Tell us what you love so that we can all have a go at hating it then. Share the fun!Hating's more fun.
Tell us what you love so that we can all have a go at hating it then. Share the fun!Hating's more fun.
117 posts in 5 days and fitting straight in? I'm asking what your previous ID was on these boards.
Another time maybe. Heading out at 12.Tell us what you love so that we can all have a go at hating it then. Share the fun!
Yes, 3 coffees and 2 lots of tramadol.None, have you drank much this morning?
Explains a lotYes, 3 coffees and 2 lots of tramadol.
1995 - the year of wonderwall, the biggest selling british working class act (both LP and singles) was Robson and Jerome. The year before (Oasis' debut LP/single year) it was Wet Wet Wet, East 17, The Beautiful south and the fucking beatles.here's something i am just going to make up to annoy people further.
it's 199whatever. the great british public are sat at home watching MTV and wonderwall comes on. i would have a bet that a whopping 80% of under 30 year olds stopped and thought, "that's a good song." and watched it through. across class lines, across lines of education, from the posh twat at oxford to the lonely suffering herion addict, from the crusty grunge kid to the gurning acid house kid, they would have stopped what they were doing and thought, "that's a fucking good track."
not many rock groups can or have done that.
a classic tune, a great rock and roll track of our times.
1995 - the year of wonderwall, the biggest selling british working class act (both LP and singles) was Robson and Jerome. The year before (Oasis' debut LP/single year) it was Wet Wet Wet, East 17, The Beautiful south and the fucking beatles.
Hard to believe people can rip so hard into a genuine quality home grown working class boys come good band.
.
Note, though, that nobody is still buying or radio-playing Robson & Jerome or East 17. And I certainly haven't come across Wet Wet Wet or the Beautiful South for years (although I'm willing to bet somebody has).1995 - the year of wonderwall, the biggest selling british working class act (both LP and singles) was Robson and Jerome. The year before (Oasis' debut LP/single year) it was Wet Wet Wet, East 17, The Beautiful south and the fucking beatles.
He was talking about that specific year not 20 years later.Note, though, that nobody is still buying or radio-playing Robson & Jerome or East 17. And I certainly haven't come across Wet Wet Wet or the Beautiful South for years (although I'm willing to bet somebody has).
Success at the time is one thing, but continued success 20 years on is something else's entirely.
The original argument concerned a quote about it still being played today, which it is. I certainly still hear it on the radio from time to time.He was talking about that specific year not 20 years later.
And who the hell is playing oasis now anyway?
It's the non-committal lyrics based around a sense of dialectical opposites us/them, persecution/defiance etc and the overcoming of these in a synthesis ("You're gonna be the one that saves me") which allows listeners to apply to almost every single situation they are going through, remembering, fearing etc.have we also got this far into this without mentioning that Noel sings it because Liam thought it was bollocks and refused?
I'm not a fan. At all. I think they had more interesting songs but weirdly there does seem to be something about Wonderwall that has a broad appeal
LOL you also hear the Soup Dragons and Candy Flip. Who I'd much rather hear than Oasis...The original argument concerned a quote about it still being played today, which it is. I certainly still hear it on the radio from time to time.
Particularly on Absolute Radio 90s...
Nah it was concerned specifically with the year wonderwall came out and its reception there and then.The original argument concerned a quote about it still being played today, which it is. I certainly still hear it on the radio from time to time.
Particularly on Absolute Radio 90s...
Listening to it now. The vocal is a horrid, tuneless mess.
I like the drums though. But it's a long way short of being their best tune. They did B sides that were better.
But that post is in a thread about hearing it on the radio right now.Nah it was concerned specifically with the year wonderwall came out and its reception there and then.
Of course Oasis aren't the only good band from back thenLOL you also hear the Soup Dragons and Candy Flip. Who I'd much rather hear than Oasis...
High quality trolling from clcat. Well played.
Move on with your life.I'm sensing blur fans arriving
It's the non-committal lyrics based around a sense of dialectical opposites us/them, persecution/defiance etc and the overcoming of these in a synthesis ("You're gonna be the one that saves me") which allows listeners to apply to almost every single situation they are going through, remembering, fearing etc.
As no member of Oasis said, ever (but probably true despite that)...
Anyway, it's a pretty good song, but not as great as Noel thinks it is and not as crap as some of the haters are saying.
Who said a lyric has to mean anything when it was written?