While the show does have a fondness for landfill chart hits (London Grammar is a particular fave), it also serves up what the
music journalist Dorian Lynskey calls “Traitor pop … absurdly melodramatic cover versions of songs that are already plenty dramatic.”
The template of these cover versions is pretty standard: take a familiar pop or rock staple, slow down its BPM by about 40%, transpose it to a minor key, get an unremarkable vocalist to sing the chorus in a bluesy, mournful way, occasionally throw in some sudden orchestral swells to shake things up a bit, and you’re pretty much there.