I spent quite a bit of last night wondering about the logistics of who Peter Capaldi's character shot first
Decided it would probably be the Mum otherwise she would try to attact him but then thought would the kids freak out then I wondered if he explained it to them first
Mark of a good programme though, I think, when I start thinking about part of it is such detail
I spent quite a bit of last night wondering about the logistics of who Peter Capaldi's character shot first
Decided it would probably be the Mum otherwise she would try to attact him but then thought would the kids freak out then I wondered if he explained it to them first
Mark of a good programme though, I think, when I start thinking about part of it is such detail
I wondered what countries without league tables would do . . . It's all so nuts
Whoever did the voice of the 456 got it spot on. The casualness and kind of bemused quizical tone with which it spoke about something so shocking was pretty chilling IMO
It had great moments, but some really cheesy moments too, and some really bad writing (and some great writing in parts). I thougt that the last eopisoode lacked the science. The problem of how to get rid of the 456 was solved in a matter of about ooh 30 seconds, with little explantion. It's the normal "magic" shit that Russel T Davis uses.
TV sci fi nearly ALWAYS has the glib miracle machine story resolver. It's not an issue that affects only Russel T Davis and the Whoniverse
In most cases the general public don't get to see the script so that's not what they base their opinion on. The concensus seems to be that this was a gripping piece of drama that the majority 'enjoyed' watching. To dismiss it as a 'love-in' makes you sound quite bitter. It also smacks of 'oooh look at me I know more about it than you'. I don't care what the script was and if it could have been done better (though we only have your opinion on that) The end result was good enough to have generated lengthy debate here and attracted millions of viewers. Once writers hand over scripts they have to trust that the director will have the same vision. In most cases I expect they don't but that's just tough. It doesn't just happen at the BBC, it happens in film and theatre as well.
flux capacitor, reverse the polarity, forward power to the tachyon matrix etc etc
TV sci fi nearly ALWAYS has the glib miracle machine story resolver. It's not an issue that affects only Russel T Davis and the Whoniverse
^^
do i give a shit if at some arty luvvie level it wasnt "true to the script"? no. tbh couldnt give a toss - i was entertained and that is pretty much all i ask for from a prog like torchwood
The thing is that the best, most long running TV programmes with the biggest fanbases are always true to the script and manage to attract more and more people to watch.
It's been said several times so I'll just mention that Frobisher wasn't a Minister he was a civil servant (Permanent Secretary to the Home Office) - it matters in terms of the storyline about political accountability and to whom, as well as international legal accountability. For example, the Prime Minister ceded authority firstly to his civil service and then the USA, thus avoiding direct responsibility himself and for the UK Government.
Not really echo's of T. Blair and his Dossier at all then, esp. in relation to suicides.
Fwiw, the character of Evil Woman is apparently 'Johnson':
She likes a tickle.
flux capacitor, reverse the polarity, forward power to the tachyon matrix etc etc
TV sci fi nearly ALWAYS has the glib miracle machine story resolver. It's not an issue that affects only Russel T Davis and the Whoniverse
How do you know?
It does seem particularly bad with Davies though, there's not enough build up or explanation, just a straight jump from "We have to think of something" to "Let's put my grandkid in the magical baby killing machine". That scene should have been an entire episode, or at least a signifigant part of one.flux capacitor, reverse the polarity, forward power to the tachyon matrix etc etc
TV sci fi nearly ALWAYS has the glib miracle machine story resolver. It's not an issue that affects only Russel T Davis and the Whoniverse
It does seem particularly bad with Davies though, there's not enough build up or explanation, just a straight jump from "We have to think of something" to "Let's put my grandkid in the magical baby killing machine". That scene should have been an entire episode, or at least a signifigant part of one.
Having said that, I enjoyed the the show right up until then.
This was the one thing that I was disappointed about (apart from them killing off Ianto). I know, like DC says that it's often the case with scifi that solutions to problems are often pulled out of thin air. But with a story arc over five episodes it seemed too much of a cop out to arrive at a solution in such a short space of time without any real development of the idea or fuller explanation.The problem of how to get rid of the 456 was solved in a matter of about ooh 30 seconds, with little explantion. It's the normal "magic" shit that Russel T. Davis uses.
I disagree about the gunshots. It made me jump and then the pause between the third and the fourth was long enough to make you wonder whether he was going to kill himself or not.
John Gummer and mad cows disease?(Although it was quite unrealistic that Frobisher was asked to sacrifice his kids. No one who knew the truth would give their kids over willingly on camera, and he wasn't a particularly high profile politician. They would have asked some minister who didn't know what was happening to get on tv and have their kids "inoculated")
I'm at a loss to know who is left to carry the Torch. Would it be a case of building up Rhys's or PC Andy's parts, bringing in Lois or Johnson or what?
I'm at a loss to know who is left to carry the Torch. Would it be a case of building up Rhys's or PC Andy's parts, bringing in Lois or Johnson or what?