I gave nude modelling a go in there 11pm Thursday. The photography ban didn't seem to be in place then, and there are doubtless now naked photos of me all over the web. Still, in for a penny and all that.
Bez is the one whose job in the Happy Mondays was to dance, play maracas and take industrial quantities of chemicals. Strangely, he's still standing 20+ years down the line. I reckon he's well pipe and slippers when he's not playing the role he's taken on over the decades.ah. and I confess I'd been confusing her with a him called bez, who's the one mentioned elsewhere.
It's safe to say that the person who was modelling when we were in there was somewhat more pleasing on the eye in the altogether than I can only imagine you would have been
I'm not convinced by this 'crew bar' game. It's been going on for a few years but this year seemed much more competitive. B9, Acoustic, Avalon and the Green Room all seemed to me to be promoting themselves on exclusive entertainment, insiders only <big benefit: No/few Punters>, cheaper, better, more desirable, exclusive. Is that what it's all about these days?
Yeah, I didn't try it but noticed that they seemed a bit tighter than usual with multiple entrances etcAvalon bar have always been pretty free with who they let in - which is why their toilets were disgusting!!
I attempted at one point to get backstage Jazzbartoilets and it was like fort knox!
I attempted at one point to get backstage Jazzbartoilets and it was like fort knox!
This flatters to deceive.
Its visually interesting, but often over crowded series of bars with a very MotR music policy. I spent quite a bit of time wandering about listening to the music and only Bez's Acid House had anything remotely interesting or cutting edge if 20 year old music can be called cutting edge. The rest was just music often quite down beat.
If you remove the music, the entire place becomes a art museum piece. I would rather they spent less time on the set up and more on music policy.
Has always felt to me that there is something missing.