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Mary Wollstonecraft memorial statue provokes mixed reaction

reaction triggered as per purpose of art
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Should I edit a shield your eyes/trigger warning in?
 
I really dislike her way she’s cut off at the knees. Stuck, unable to walk about or dance. Mired down.
I think it's more her emerging from the mire or whatnot, that she will be mobile. But love it or hate it I can't think of many statues that have received this sort of attention
 
Denying her the option* of even being able to be clothed or covered up if she wanted to be just seems a bit... bleh. its getting fucking chilly, and I don't usually have anything to motivate me to knit- I forgot how therapeutic it is.

*assuming she could have autonomy over how much anatomy she displays.
 
I think it's more her emerging from the mire or whatnot, that she will be mobile. But love it or hate it I can't think of many statues that have received this sort of attention


Then why not have her actively emerging, climbing out, pushing against the things that are holding her back. /Rhetorical question.

I think perhaps the reason it’s got so much attention is because it has happened in the context of the discourse following the #metoo movement.
 
Then why not have her actively emerging, climbing out, pushing against the things that are holding her back. /Rhetorical question.

I think perhaps the reason it’s got so much attention is because it has happened in the context of the discourse following the #metoo movement.

The intent, afaik, is that the stuff below is a kind of abstracted expression of feminine forms. The figure emerges from that and is supported by it.

Unfortunately it also does a crap job of showing that, and it's probably a complete post-rationalisation.

Before you even get to the problems with that idea in the first place.
 
The intent, afaik, is that the stuff below is a kind of abstracted expression of feminine forms. The figure emerges from that and is supported by it.

Unfortunately it also does a crap job of showing that, and it's probably a complete post-rationalisation.

Before you even get to the problems with that idea in the first place.


Oh yeah, I keep forgetting that the dildo flow beneath her is meant to represent abstract female forms.

When I look can discern those forms. But as you say, that too is inherently, problematic for several reasons. She’s blithely and apparently unknowingly or ignorantly either emerging from, standing upon, being held up by, or being extruded from countless anonymous, almost formless, agentless other women. It enobles neither her nor them.
 
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A ten year campaign for "the mother of feminism" to be commemorated on Newington Green has now concluded.

A lot of people seem to have strong feelings about the statue by Maggi Hambling though.

I have to say, having contributed to the fundraiser, that it is not what I was expecting...
Somebody I know was campaigning for the statue so I chipped a few quid in as well. Yeah, it was a bit of a surprise, to say the least. The naked depiction is problematic, at least on the face of it and I can't see any obvious reason for it. But most of all it just looks bad. You can see the logic of the figure at the top emerging from the swirl of female forms, but it just doesn't work visually. It looks even worse if you scroll down to the photo at the bottom of the BBC report where you can see the whole statue. The figure becomes even smaller in scale but, even worse, the faces at the bottom are reminiscent of some kind of souls in hell horror film image. Purely as a statue, a huge mistake.
 
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I'm so happy that the internet has a picture of this, it's the worst piece of public art i've personally ever seen, spotted earlier this year from a car in the outskirts of a town called Pilzen in the Czech Republic, surrounded by flats where people live, who have to see this every day. It is also huge.
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Strangely enough, when I just posted about the horror look of the faces at the bottom of the statue, Goya came to mind. Not so much the one this is based on, but perhaps this:

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She was on Grayson Perry's art gallery thing last night, really liked her paintings.

She was on the lockdown program has n May and seemed ok, she’s a very specific kind of middle class artist and a bit old fashioned. Very 70s in style I thought.

He had far more entertaining guests though.
 
Plot twist!


Ah....interesting!

Coincidentally, I walked through Newington Green today and went to have a closer look at the statue.
Putting aside everything to do with what it's supposed to represent, I think the reason I'm not keen on it is the bright silver colouring, I'm not that fond of statue sculpture anyway, except for Anthony Gormley's semi abstract type of work.
I'm wondering if I'll like it better when it's aged a bit :D
 
An interesting read. The assertion that this work has highlighted the work of the subject rings true. The continued use of schlong in Guardian articles rather than penis or genitals in discussion of this work is curious. Bit quaint really..
 
Lots of artists and indeed authors would say exactly the same thing without attracting this sort of obloquy. But when it's a woman saying this about a sculpture of doubtful popularity I suppose it's ok

Legitimate artists put a great deal thought and effort into their work. This idea of the artist as a mere puppet dragged around by destiny and inspiration and absinthe is exactly the kind of shit that justifies the attitude that artists aren't workers and don't need to be paid.

With creativity there is a state of 'flow' which doesn't feel like conscious effort. But that, if you can get there, only gives you 10% of a finished product at best. The rest is hard graft. If it doesn't feel like you've done any work, then you probably haven't. You probably just realised that your existing profile and your sense of entitlement were enough to carry you through regardless of what you actually produced, and then found yourself magically posessed by the ancient spirit known as 'phoning it in'.
 
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Legitimate artists put a great deal thought and effort into their work. This idea of the artist as a mere puppet dragged around by destiny and inspiration and absinthe is exactly the kind of shit that justifies the attitide that artists aren't workers and don't need to be paid.

With creativity there is a state of 'flow' which doesn't feel like conscious effort. But that, if you can get there, only gives you 10% of a finished product at best. The rest is hard graft. If it doesn't feel like you've done any work, then you probably haven't. You probably just realised that your existing profile and your sense of entitlement were enough to carry you through regardless of what you actually produced, and then found yourself magically posessed by the ancient spirit known as 'phoning it in'.
Let me just stop you after your first word - what do you mean by legitimate? why do you think this woman is not a legitimate artist?
 
Let me just stop you after your first word - why do you think this woman is not a legitimate artist?

Because she says as much herself. She's bragging about not being in control of what she does. I don't actually believe that, but if it's true then she's a fraud and if it's not true she's a different kind of fraud.
 
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