Fozzie Bear
Well-Known Member
BARELY LEGAL MASS PICKETING
Thanks very much for that. I really enjoyed it and wondered how well it captured the people involved. Lovely to hear from someone who knew them that the film captured them so well.Finally got a chance to see it this afternoon, really enjoyed it. When I heard they were making the film I was a bit concerned that we were going to be portrayed as yokels, but having seen it I think it's a very fair depiction of the people of Cwm Dulais at that time.
Obviously it's a movie rather than a documentary so artistic licence has been taken for the sake of the story, but it captures the truth of what happened. For some reason the street scenes were filmed in the neighbouring village of Banwen (where the Comic Strip's 'Strike' was also shot) rather than Onllwyn, but it captures the bleakness of the Upper Dulais Valley, though it's more rural today than it was thirty years ago; now the colliery and the coal tips have been flattened.
The non-welsh actors didn't quite capture the accent for me but that's probably only noticeable if you're from the Valleys, the cast all give good performances. The minibus is spot on, exactly as I remember it
It's strange to see people you knew portrayed on film. Hefina ran the Post Office in Onllwyn when I was a little boy and I was at school with her daughter, Imelda Staunton really captures her formidable spirit. Cliff was someone I knew quite well as a boy, a friend of my grandfathers, and though I remember him as being more physically robust than he's portrayed here, Bill Nighy really captures his air of sadness.
There's a moment I found really emotional, when he's telling the visitors about the great seam of anthracite that runs beneath the Atlantic from South Wales to Pennsylvania; that's such a Cliff moment, exactly the kind of thing he'd tell us about as kids. He was a good man, a kind man, I never knew about his brother - I'll have to ask my Dad about it.
I was surprised by the scene when he tells Hefina he's gay, it was something everyone guessed but was never spoken about in the village. I dont think he ever came out in public, I would never have said anything if it wasn't in the film.]
It's a great story I'm very glad they made a decent film about it, and as always I remain proud to be a son of the valleys
Good interview with Ray Goodspeed, who was one of the original group:
http://rs21.org.uk/2014/09/21/dear-love-of-comrades-remembering-lesbians-and-gays-support-the-miners/
Saw the film with my freebie tickets last night. Very moving, very entertaining, very true to the spirit of the times. It's left me feeling somewhat depressed today though.
There are very few dramatic representations of what it was like to grow up gay in the 80s (in fact I'm struggling to think of anything apart from the video to Smalltown Boy) and reliving the virulent homophobia and dark shadow of AIDS was difficult, 'triggering' I guess is the word some people might use... The scene where Joe is confronted by his parents was a gruesome re-enactment, almost word-for-word of my own unmasking a couple of years later. I'm not sure though that a younger generation would quite pick up on all the references ('swirling in a cesspit of their own making' etc) and realise just how mainstream being actively homophobic was in those days.
I'm not sure if the making of this film represents victory or defeat. To my 15 year old self it would have seemed utterly remarkable that the 'loony left'/gay rights axis would ever be the subject of a heartwarming brit-com. But is that just because at 30 years distance all those ideas about solidarity are no longer a threat, a bit like how Tony Benn became a cuddly national treasure?
So yeah, really proud of those people and glad their story has been immortalised, still angry about the newspapers who ranted about perverts and now will probably give this film a 5 star review, and sad that we've collectively lost so much since those times, even if we've gained in terms of equality.
It's strange to see people you knew portrayed on film. Hefina ran the Post Office in Onllwyn when I was a little boy and I was at school with her daughter, Imelda Staunton really captures her formidable spirit.
But not your great auntie?Chatting to my youngest brother on facebook about the film, turns out Hefina was his great auntie. Bloody pit villages, everyone is a relative somewhere along the line
But not your great auntie?
( and go to see Still The Enemy Within to)
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December 23rd
It is odd, especially as the 23rd isnt even a monday.I've got it on pre-order on Amazon. Bit disappointed it wasn't released a bit earlier so people could buy it for Christmas presents
It is odd, especially as the 23rd isnt even a monday.
The cover of the smash-hit film charting the alliance between gay and lesbian activists and striking Welsh miners makes no mention of sexuality
At the end of the film, after LGSM is attacked in the press, the miners vote not to accept any more money from you. Did they do that?
That didn’t happen.
I can imagine that any american homophobe who bought that might be a bit shocked by the gay pride maerch in the first 10 minutes of the film. People who wouldn't watch it just because it said 'gay' on it might benefit from seeing it, so good luck to them.It doesn't seem to mention miners either! It's the back cover people are moaning about:
In 1990 we still produced tshirts to raise money for Lesbian and Gay Pride that didn't say 'lesbian' or 'gay' on them - because they wouldn't sell...
In 1990 we still produced tshirts to raise money for Lesbian and Gay Pride that didn't say 'lesbian' or 'gay' on them - because they wouldn't sell...