.
 
$2 is the minimum to get her articles, she has 629 subscribers making the average $5.54 per month. Would expect it roughly follows the Pareto principle where 80% contribute 20% of the money and 20% contribute 80% - bit precarious with such a small subscriber base if she loses a few of her $100 or $250 subscribers she could be in trouble. I'm sure she manages to keep it fresh and interesting for them all though :thumbs:

All joking aside we're only all jealous. Not that I could have been Laurie Penny but I definitely could have been PewDiePie :(
 
It isn't actually (just) a load of old toss is it though - its writing that's carefully engineered to please her patrons. I wouldn't be interested in making a living on that kind of writing, no.
 
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