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Urban75 Album of the Year 1993

Never listened to it, but turns out the first Mobb Deep album was 1993:

And Scorn did Colossus:
 
Used to play this a lot, the fugees debut..doesn't hold up that well tbh, but the Lauryn Hill solo track was my favourite then and still great now

they blew up after this
 
stethascope flags up this
all kind of experimental proto junglism but produced some classic pirate anthems (Anything, 28 Gun Bad Boy, Sunshine and Like A Drug)




talking of jungle, when i think 93 i think of tunes like this DJ Hype madnes
 
Fairly wholesome stripped down live album with guitar and competent harmonica from Neil Young. A song about Pocahontas is in there too.

 
Aphex Twin - AFX - Analogue Bubblebath Vol3 - released as an ep but the CD has 13 tracks and is more than 50 mins long so well within definition of an album.


Aphex Twin - On - 4track ep & then a 4 track remix ep -lump them together and you can make an album out of it as someone's done here, although they've missed off the Reload and μ-Ziq remixes.


Mike Paradinas' first LP, µ-Ziq - Tango N' Vectif
fav track = Iesope
 
with Bjork I knew about the sugar cubes but not any of this:

Well known for her creative compositional style and distinct singing, Björk's recording career began in 1977 at the age of 11, when she released (as Björk Guðmundsdóttir) her first album, while studying piano and flute at music school. Although the album became platinum, she refused to make another disco-folk follow-up and, at the age of 13, formed her first short-lived punk band, all-girl alliance Spit and Snot (Saliva and Phlegm), where she played the drums. Later on she was involved in projects such as Exodus and Jam 80, all of which without known record releases.

In 1982 she launched punk-pop Tappi Tíkarrass (Cork The Bitch's Arse), releasing an EP and a LP, before she turned into a "serious" rebel by joining forces of the political "existential jazz-punk" of Kukl (Witchcraft), releasing three records. While Björk's vocal expression had matured in Kukl, she attracted worldwide prominence for the first time as one of the lead vocalists of the avant-pop Icelandic sextet The Sugarcubes.
 
Front 242 were in an awkward position In 1993. The EBM scene they'd pioneered in the 80s had gone off in different directions - the dancing people had disappeared to the world of raves, and a whole new style of industrial dance rock led by Ministry, Wax Trax and NIN had pushed them to the back of the pack.

So they released two albums and an hour long, 9 track remix 'single', getting increasingly experimental and diverse as the year went on.

First up was 06:21:03:11 Up Evil, aiming at the NIN crowd with treated guitars and moody songs added to the EBM. It hits its target bullseye, but didn't seem to win them many new fans and alienated some of the old ones.

Next up was 05:22:09:12 Off, which pulled in all kinds of directions trying out new things - female vocalists, dance tracks, heavy industrial rock songs, some wildly different versions of tracks from Up Evil. There's good stuff, an interesting yet incoherent album.

Then came the 'single' 00:00:02:42 Angels Versus Animals with nine wildly different versions of tracks from Off: metal! techno! opera! 10 minutes of siren noises! The KMFDM remix sounds pedestrian compared with everything else going on.

And after that they didn't release any new music for a decade.
 
Cabaret Voltaire released International Language, the second of their trilogy of ambient techno albums. Probably the best of the three, I fucking love this record.

 
Front 242 were in an awkward position In 1993. The EBM scene they'd pioneered in the 80s had gone off in different directions - the dancing people had disappeared to the world of raves, and a whole new style of industrial dance rock led by Ministry, Wax Trax and NIN had pushed them to the back of the pack.

So they released two albums and an hour long, 9 track remix 'single', getting increasingly experimental and diverse as the year went on.

First up was 06:21:03:11 Up Evil, aiming at the NIN crowd with treated guitars and moody songs added to the EBM. It hits its target bullseye, but didn't seem to win them many new fans and alienated some of the old ones.

Next up was 05:22:09:12 Off, which pulled in all kinds of directions trying out new things - female vocalists, dance tracks, heavy industrial rock songs, some wildly different versions of tracks from Up Evil. There's good stuff, an interesting yet incoherent album.

Then came the 'single' 00:00:02:42 Angels Versus Animals with nine wildly different versions of tracks from Off: metal! techno! opera! 10 minutes of siren noises! The KMFDM remix sounds pedestrian compared with everything else going on.

And after that they didn't release any new music for a decade.
Not surprised.

