TopCat
Are you making a particular case for the destruction of buildings of religious significance being rather more meh than that of secular buildings? Or is it Christianity in particular that makes it’s destruction a bit meh?
The Acropolis/ Parthenon. A religious temple, destroyed deliberately and by accidental disaster several times. Is it just a bit meh that this building was destroyed?
The Bamiyam Buddhas: is it just a bit meh that these were destroyed?
How about the unique acoustics of the Babri Masjid, only a story now. But maybe it’s just a bit meh to have lost that, because it was in a religious building.
What about the recent vandalism at the Ring of Brodgar? The Ring was built with a ritual or religious intent so the vandalism is just kinda meh. Is that what you’re saying?
What about the Mayan Codices? Not a building, but still a significant part of human heritage, lost now forever. But maybe it doesn’t matter because it was a religious tract...?
Does the loss of the Bonwit Teller building or the original Penn Station matter more because they weren't religious? What about the Great Pyramid at Giza? That was made because of religion and plenty died because of it: would you feel a bit meh if that was destroyed? It has no real meaning, so maybe it doesn’t matter matter if it exists or not.
So much of what we’ve made has its roots in religion (maybe less so and increasingly less since the reformation, since the WW1): do you really feel a bit meh about everything that sprung from this deep connection ? We’re less tied to religion these days, and that’s no bad thing. But in the past, when religion was so central and was intertwined with everything, it was necessarily one of the major wellsprings for the creative endeavour. Even in our secular age, architects and artists refer back to religious tenets when making new buildings or art. It’s part of what we are. We can’t realistically draw a boundary between achievements inspired by religious ideas on one hand, and secular ideas on the other.
How can you give value to one and not the other, based only on the underlying creative impulse? Surely it has to be about artistic and creative merit, no?
Seeing the artistic value doesn’t mean you automatically support the ideology behind it.
If you could even manage to make that distinction and create that boundary, then you have to dismiss as less significant any art, architecture, any other creative endeavour that’s been inspired by religion? That would include Bach’s music, the Ellora Caves, Agia Sophia, the Book of Kells, the Blue Mosque in Instanbul, the Chapelle du Rosaire de Vence, all that gorgeous Hindu sculpture...
Because these were inspired by religious belief, their destruction would be a bit meh...?