Tort said:* looks forward to another Thursday night mobile marathon & visit to the medical centre *
I blame the football and England going out. My physical state was fine, my mental state wasn't. No wonder I hid behind a bus with some hippies!
Tort said:* looks forward to another Thursday night mobile marathon & visit to the medical centre *
Skim said:Someone go and see Chris Clark for me
Orang Utan said:oops didn't look beyond page 43
ianw said:oops, and patti smith and television...!
and bitch magnet/superchunk/killdozer reformations...!
Orang Utan said:oops didn't look beyond page 43
Well, as I said, I didn't look far enough back. A thousand apologies, oh festival oracle.William of Walworth said:Errrr does the line up you posted above contain anything that wasn't on the Guardian website yesterday?
Or was it from the Guardian website?
(Just like my posts (full lineup) from yesterday on page 42 )
boing! said:I don't know what you lot are complaing about, I reckon theres loads of good stuff on. Maybe your all just getting old?
Orang Utan said:Well, as I said, I didn't look far enough back. A thousand apologies, oh festival oracle.
William of Walworth said:Actually I wonder whether the lineup is yet complete (smallest stages and Cabaret, etc. stages aside, I mean)
Is there any more space to add more names to the stages already announced, do people think?
DEATH OF THE ROCK FESTIVAL Apr 12 2005
HOW TV AND BIG BUSINESS HIJACKED GLASTONBURY
By Gavin Martin, Mirror Music Critic
IT'S bound to be an enormous success - tickets like gold dust, huge crowds and Kylie Minogue topping the bill in her sequins, headdress and tight-fitting corset.
But perhaps that's where the problem with Glastonbury lies.
Now don't get me wrong. In the right place - one of those overpriced aircraft hangars that sell flat beer and hot dogs out of a Jamie Oliver nightmare - Kylie is fine.
But gifting the little lady from Australia the prime spot at Europe's premier outdoor festival in June is deeply symbolic of how far the event has moved from the music and performers that were once its lifeblood.
Corporate Britain has taken over Glastonbury, making it safe and comfortable for middle-aged Range Rover drivers out for the weekend, hoping to recapture a youth they probably never had in the first place.
It also makes it safe for the likes of Kylie and Sir Paul McCartney to play there, and they are far more appealing to big business than drug-addled Pete Doherty.
Glastonbury has become a city - increasingly burdened with the very things it once provided an escape from. Mobile phone companies and High Street banks make their presence felt in the main arena. Record companies and booze manufacturers dole out hospitality in the backstage area.
While this may make Glasto a paradise for the well-connected, and lubricated ligger, the dream of countryside freedom it once represented is increasingly hard to find.
Faced with mounting costs - local businesses demanding compensation, the high-level security and the cost of hiring Kylie and her corset - the organisers have had no choice but to let the sponsors in.
The one-time rock-and-roll event of the summer now sits uneasily on the social calendar as a place to be seen, up there with Henley, Wimbledon and Ascot.
Part of the attraction is being able to see the sort of folk who would be served with an ASBO anywhere else. The irony is that the freak-show aspect is what gives the festival its so-called edge, making it more attractive than ever to advertisers.
In years gone by a high-flying product of the pop video market such as Kylie wouldn't have played Glastonbury. And the hordes supping their good old country cider and making merry with their funny cigarettes wouldn't have wanted her there.
But the idea that the festival is one big, happy family has been keenly fostered in recent years. At first, prime spots for such cabaret turns as Tony Bennett, Tom Jones and Rolf Harris were seen as a running joke. When Sir Paul of Macca was given the prime slot last year many saw it as a joke too far.
Much has changed since Farmer Eavis first invited people on to his land - entrance fee £1. The people who once sneered at Glastonbury as a repository for every freak and weirdo from John o'Groats to Land's End now see it as a money-spinning paradise.
CND and Greenpeace still benefit from it, but the festival is a goldmine for ALL involved. Tickets sell out in record time. Corporate sponsors wine and dine their clients; the backstage hospitality area is like Ladies' Day at Ascot.
LAST year I happened upon a marquee playing authentic deep dub reggae from the 70s.
After I'd been there a while, soaking up the lovely, natural music from Jamaica, I realised that the speakers and the tent were all emblazoned with the logo of a weak, fizzy and chemical-filled American lager. I had walked into a three-dimensional ad hoarding.
A few years before his death, Joe Strummer tried to kick away the TV cameras as he raced across the Glasto stage - a last valiant attempt to stave off the inevitable. Allowing the TV cameras in hastened the slow slide into family entertainment.
Pop pensioners New Order, Van Morrison, Elvis Costello, Brian Wilson and - I kid you not - Chas 'n' Dave will be there to keep Kylie company.
The bill at this year's Reading Bank holiday jamboree, too, is a nostalgia-fest for rockers. Iron Maiden, champions of the new wave of heavy metal back in 1981, have top billing. Support is supplied by one-time wildman Iggy Pop - the most dangerous man in rock. Well, at least he was back in 1973.
There are going to be many more grey days for ageing rockers. Lovers of the old-style camaraderie and cutting-edge acts such as The Smiths in the 80s must look elsewhere.
And when the rain falls at Glastonbury, the line between bedraggled audience and well-heeled performer is sharply drawn. The tented masses flee as the celebrity-laden 4WDs splatter mud in their path. Without a laminate pass there's no admission to the corporate hospitality tent.
In such circumstances, even Kylie's latest spangly get-up and breathtaking corset may seem more than a little ridiculous.
bouncer_the_dog said:i actually like Budwieser
corporate whore said:I pretty much agree with MirrorMan as well, but it would be news if he'd written it three or four Glastos ago. Think the festival has lost its capacity to amaze, as I tried to articulate a few pages back.
I'd still have a good time, though. If I was going. Which I'm not.
corporate whore said:it would be news if he'd written it three or four Glastos ago.
Orang Utan said:Acoustic Stage
Tori Amos
DoUsAFavour said:Where did you get this list from?
Is it confirmed?
please Mr Utan tell its true
bouncer_the_dog said:heres an article from the mirror:
Do you know Uber Jon by any chance?mr steev said:The Cracked Actors (shameless plug for mates' band) are playing Lost Vagueness again, but afaik, they don't know what day or time yet, so it may be a while before we do.
She's on the official list from The Guardian, so I guess we can take it that the lovely Ms Amos will be thereDoUsAFavour said:Where did you get this list from?
Is it confirmed?
please Mr Utan tell its true
beesonthewhatnow said:Do you know Uber Jon by any chance?
corporate whore said:Cracked Actors were the best band I saw last year.
Trust me, you'd know who I mean....mr steev said:Don't think so, but then I know a lot of Jon/johns