Orang Utan
Psychick Worrier Ov Geyoor
do tell!
It was m.o.r. crap for beered up twats to shout lager lager lager to.And Born Slippy totally captured the spirit of the age with exactly the same magnitude and
impact as God Save The Queen by the Sex Pistols.
fucking toilet, and greedy hippies to boot. i worked for them for a while. scumbags
It was m.o.r. crap for beered up twats to shout lager lager lager to.
It's pure poetry man
It was m.o.r. crap for beered up twats to shout lager lager lager to.
totally agree. It was the 'Altamont' of the 'rave generation'.
do fuck off with yer "it'd be great if only the plebs didn't like it so" bollocks.
Ta
the 20 minute plastikman remix was great too. otherwise, fucking turd.the derrick may tracks are good though. though he's a total cock.
...yeah but that was what was happening in the UK at that time - moral panic about vertical drinking, loutish Britain, alcopops...It was m.o.r. crap for beered up twats to shout lager lager lager to.
'With the picture The Prodigy are taking a stance in the conflict of ravers versus the police in those days. At the same time this statement is used to market a rebellious attitude. The picture is part of the artwork of a record - which is of course a commodity. The teenage (and male) consumer ought to identify himself with the presented rebellion. With the help of the artwork a certain image of The Prodigy is established: They should be seen as anti-stars, who define themselves through refusal and opposition(...)'
"Commodities for the Jilted Generation" by Hans-Christian Psaar. Datacide Magazine (10/2008, p.28)
http://datacide.c8.com/commodities-for-the-jilted-generation/
Good piece I thought - I was at the event he gave the talk at - he was contrasting the prodigy artwork with some kid606 artwork which takes the piss out of it.
'With the picture The Prodigy are taking a stance in the conflict of ravers versus the police in those days. At the same time this statement is used to market a rebellious attitude. The picture is part of the artwork of a record - which is of course a commodity. The teenage (and male) consumer ought to identify himself with the presented rebellion. With the help of the artwork a certain image of The Prodigy is established: They should be seen as anti-stars, who define themselves through refusal and opposition(...)'
"Commodities for the Jilted Generation" by Hans-Christian Psaar. Datacide Magazine (10/2008, p.28)
http://datacide.c8.com/commodities-for-the-jilted-generation/
Good piece I thought - I was at the event he gave the talk at - he was contrasting the prodigy artwork with some kid606 artwork which takes the piss out of it.
I thought it was babbage myself.
Talk about over-intellectualising a simple album cover!
sorry it was seminal at a time when music was into it's guitar based grunge...No, I think it's a bit boring to be honest. Even when I bought it the first time I was rather "meh".
hmmm, challenging...no, actually i was coming at it more from kind of "it was a fucking shit song that sounded like a trance remix of a U2 song" type angle
Oh god, that has actually got me laughing out loud seeing it again. It's worse than I remember it to be
Just bought this again for my ipod, and it hasn't aged at all. Preferring Last Resort tbh but still, you can't argue with Storm 3000
Best album ever?
"My Life In The Bush of Ghosts" by David Byrne and Brian Eno.
Probably.
sorry it was seminal at a time when music was into it's guitar based grunge...
1995 is when leftism came out...
and yes it wasn't as adventurious as maybe some msuic which has come after it but at the time it was seminal...