I see what you mean - it's a bit neither one thing nor the other, even on the model.This is the vile flutey thing I was talking about: http://www.simplicitynewlook.com/2058/#.VQxKYeFRrfc
I see what you mean - it's a bit neither one thing nor the other, even on the model.This is the vile flutey thing I was talking about: http://www.simplicitynewlook.com/2058/#.VQxKYeFRrfc
Lovely! Looks like we're both on an ebay mission at the moment. I'm watching so many things I can't keep up and forget to bid.
Have you tried rust-oleum furniture paint? It still needs waxing but cheaper then Annie Sloan.
Not that vile, but you're absolutely right, it wouldn't suit you.This is the vile flutey thing I was talking about: http://www.simplicitynewlook.com/2058/#.VQxKYeFRrfc
(((friend ofdorothy))) Why the hell would anyone make fabric which melts like that on such a low setting?I'll be remaking a funky patterned polyester satin top I almost made last week end. I was looking forward to wearing this week, I'd got it fitting really nicely and it was almost finished.
I just had the hem to do and was pressing it with a iron on setting 1 - when it MELTED! <snip>
I blame an iron malfunction. It actually started steaming (after it melted the fabric) which it shouldn't be able to do on that setting, so it must have been too hot. Arghhh. Anyway with colourful melted polyester all over it its good for nothing.(((friend ofdorothy))) Why the hell would anyone make fabric which melts like that on such a low setting?
Still, at least you'll know that you've got the fitting right this time.
So. It's a sleeveless dress with a square neckline. I'm going to line the whole thing I think, may as well. I might even put a bit of net on the skirt lining if I feel enthusiastic. Should I put some interfacing in the bodice lining do we think? The main fabric is some kind of medium-light weight artificial silk, reasonably crisp but not rigid, and the lining will be standard lining fabric.RIGHT. It's going to be a dress. I am wielding the scissors
thats quite surreal! I made a lot of fascinators mostly bows and flowers but also some that looked like a birdnests complete with eggs and chicks.
Fingers. In. Shreds.
Oooh, not seen that type before. It wasn't too bad, because I pre-punched all the stitching holes, but there was a lot of them.good work moose. i swear by this style of thimble of you're doing heavy-duty work. the leather's really good for grip when pulling the needle through :thumbles :
I've seen felting done before, but only in 3d and never with fine lines or detail.Been doing some felting recently. <snip>
I've not tried clay. Some of the people at college use it but at home, they don't really use it on the course although now we can more or less do want we want.Is it all sheet silver, Shirl ? Have you tried that silver clay stuff?
I've not tried clay. Some of the people at college use it but at home, they don't really use it on the course although now we can more or less do want we want.
I'm sticking with sheet for now because there is still plenty of stuff I want to try with it. Although hammering that bangle was a bastard
I just filed out a shallow U shape in a length of wood about inch wide and about 5 inches deep, that I put into a vice to hold it. Hammering over that formed the shape, I had to stop and anneal it after about every 20 whacks because the silver just got too hard. I didn't really think about the depth of the wood but if I had used a deeper piece the bangle wouldn't have been able to curl under it.Sorry to be nosy, but did you use a form to shape it on,and/or a sandbag?
open call to critique my shop. made a load of changes based on feedback so far. or just favourite everything that'd be cool too pm for address