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Alex Callinicos/SWP vs Laurie Penny/New Statesman Facebook handbags

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Better a second rate imitation of Celto-Irish culture, than the third-rate imitation of America that most of Ireland has become.

But that's just it: Galway is the same as every other small Irish town, but with added hippies and Celto-poetry. The unique things about Galway don't replace the usual shit, they add a particular piquancy to it.
 
Who has?

Paul Mason and i think that's it.

No this guy has

12.jpg



The shock of red hair, the unabashedly strident feminism, the radical politics, the sheer bloody-minded refusal to act and talk like middle class white women are supposed to. She’s an anomaly in modern British political commentary – a radical strident feminist whose sheer bloody-minded refusal to behave like a nice middle-class girl raises the hackles of her fellow writers. Their sneers clash incongruously with her editing of The New Review, The New Statesman and regular contributions to the Independent (amongst others)

To be blunt she was a shock to the system. I didn’t know writers could do this. I didn’t know then, that this was what journalism could become; I didn’t know that journalism and activism weren’t mutually exclusive and that to report and change the world around you all you needed was the desire to say something and the courage to do something.

There she filed her copy from the frontline of what people believed could be this generation’s revolution. New York must have been a surreal place to be that summer, full of writers and activists, rebels and dreamers and artists. It was there that Laurie Penny met Molly Crabapple, (yes, really) and once the summer of idealism faded the two of them jumped on a plane and came to Greece. The two of them are a radical odd couple

Penny is the wordsmith and Crabapple the illustrator. Both unashamedly radical in their own ways, talented and deeply political; charmingly the two have a deep affection for one another that at times border on the fangirlish (Laurie at one point sweetly claiming she wanted to follow her friend and make her coffee).


It’s here that this book? Essay? Memoir? kicks off, as these two unlikely friends pitch up in Athens to find out what makes the dogs of Athens howl in the night – as it is slightly pretentiously phrased. What follows is a beguiling cast of ordinary people doing quite extraordinary things in a nation that seems to have forgotten what normal really is.

these people are shown drunk, and angry, talking about their lives and dancing to blow off some steam. Rather than follow the rote of how these things should go, the people met seem human and more real than any ‘normal’ journalistic interview. This is life.

The young, the angry and the desperate of Greece deserved a chance to have someone listen to their struggle, and Discordia documents it in all of its imperfection and anger. It’s strange to think that we were in the same country at roughly the same time and I’m just glad to get to join in with what they saw. Great stuff.
 
No this guy has

12.jpg



The shock of red hair, the unabashedly strident feminism, the radical politics, the sheer bloody-minded refusal to act and talk like middle class white women are supposed to. She’s an anomaly in modern British political commentary – a radical strident feminist whose sheer bloody-minded refusal to behave like a nice middle-class girl raises the hackles of her fellow writers. Their sneers clash incongruously with her editing of The New Review, The New Statesman and regular contributions to the Independent (amongst others)

To be blunt she was a shock to the system. I didn’t know writers could do this. I didn’t know then, that this was what journalism could become; I didn’t know that journalism and activism weren’t mutually exclusive and that to report and change the world around you all you needed was the desire to say something and the courage to do something.

There she filed her copy from the frontline of what people believed could be this generation’s revolution. New York must have been a surreal place to be that summer, full of writers and activists, rebels and dreamers and artists. It was there that Laurie Penny met Molly Crabapple, (yes, really) and once the summer of idealism faded the two of them jumped on a plane and came to Greece. The two of them are a radical odd couple

Penny is the wordsmith and Crabapple the illustrator. Both unashamedly radical in their own ways, talented and deeply political; charmingly the two have a deep affection for one another that at times border on the fangirlish (Laurie at one point sweetly claiming she wanted to follow her friend and make her coffee).


It’s here that this book? Essay? Memoir? kicks off, as these two unlikely friends pitch up in Athens to find out what makes the dogs of Athens howl in the night – as it is slightly pretentiously phrased. What follows is a beguiling cast of ordinary people doing quite extraordinary things in a nation that seems to have forgotten what normal really is.

these people are shown drunk, and angry, talking about their lives and dancing to blow off some steam. Rather than follow the rote of how these things should go, the people met seem human and more real than any ‘normal’ journalistic interview. This is life.

The young, the angry and the desperate of Greece deserved a chance to have someone listen to their struggle, and Discordia documents it in all of its imperfection and anger. It’s strange to think that we were in the same country at roughly the same time and I’m just glad to get to join in with what they saw. Great stuff.


That is appallingly badly written. He needs a good editor.
 
There she filed her copy from the frontline of what people believed could be this generation’s revolution. New York must have been a surreal place to be that summer, full of writers and activists, rebels and dreamers and artists. It was there that Laurie Penny met Molly Crabapple, (yes, really) and once the summer of idealism faded the two of them jumped on a plane and came to Greece. The two of them are a radical odd couple

this is the same period where she wouldn't go to occupy for fear of a nicking right?
 
did he really just use the phrase sheer bloody mindedness in the same fucking paragraph

The repeated phrase is 'sheer bloody-minded refusal' - an interesting point suggesting
LP is successful simply by refusing to present herself how 99% of Brighton College types also present themselves.
 
This is Scottish leftie Jon's own effort:

Greece is angry, young and unemployed 21 Sep, 2012

Recently I was lucky enough to spend a couple of weeks in Greece soaking up a little sun before returning to what will, no doubt, be another dreich Scottish autumn. Having never been to this part of Europe I was keen to try and tan, see some of the sights and soak up the culture. That in addition to the great food and the boundless hospitality and friendliness of the people make it one of the best holidays I’ve been lucky enough to go on – but looking back, something strikes me as odd.

Wherever we travelled across the country one thing stuck out, graffiti adorning walls, roadways and buildings. Not graffiti in the normal course of any city – these words looked angry. Side by side with the usual swirls of artists tags and the inevitable swearing were other signs and symbols. Communist hammer and sickle, anarchist symbols and slogans almost everywhere you looked

...

The same technocrats who predicted that Britain’s economy would pick up thanks to austerity measures and the promise of market confidence, when Britain slipped into a double dip recession. The same technocrats who warned of disaster for Iceland and Argentina before that? Who watched as both these countries defaulted on unpayable debts and rebuilt their economies. The same people who claimed austerity would bring back stability in Greece, Spain, Portugal, Italy? I could go on, but with the lessons of the past, when these technocrats have been proven to be so wrong, so many times I hope some cynicism of them and their economics is the reaction of more than just me.
 
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