DaveCinzano
WATCH OUT, GEORGE, HE'S GOT A SCREWDRIVER!
Modern, moving, suburban-semirural acoustic pastoralism. Probably etched his way into your brain via the Dead Man's Shoes soundtrack. But no happy ending for him
MC Pitman - ‘It Takes A Nation Of Tossers’
Pegz - ‘Capricorn Cat’
Ben Shillabeer did a lot of hard graft to support grassroots Bristol bands (Sink & Stove Records really is worth your time in checking them out), but his own music often got overlooked, which frankly is an injustice.The Playwrights - 'Good Beneath The Radar'
The Playwrights Songs, Albums, Reviews, Bio & ... | AllMusic
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POP CLASSIC. A master of fun, electro-flecked mash-ups, who never quite got the public recognition, but whose reward was the shuffling of punters' feetRichard X - 'Richard X Presents His X-Factor Vol. 1'
Most of the album on a YouTube playlist - there's a better Richard X vs Liberty X one elsewhere though
Goldie Looking’ Chain - ‘The Manifesto’
nb There’s no full YouTube playlist but half of the album was recycled into 2004’s major label release ‘Greatest Hits’ which has got one
I absolutely was not listening to any of this stuff in 2003, but I had been thinking that New York Noise would be one of my top albums of 2003 if it wasn't fatally disqualified by all the songs on it having been recorded and released by 1982.In 2003 I went to the Sonar Festival in Barcelona. I went for the techno but had a road-to-Nazareth style conversion to the electroclash scene while I was there. One of those moments where you don't know you're looking for something new, but find it anyway and then it's hard to believe you'd been missing it.
And to an extent I had missed it. By 2003 the initial electroclash scene of basic synthpop with a DIY punk attitude was all but over. But I came back from Barcelona and dived into the exploding scene it had influenced. It's hard to remember now how unremembered the pre-house 80s dance scene was at the beginning of the 00s, as in the last 20 years almost every aspect of the 80s has been rediscovered, reissued, played to death and most people are sick of hearing it again. But in 2003 it all sounded fresh after 15 years of non-stop house/techno/trance/DnB/garage/breakbeat music all night long. Much of the 90s dance scene had been commercialised and/or siloed into micro-genres that had nothing to do with each other. And then along came DJs like 2 Many DJs, Erol Alkan and James Murphy who were playing anything goes sets. Where you were as likely to hear Motorhead, or the Yeah Yeah Yeahs, or Devo, or Liquid Liquid, or Sonic Youth, or Kylie, or Beyonce as you were the latest dance tracks from Berlin or Belgium or NY, all thrown together onto a glorious drug fuelled messy dancefloor with a total mix of saucer eyed people devoid of dance music tribalism.
There were compilations coming out like New York Noise (Dance Music From The New York Underground 1978-1982), Mutant Disco: A Subtle Discolation Of The Norm, or Teutonik Disaster (which came out at the end of 2002, but only got a vinyl release for DJs in '03), making long out of print pre-house dance music available for DJs to play.
Typical bloody smallprint legal loophole situation yet againI absolutely was not listening to any of this stuff in 2003, but I had been thinking that New York Noise would be one of my top albums of 2003 if it wasn't fatally disqualified by all the songs on it having been recorded and released by 1982.
A lot of stuff I was listening to a lot in 2003 I really don't like now - M83, Postal Service, Manitoba.... find it so dull now.
For Tet's Rounds album was a big one and I still really rate that. I remember seeing him play live at The End at the time it came out and it was exquisite. I've not been arsed about anything he's done since but Rounds was a cracker.
I was well into the singer-songwriter stuff at the time.
Songs:Ohia's Magnolia Electric Co. - magnificent:
I think 2003 may have been when I first came across Bonnie Prince Billy - Master of Everyone wasn't perhaps his best - but it was my gateway:
And Smog too - Supper was my intro to Bill Callahan's dulcet tones too:
On a similar tip - and this one's a bit of a cheat as it was a mix - though maybe it was released on CD
DJ C's Junglist Bashment.
Great time for jungle revival....
Rinse out!
Man, we caned these tunes to death round mine in 2003
also on a similar tip the Remarc album has some classics on it, but this is a Remarc comp of older tunes really, doesnt feel right to vote for it
Remarc - Sound Murderer
Explore songs, recommendations, and other album details for Sound Murderer by Remarc. Compare different versions and buy them all on Discogs.www.discogs.com
I was well into the singer-songwriter stuff at the time.
Songs:Ohia's Magnolia Electric Co. - magnificent:
When I was first getting into Songs:Ohia I pretty much stopped short at Didn't It Rain, because Didn't It Rain is amazing and everything I read about the stuff from Magnolia onwards made it sound like some Bruce Springsteen ZZ Top Kiss bollocks. But I suppose at some point I should give it a listen and make my own mind up, and now's as good a time as any. I have managed to develop quite a fondness for the Hold Steady, so I suppose I do have some ability to tolerate Bruce Springsteen ZZ Top Kiss bollocks.
Wasn't so background when it was blasted out at the Phonic:Hoop clubnight, which gave rise to the Tru Thoughts label. That was a great friendly little night that I ended up at a few times. Funky music, a tiny basement venue, a packed dancefloor, smiling dancers and sweat dripping off the ceiling.debut from Quantic...UK afro-influenced funk...another really good mainly instrumental background album
This has quite a lot of tracks by Xenomania that didn't make the first Girls Aloud album, but still rule.
By far my fave LP by them. The live sets sound amazing!Ultimately this was probably my favourite Massive LP, possibly a perspective helped along by an awesome live show at Queen Square (less so at Lloyds Amphitheatre), a light show that felt like a tanning salon, and a fine blend of mushies and MDMA