I'm sure some people must just not me, don't really see the point of watching a musical where you can't understand the lyrics.Nobody actually likes Opera
The ENO perform in english tbfI'm sure some people must just not me, don't really see the point of watching a musical where you can't understand the lyrics.
The ENO perform in english tbf
Even if you watch eg the magic flute and can understand German the way it's sung must be pretty much incomprehensible.I'm sure some people must just not me, don't really see the point of watching a musical where you can't understand the lyrics
Fair point - I'd imagine all opera performed in Britain atm in languages other than English will have surtitlesAlthough IME* the lyrics are incomprehensible and you still need the surtitles making going to ENO a bit pointless IMO. I'd rather see it in the original.
*my experience being seeing one opera at ROH which I enjoyed and one at ENO which I didn't enjoy.
I'm sure some people must just not me, don't really see the point of watching a musical where you can't understand the lyrics.
Opera often has subtitles showing overhead. I have and enjoy loads of music where I can't understand what is being sung in English, yet alone other languages. I listen because it's a pleasing sound. The chorus of the Hebrew slaves can be a thing of sheer beauty. The Magic Flute is one of my faves.Even if you watch eg the magic flute and can understand German the way it's sung must be pretty much incomprehensible.
Yeh. Not sure what that's got to do with croydonOpera often has subtitles showing overhead. I have and enjoy loads of music where I can't understand what is being sung in English, yet alone other languages. I listen because it's a pleasing sound. The chorus of the Hebrew slaves can be a thing of sheer beauty. The Magic Flute is one of my faves.
Not recently. Not since the "refurbishment".Don't they have opera in the Fairfield Halls?
The good people of Croydon were never that cultured I guess.Not recently. Not since the "refurbishment".
Indeed. Urban is usually pretty good at resisting divide and conquer tactics. This is all this is. It's an attack on the arts from classist philistines who don't give a fuck about arts provision full stop, even though it's a major UK industry.In reality, an attack on one section of the arts you may not like, leads to an attack on it all.
Opera often has subtitles showing overhead. I have and enjoy loads of music where I can't understand what is being sung in English, yet alone other languages. I listen because it's a pleasing sound. The chorus of the Hebrew slaves can be a thing of sheer beauty. The Magic Flute is one of my faves.
My unidentifiable lyrics include a lot of heavy metal which includes German, Finnish, Russian, Swedish and some and I also love Bangla and Bhangra music both in Indian languages.Opera has had subtitles for a long time, I've only been once, I think it was Cosi Fan Tutte, in Manchester 25 years ago. I'd go again to a Mozart opera, I loved it, I don't know why I haven't really other than life gets busy.
And I don't really care about the words. I listen to Bach's St Matthew passion in German even though I'm not German or a Christian.
On a tour of Versaille's opera house a few years back, we were informed that the opera's lasted for a few hours. Everyone attending was required to perch onOpera is ace (apart from some of it going on for far too long and causing numb bum syndrome... and I'm not keen on Wagnerian stuff). Meanwhile, looks like some dickhead had a go at the black kid singing in Alcina
Heckler gets life ban from Royal Opera House for shouting ‘rubbish’ at child actor
Every major Opera house supplies subtitles now.Although IME* the lyrics are incomprehensible in English and you still need the surtitles, making going to ENO a bit pointless IMO. I'd rather see it in the original.
*my experience being seeing one opera at ROH which I enjoyed and one at ENO which I didn't enjoy.
Every major Opera house supplies subtitles now.
edit :not the first to point it out:
The people mostly have been, strange as that might seem. It's the local authority that have been the barbarians pretty much across the sweep of cultures. They've lost music venues, libraries and -very nearly - the Fairfield Hall themselves, with the council either standing by, or actively assisting. Lambeth may be shits, but they know which side their bread is buttered, regarding culture.The good people of Croydon were never that cultured I guess.
The only place art seems to have in their lives, is to show that they've "arrived", whether that means attending an opera or a classical music recital or having an expensive painting on their office wall. It's not a new trait in Tory MPs, either. When Thatcher talked about thinning out the government's art collection, her MPs, mostly philistines, caused an uproar. How would people know how important they were, if they didn't have a "distinguished" painting in their office?Indeed. Urban is usually pretty good at resisting divide and conquer tactics. This is all this is. It's an attack on the arts from classist philistines who don't give a fuck about arts provision full stop, even though it's a major UK industry.
As someone who comes from a country where opera and ballet aren't tied to class and whose working class dad introduced him to opera as a kid, I always found it dismaying how people in the U.K. have a chip their shoulder about it.Never been to an opera but my working class school cleaner nan took me to the ballet at Leeds opera house, regularly. I wasn't really interested, but she needed an excuse to go. The place was full of working class nanas with their grandkids all wearing their hand knitted mohair/angora cardis. So I never saw theatre as a class thing, you were either interested or you weren't.
Didn't she support Dr Oz?Nobody actually likes Opera