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Vigil- BBC crime/ thriller miniseries

Anyway, I enjoyed it. It was a bit of daft nonsense for a Sunday evening. And had the added benefit for those of us who know Glasgow that we could spot locations, and occasionally laugh about them going the wrong way to get to a location, or running around the back of a building into an alley that’s in a different part of the city. And so on.
It was complete nonsense on stilts but great mindless Sunday night telly.
 
I was disappointed there was no argument over which artist's Silver Surfer was the best Silver Surfer or where Lipizzana stallions come from.
 
Anyway, I enjoyed it. It was a bit of daft nonsense for a Sunday evening. And had the added benefit for those of us who know Glasgow that we could spot locations, and occasionally laugh about them going the wrong way to get to a location, or running around the back of a building into an alley that’s in a different part of the city. And so on.
That the great thing about Morse and Endeavour (oh well, and Lewis). If you are familiar with Oxford and its environs you spend your time spotting locations and favourite watering holes, and it helps you coping with the unlikely plot developments.
 
The soppy ending, though. They did all the ridiculous exciting stuff with the torpedo tube and the Morse code that no one in the Navy seems to be able to read any more, and the borked inlet valves and the knife to the throat (kill her why don't you, and while you're doing that we'll disarm you) but then acres and acres of wash-up. Meh. And tbh I can't really work out if it was pro or anti nukes - both sides lacked integrity. But oh the ending. I said and did all those bad things but we're still good? Right.
 
I did wonder whether they were going to let her die in the torpedo tube, as a high risk game of thrones type way of shocking the audience (particularly as a watery grave was the one thing that obsessed her). When that didn't happen, the whole episode was about the things we already knew falling into place. As far as I could tell, there wasn't one single 'reveal'. I enjoyed the series, but that part of it wasn't great story telling.
 
Errr I understand not being able to send communications but why could they not receive them either? Apart from plot development of course.

And yes I thought the sloppy bit at the end grated, too. One of the reasons I stopped watching science fiction stuff was the difficulty to engage with the emotional turmoil experienced by non-carbon-based lifeforms. Police are just too similar.
 
Errr I understand not being able to send communications but why could they not receive them either? Apart from plot development of course.

I think the russian spy sabotaged the radio but in last ep it got fixed by the bloke that held the gun to his head in the earlier episode.
 
Errr I understand not being able to send communications but why could they not receive them either? Apart from plot development of course.

And yes I thought the sloppy bit at the end grated, too. One of the reasons I stopped watching science fiction stuff was the difficulty to engage with the emotional turmoil experienced by non-carbon-based lifeforms. Police are just too similar.

I think the long cable hosepipe thingy was supposed to be the submarines ULF aerial which have to be 100s of meters long to receive underwater.
 
Sorry, but that episode was shite. And I say this within the context of the entire series, which made Silent Witness look like quality television. There was zero jeopardy and the end took the biscuit as far as soft focus cliches went. Very disappointing.
 
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