Yup, loving it.I was just coming here to post that. Excellent video by Cold War Steve
(Throws scarf at radio)In better news they are sitting in for Iggy Pop on Radio 6 later
Some footage and then I’ll probably shut up.
To be fair to them it’s not like Jason’s lyrics were ever about geopolitics. But stopping the gig does seem like an overreaction. Just ignore the scarf?
He's his own worst enemy I think - there's been a few blow ups on twitter which he just made worse.I can appreciate his annoyance but having a strop and flouncing off was an overreaction. You'd expect him by now to have enough stage experience to handle something like this better.
Dirty Rat, linked to above, is a very directly political song.tbh I thought this was exactly why Sleaford Mods (not only but also) were such a success; because they sound pissed off and vaguely political but actually have fuck all to say of any use or substance. Its a classic strategy for a pop career, style wins over content and nothing important gets challenged. We give them a platform, they piss on it.
murder of anyone, under whatever fucking belief grid
Dirty Rat, linked to above, is a very directly political song.
The lyrics.How?
Blaming everyone in the hospitals
Blaming everyone at the bottom of the English Channel
Blaming everyone who doesn't look like a fried animal
Travel through the funnels of my country
The resin coated dead egg of nowhere
The balance on the scales and the bag of Fucking lies
Is unequal in my lifetime
The balance on the scales and the bag of Fucking liesAnd that's political, is it?
Tbf, I don't think he asked for it to be in the Guardian, he just said some stuff on twitter and the Guardian wrote an article about it. I dunno if saying stuff on twitter is better or worse than saying stuff to the Guardian, though?Oh and the public falling out with the clearly unwell Mick Harris of Scorn. In the Guardian FFS Go out in flames or fade away? Rightwing Twitter rant rekindles dilemma for ageing rockers
This is a bit mental tbf, slag them off as much as you like but you can't really say they've followed "a classic strategy for a pop career". I've not followed their career all that closely so I can't quote chapter and verse here but I don't think their lyrics are actually that vacuous. Does "I can't believe the rich still exist, let alone run the fuckin' country, mate" count as sufficiently political?tbh I thought this was exactly why Sleaford Mods (not only but also) were such a success; because they sound pissed off and vaguely political but actually have fuck all to say of any use or substance. Its a classic strategy for a pop career, style wins over content and nothing important gets challenged. We give them a platform, they piss on it.