The Black Saint and the Sinner Lady is a studio album by American jazz double bassist, composer, and bandleader Charles Mingus. It was recorded on January 20, 1963, and released in July of that year by Impulse! Records. The album comprises a single continuous composition—partially written as a ballet—divided into four tracks and six movements. It is widely regarded as one of the greatest jazz records of all time.
this is from 1962 unfortunately but deserves a hearing - the most Tear Down Babylon bit of jazz from this era Ive ever heard
Mingus going punk on the bass
thats good news, i was very distracted when looking into it, great its officially 63. Discogs has a bunch of releases of it listed as 62 but maybe people have read the recording date on the sleeve notes and gone with that. looking at the artwork thats the only date on those releasesYeah, but it wasn't released till 1963 so it still stands
I believe there was serious mither between Mingus and Ellington with Max Roach trying to keep the peace and stop one or the other from walking out (or clobbering each other).
Fucking great album though.
thats good news, i was very distracted when looking into it, great its officially 63. Discogs has a bunch of releases of it listed as 62 but maybe people have read the recording date on the sleeve notes and gone with that. looking at the artwork thats the only date on those releases
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The Wiki seems pretty set on Feb 63
Money Jungle - Wikipedia
en.wikipedia.org
hadnt herd of this before but seems to be widely considered a classic
amazing to hear duke ellington playing so discordantly...look forward to hearing the rest
looking to see what else he was up to in this era i see theres a ellington + coltrane LP too
got to be worth a listenDuke Ellington & John Coltrane - Duke Ellington & John Coltrane
Explore songs, recommendations, and other album details for Duke Ellington & John Coltrane by Duke Ellington & John Coltrane. Compare different versions and buy them all on Discogs.www.discogs.com
youre right you've got that earlier 60s more technical avant garde free jazz, ornette coleman etc, but i was referring to free and funky - the LSD era, 1968 onwards, lets form a commune, often afrocentric stuff - much of the formality of 60s stuff goes out the window thenSurely it is the period of free jazz, it's just that most didn't go for it. The joke being you're playing free jazz means you're not getting paid.
Yeah, but it wasn't released till 1963 so it still stands
I believe there was serious mither between Mingus and Ellington with Max Roach trying to keep the peace and stop one or the other from walking out (or clobbering each other).
Fucking great album though.
youre right you've got that earlier 60s more technical avant garde free jazz, ornette coleman etc, but i was referring to free and funky - the LSD era, 1968 onwards, lets form a commune, often afrocentric stuff - much of the formality of 60s stuff goes out the window then
Oh that reminds me, we have this from 1963
this looks interesting for anyone really wanting to time travel
Pharoah Sanders - In The Beginning 1963-1964
View credits, reviews, tracks and shop for the 2012 CD release of "In The Beginning 1963-1964" on Discogs.www.discogs.com
KC have some great jazz momentsI think the nearest I've ever got to listening to jazz is King Crimson.
People like Coltrane and Ellington passed me by somehow.
I was listening to Cream, Hendrix, Jefferson Airplane etc.
Attempts have been made to get into jazz, unsuccessfully, whereas I do appreciate the quality of the musicianship, fifteen minute solos only loosely connected to the 'melody' (if one is discernible) do nothing for me I'm afraid.
I think the nearest I've ever got to listening to jazz is King Crimson.
People like Coltrane and Ellington passed me by somehow.
I was listening to Cream, Hendrix, Jefferson Airplane etc.
Attempts have been made to get into jazz, unsuccessfully, whereas I do appreciate the quality of the musicianship, fifteen minute solos only loosely connected to the 'melody' (if one is discernible) do nothing for me I'm afraid.