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Old fogey opinions on modern popular music amnesty

Why doesn't anyone dance anymore? All these kids just stand there and look at the band, or maybe just hold up a lighter or a phone.
 
Well that's pretty bland to my old man ears.

I don't share your pessimism that things are just going to stay pretty much as they are. It's on the edges and the underground where things start to pop up. And there's still very new sounding noises and styles that will surely offend the old ... and probably the young as well.

I do quite like the extremes and I've not heard these sorts of screeches used like this apart from the last couple of years. Hardcore is the way forward...



Then there's scenes that we don't hear much of because they're not local. Brazilian funk is very much treading its own path. There'll be surely lots of localised things going on that ain't coming to our attention.



I'm particularly fond of it when it starts to go over 180



Just wait 'til AI starts doing it's own interpretation of donk. You'll be sorry you ever craved novelty.


hmmm...im not sure about your examples - as i said, of course there'll be new formulas to some extent, but i think they'll only be tweaks on existing stuff - so for example pitching dance music up to the point where its ridiculous (IMO) feels to me like a desperate tactic to "innovate". There was a time before electronic music even existed, not that long ago. When it began it was truly exciting. Thats the shock of the new that wont be happening again. Pitching up electronic music doesn't compare.
 

Glass Animals became the biggest British band in the world​


who?
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Cool intro to that. Bored after a minute of it though.
 
thats true I think - she was basically a voice for hire in the pop machine
i can easily live without all her music tbh - Love WIll Save The Day is the only track I really have a soft spot for

but her skills are just incredible
this


actually makes my eyes water and want to invade Grenada

This is an absolute classic, Witney nails it .. especially the second half.
 
Advice to all modern pop singers
SING PROPERLY :mad:


I hate all this breathy put on crap
Id post an example but it's all of them
(Plus I don't know what any of them are called)
interesting video addressing this issue from the Black Music Archive channel - good materialist case



tldw: shutting down of schools music programs in the US + kids not singing in church anymore + the death of the 'chitlin' equivalent low level music career that allowed singers to earn a living without being famous - all adding up to not enough time actually singing and learning the craft and building the muscles - this gen get ffwd to stardom via instagram without developing technique or the chops
 
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I went clubbing the other night and went into a rant about how the drum and bass playing was too samey and didn’t have enough euphoric cranscendos or some such shit and saw my 41 year old reflection in a mirror whilst I was talking and fogey energy was seen and felt
 
Speaking of Drum n Bass use some actual breaks in your tunes and not this abrasive overly compressed digital sounding crap that's everywhere now days.

grumpy-old-man.gif
 
interesting video addressing this issue from the Black Music Archive channel - good materialist case



tldw: shutting down of schools music programs in the US + kids not singing in church anymore + the death of the 'chitlin' equivalent low level music career that allowed singers to earn a living without being famous - all adding up to not enough time actually singing and learning the craft and building the muscles - this gen get ffwd to stardom via instagram without developing technique or the chops


I’ll take a look at the vid - the “breathy” thing isn’t something I recognise that much compared to the Whitney-wailing and other sub X-factor nonsense that seems to stand in for anything liable to evoke any real feeling.

Billie Eilish is a bit “breathy” at times but I think she has a beautiful voice compared to a lot of the nonsense I hear.

Rihanna also has a lot of character to her voice.

Comparatively, I think male voices in pop have deteriorated more than female voices, though. There is a generic male voice that seems to have taken over a lot of pop that is completely identikit - they sound like the exact same person.

And that person isn’t exactly an abomination, but he’s everywhere. No Robert Smith, Boy George, Bruce Dickinson or Mick Jagger would get a look in with such a one-dimensional template.

Maybe there’s a bit of counter-reaction to all this in things like the young’uns taking to something as weird as Kate Bush, though.
 
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There's some very distinctive voices around currently, Radie Peat (of Lankum fame), John Francis Flynn, Tolu Makay, of the new(ish) crop.
Could put Moxie in there, with relatively new member Julia Spanu adding amazing vocals to the band. Also, haven't heard enough of; but am loving Strange Boy, Saint Sister, Niamh Regan, Maija Sofia, Sinead O' Brien (shades of Patti Smith and PJ)


(There's Imelda May and Damien Dempsey, a decade or two in and still going strong, both distinctive voices but maybe a bit too oldie to qualify as modern.)
 
We recorded some music the other day and the sound engineer was overwhelmed by gratitude that we could actually play our instruments and sing. He said that he is overwhelmingly now expected to spend a day re-recording one line over and over by people that don’t know technically how to play, and then he is expected to somehow glue these takes together to “make it sound good”. Grrr hurumph how dare they etc etc.
 
I’ll take a look at the vid - the “breathy” thing isn’t something I recognise that much compared to the Whitney-wailing and other sub X-factor nonsense that seems to stand in for anything liable to evoke any real feeling.

Billie Eilish is a bit “breathy” at times but I think she has a beautiful voice compared to a lot of the nonsense I hear.

IIRC Billie Eilish grew up with proper musical training, singing in a choir etc.
 
spend a day re-recording one line over and over by people that don’t know technically how to play, and then he is expected to somehow glue these takes together to “make it sound good”
See basically you've pissed on my fireworks there because that's exactly how I assumed it worked and consequently how my dreams of pop stardom are still alive.
 
I’m back to complain a bit more about auto tune. Even singers who don’t need it use it. It’s an effect choice, like too much flange on the vocals in the late 60s. I hope it dies out soon, because I find it jarring. I’ll allow a little if there’s merit in the rest of the song. But it’s horrible when the voice is tuned to a computer but the instruments are using tempered tuning. Pianos, for example, are deliberately tuned slightly sharp in the bass range and slightly flat in the high range. But auto tuners ignore that, whereas a skilled singer with a good (human) ear wouldn’t.
 
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