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Ken Loache's film, I Daniel Blake, (Film about uk benefit regime) wins Palme d'Or.

I just watched the video of the press conference for the film. (Thanks Rutita1) It was a very worthwhile 39 minutes. It enabled Ken and his crew to explain the background to the film and their method and motivation in making it. Interestingly one of the questioners asked about the Brexit or Bremain problem. Ken got straight to the point about the EU being at root a neoliberal economic system but that leaving the EU would not necessarily improve matters because it would likely leave us in the hands of yet another neoliberal political party trying to "race to the bottom" in competition with other states. If you can find the time do watch the video.
 
Wish it could get the same hype as a superhero blockbuster. Wouldn't that be brilliant? But just wait until the mainstream right leaning press get their teeth into it.

Even (what's left of) The Independent is saying that Loach's victory amounts to everyone else at Cannes being robbed.
 
Loache's new film primarily about the brutalities of the sanctions regime, I Daniel Blake, has just won the main award at Cannes, which guarantees it major publicity and could stir debate here on the issues, its a shame there is no mass movement to take advantage about it though.
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these are the winners of the palme d'or since 2006. i have only heard of two of them, both the ken loach films. winning the palme d'or does sadly not guarantee widespread viewing or awareness of the fact.
 
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these are the winners of the palme d'or since 2006. i have only heard of two of them, both the ken loach films. winning the palme d'or does sadly not guarantee widespread viewing or awareness of the fact.
Lots of them did very well, for films not in the English language. All worth seeing, tho some took a while to get a distribution deal (Dheepan has only just played over here, for instance).

Turns out I know one of the leads in I, Daniel Blake. She kept that quiet (while also complaining of not having any work)
 
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these are the winners of the palme d'or since 2006. i have only heard of two of them, both the ken loach films. winning the palme d'or does sadly not guarantee widespread viewing or awareness of the fact.
i drifted off a bit during 'Winter Sleep' but otherwise all are worth viewing if anyone is looking for recommendations.
Tree of Life had a big widespread release, perhaps that breaks the mold.
 
Why so defensive?

of course there are other reasons, neo-liberalism, destruction of the welfare state, demonisation of claimants, etc, but i am saying the sort of people who were enraged by CCH and acted, creation of shelter, etc, will not act, they have moved on primarily to identity politics.

disagree?
 
I am talking about its impact on a certain portion of society, the opinion formers who created Shelter, etc.

actually, I hope i am wrong.
 
Why so defensive?

of course there are other reasons, neo-liberalism, destruction of the welfare state, demonisation of claimants, etc, but i am saying the sort of people who were enraged by CCH and acted, creation of shelter, etc, will not act, they have moved on primarily to identity politics.

disagree?
I expect there were people saying exactly the same kind of thing when Cathy Come Home was released. These things are not as predictable or logical as people like to think.

The wheels are already coming off the benefits steamroller - already, DWP is a lot less frantically macho about its policies, and that will only continue as the evidence that the assault on claimants has, far from producing any demonstrable improvements (not that it ever would have), is in fact costing more to implement than it saves (as lots of people thought it would).

These things don't move logically, they stagger from tipping point to tipping point. I think we are due one of those, and it might just be that this film coincides with one. It may even play a part in it.

The one thing that no correlation exists with is the level of handwringing.
 
I agree it is floundering, but that may partly due to the instability of not having a Minister in place for a decent period, if it is, apart from say, John McDonnell, it is down to small groups of dedicated people:, DPAC, Benefit Fightback, Boycott Workfare, former DWP staff turned whistleblowers, some parts of Unite Community, bloggers, and individuals, not the organised left(such as it is), or even the new Corbyn left going by turnout last week, not the activist culture which has never since the JSA days (yes i was campaigning then on these issues, snide comment noted)) took much interest in Uk affairs, not the Unions for the most part(see above though), maybe it will change with this film, I hope so.
 
Why did a television programme - almost the first of its kind in this country - shown when there were only two channels, and seen by millions, at a time when there was a rising, powerful left and a Labour government...why did that have a bigger influence than a film for the cinema, not even shown in most multiplexes, in an age when the left is, lets be generous, on the backfoot, under a right wing tory government?

The hardest thing to work out is my grammar in that sentence.
 
Why not just reply in the spirit of the question, though you are right mostly. I still think culture can have an impact on social change.
 
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