I saw/read this article earlier today, and I was going to post the link -- thank-you for beating me to it.Lenny Henry spoke about the lack of racial diversity at Glastonbury in an interview; Not having been I have no idea if this is true or not. What is the diversity in terms of race like at Glastonbury and on the wider festival circuit?
Glastonbury: Sir Lenny Henry discusses festival diversity
Sir Lenny Henry says he is "always surprised by the lack of black and brown faces at festivals".www.bbc.com
My favourite game when watching Glastonbury footage is "spot anyone who isn't white". There are probably many more people of colour onstage than in the audience and considering its popular, what 150k tickets or something ? Can't help thinking something is awry. There's another Somerset thing called the Godney Gathering, this is a tiny festival but again, the band Laid Black manage to ensure some representation from people of colour because there's fuck all in the audience.Lenny Henry spoke about the lack of racial diversity at Glastonbury in an interview; Not having been I have no idea if this is true or not. What is the diversity in terms of race like at Glastonbury and on the wider festival circuit?
Glastonbury: Sir Lenny Henry discusses festival diversity
Sir Lenny Henry says he is "always surprised by the lack of black and brown faces at festivals".www.bbc.com
As don't I. And I doubt Lenny does either, reallyIt's all very well stating that there's not many BAME attendees at festivals, but has Sir Len (or anyone else) actually thought to ask why? Not meant to be a stirring question, just an honest one.
And, no, I don't pretend to have any answers.
Success! It has finally arrived, was getting a bit twitchy about whether it would get there in time. Took 12 days recorded delivery, and was allegedly supposed to take 5-7 days.We got resale tickets this year, and yes, have had to send on one of them to a friend in Greece
Madness isn't it? I really don't understand why they treat resale tickets different to the initial sale ones. Yes, the balance has to be paid instantly in the resale (usually by the lead booker), but then there seems to be no option for tickets to be sent to individual's actual addresses other than the lead booker.Success! It has finally arrived, was getting a bit twitchy about whether it would get there in time. Took 12 days recorded delivery, and was allegedly supposed to take 5-7 days.
I had a minor panic when I could see from the tracking service that it was held up at Greek customs for 4 days. It hadn't occurred to me before I sent it that there might be import tax implications sending a ticket worth 280 quid. Should have probably filled out some sort of form. Anyway, doesn't seem to have been a problem in the end.
The rest of my friend's party have to pick their tickets up from the Box Office, this is something new for international tickets this year. Fuck knows why they don't send them out same as everyone else's. Cost I expect. Stressy for everyone who's travelled across the world to get there, and then need to arrive before the box office closes for the night, ballache
In 2019 all around the bloc 9 build area were signs say 'please do not post photos on social media' before the Thursday.Some staff (e.g. Oxfam stewards) have been getting told off for posting pictures of the site build on social media. That's a new one!
I understand not posting pictures of your wristbands etc. - but the site build???
That's usual for Boomtown, all crew are asked not to post pics of the build. I can see the logic in it, it's nicer for everyone to see it for the first time when they get there, no?Some staff (e.g. Oxfam stewards) have been getting told off for posting pictures of the site build on social media. That's a new one!
I understand not posting pictures of your wristbands etc. - but the site build???
My favourite game when watching Glastonbury footage is "spot anyone who isn't white". There are probably many more people of colour onstage than in the audience and considering its popular, what 150k tickets or something ? Can't help thinking something is awry. There's another Somerset thing called the Godney Gathering, this is a tiny festival but again, the band Laid Black manage to ensure some representation from people of colour because there's fuck all in the audience.
Yeah, I did see some pics and instinctively though 'woah, cool '... But then after a few seconds felt slightly as that's part of the experience, no? Stumbling across stuff like this, in the moment, and going full 'woooooaaaahhhhhh...did NOT expect that' IRL.Some staff (e.g. Oxfam stewards) have been getting told off for posting pictures of the site build on social media. That's a new one!
I understand not posting pictures of your wristbands etc. - but the site build???
Although I liked your post I'm not sure the problem lies with the choice of bands and artists, I think the organisers do make efforts to be inclusive. I wish I knew where the problem is but I don't.Reminds of when NME were asked back in the 90s why they didn't put more black artists on the covers & the editor (or someone like that) said something along the lines of "it doesn't sell the paper, unfortunately". Would have thought things have moved on? From when white artists were favoured over black - in terms of marketing the bands and so on?
Haven't kept up with the line ups for years. Just think of all the great black artists over the years who could get top billing? Sade, Labi Siffre, Soul II Soul, Joan Armatrading, Cymande, Eddie Grant, Cookie Crew, Omar. Crowds generally love the "oldies", don't they? And don't they deserve as much celebrating as the other legends who top the festival?
There's tonnes of new artists like Loyle Carner, Arlo Parks etc whose names cannot bring to mind just now.
The oldies often play the Sunday 'Legends' slot. Ironically, over the years, that's been one of the better spots for diversity (compared to Pyramid Stage headliners), with acts since including Al Green, Isaacs Hayes, James Brown, Diana Ross, Shirley Bassey, Stevie Wonder, and Lionel Ritchie.Reminds of when NME were asked back in the 90s why they didn't put more black artists on the covers & the editor (or someone like that) said something along the lines of "it doesn't sell the paper, unfortunately". Would have thought things have moved on? From when white artists were favoured over black - in terms of marketing the bands and so on?
Haven't kept up with the line ups for years. Just think of all the great black artists over the years who could get top billing? Sade, Labi Siffre, Soul II Soul, Joan Armatrading, Cymande, Eddie Grant, Cookie Crew, Omar. Crowds generally love the "oldies", don't they? And don't they deserve as much celebrating as the other legends who top the festival?
There's tonnes of new artists like Loyle Carner, Arlo Parks etc whose names cannot bring to mind just now.
I'm not sure we should even presume it's a problem per se. It would be if, say, people of colour were made to feel unwelcome, or the choice of bands deliberately excluded certain acts. But, as far as I can tell that's not the case.Although I liked your post I'm not sure the problem lies with the choice of bands and artists, I think the organisers do make efforts to be inclusive. I wish I knew where the problem is but I don't.
Fair do's. Just the first time I've actually heard of it, that's all.In 2019 all around the bloc 9 build area were signs say 'please do not post photos on social media' before the Thursday.
So I guess it has been requested before.
Used to be the case that loads of black kids used to come up for Glastonbury from Liverpool, bristol and Cardiff in the 80’s and early nineties. The fence was part of a strategy to keep them out. Music was another part.Lenny Henry spoke about the lack of racial diversity at Glastonbury in an interview; Not having been I have no idea if this is true or not. What is the diversity in terms of race like at Glastonbury and on the wider festival circuit?
Glastonbury: Sir Lenny Henry discusses festival diversity
Sir Lenny Henry says he is "always surprised by the lack of black and brown faces at festivals".www.bbc.com
You really think what motivated the fence was a desire to exclude black people? I mean, I accept that it has that effect, and the fence was always going to affect the socio-economic groups in which people of colour are disproportionately represented, but it seems a stretch to suggest it was a deliberate act motivated by racism.Used to be the case that loads of black kids used to come up for Glastonbury from Liverpool, bristol and Cardiff in the 80’s and early nineties. The fence was part of a strategy to keep them out. Music was another part.