NIN released The Downward Spiral in 1994. Any industrial band would have taken a few years out after hearing that, knowing they couldn't beat it.
 
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I gave Modern Life is Rubbish it's first listen for years today. I don't think much of it, compared to Leisure or Parklife anyway.
 
Personally I prefer pretty much everything Luke Haines has done since the Auteurs... but hey ho:

 
1993 was the year I dived into raves and dance music, after accidentally finding myself at at a Tribal Energy rave at Cooltan in Brixton around Easter. That night literally changed my life. But dance music was singles based and it was compilations that really opened a window onto all the club tracks that became my soundtrack for the rest of the decade. So here's 20 amazing dance comps from 93 that I love to this day.

Virtualsex - absolutely essential techno-soul comp. Rhythm is Rhythm, Carl Craig, Kenny Larkin, B12, Kirk Degiorgio. Every track is now a bona fide classic.

New Electronica - American And European Technological Innovations - Vol : 1
New Electronica - Chronological Harmonisations - Vol. 1 - the New Electronica comps were for sale everywhere in the early 90s and were an incredible window into the techno scene at a time of limited runs, imports, white labels and no having no idea of what was what or where to get it.

Detroit Techno Soul Compilation - self explanatory title, great comp from Eddie Flashin Fowlkes.

Diy – Strictly 4 Groovers - perhaps more downtempo than their DJ sets, but a classic chill northern house comp, leaning into the ambient techno sound that was all over the place at the time.

Trance Europe Express - varied, interesting, everything that trance wasn't after '95.

X-Mix-1 - The MFS-Trip - the X-Mix series are probably my favourite mix CD series, but while it went onto be a techno series from the second one (Laurent Garnier), the first entry has Paul Van Dyk catching the peak of early 90s euro trance when it was new and fresh and exciting.

Trancemaster³ - Eternal Oceanic
Trancemaster 4 · Tribal Chill Out
Trancemaster 5 · The Hardtrance Experience
Trancemaster 6 · Aural Brainfood

Speaking of early 90s euro-trance being at it's peak, the prolific Trancemaster series had 4 comps out. Ignore the subtitles - 'Tribal Chill Out' is in exactly the same vein as 'The Hardtrance Experience'. I love these, but in my head the series ended at vol. 7 and didn't go on to vol. 76 (really!) all through the bad trance years...

Harthouse Compilation Chapter 2 (Dedicated To The Omen) - German techno-trance at its best.

Dub House Disco 2000 - Guerilla Records comp from when progressive house was groovy and fun, not boring and linear.

XL-Recordings: The Fourth Chapter - stepping away from the straight up breakbeat hardcore on vol 3 from '92 (which is one of the best comps evah), it's more varied straying into house and trance - I caned this when it came out.

The Joint LP - 93 was the year hardcore turned into jungle and here is Suburban Base & Moving Shadow turning out one of the best comps from that time.

The Definition Of Hardcore - and here's Reinforced Records with another one of the best hardcore-turning-into-Jungle comps.

Happiness & Darkness (Further Adventures In Jungle Tekno) - The JungleTekno series was a great lower budget, easy to find introduction to the early Jungle scene. Contains Valley of the Shadows.

Illegal Pirate Radio - loads of great obscure, rough as fuck hardcore/Jungle. Excellent comp.

Hardcore Leaders II
Hard Leaders III - Enter the Darkside
Two more excellent hardcore comps loaded with classics.
Thanks for that list… bringing back fond memories of completely rinsing my Trance Europe Express and Illegal Pirate Radio CDs….
 
A few metal classics which I've not seen mentioned yet:

Carcass - Heartwork

Melodic death-metal masterpiece. I came to it a bit later and have gone back to it a lot recently. Incredible.



Paradise Lost - Icon

I've recently been working my way through the extensive Paradise Lost back catalogue. I played this one to death as a 15 year old in '93 and I still love it...



Sepultura - Chaos A.D.

I nearly shat myself when my mate played me this. It was the heaviest thing I'd ever heard at the time. I've not listened to it for years but I've just popped it on and am having a delightful trip down memory lane...

 
Y'know what I love? Jam & Spoon's Tripomatic Fairytales 2001.

After defining the early sound of trance with Stella (which is on this album) and their remix of Age of Love (which isn't) they released this varied bunch of tracks, with some bizarre skit/interludes, which could have been a mess but somehow all comes together. Odyssey to Anyoona might just be the best trance track by anyone ever:



And then there's commercial euro-dance bomb Right in the Night:



As it says on the back:
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