I wonder if Casually Red will be going to see this?
Just watched it at a preview with my teenage daughter thanks to the heads up here.
Never seen a cinema full of people moved so much by a film. Tissues everywhere and people standing up crying, laughing and clapping their hands. Pretty much a standing ovation. Some fucking brilliant performances.
Top notch fillum
No I watched it at Cheshire Oaks on the Wirral up here in the North West. I honestly think any audience will have the same response. It's such a very moving, touchingly funny, gutsy and also quite a sad film. I remember that era only too well and there was massive support for the minors in our region, we had our own manufacturing industries decimated by the witch as well but the homophobia of the times was I think the part of the emotional tear pull for a lot of people in the audience. Obviously I can't really speak for others but you could see the tissues coming out and hear the sighs.As a matter of interest, was that London ? Sound like heartwarming response, look fwd to seeing how our gloomy ol N devon audience responds.
It's a BBC job. It's definitely got money behind it. I predict a blockbuster response, they know exactly what they are doing with the freeview previews Good marketing IMO.Are any paying though? films like this won't get made if no one coughs up
No I watched it at Cheshire Oaks on the Wirral up here in the North West. I honestly think any audience will have the same response. It's such a very moving, touchingly funny, gutsy and also quite a sad film. I remember that era only too well and there was massive support for the minors in our region, we had our own manufacturing industries decimated by the witch as well but the homophobia of the times was I think the part of the emotional tear pull for a lot of people in the audience. Obviously I can't really speak for others but you could see the tissues coming out and hear the sighs.
There's a part in the film where one of the miners wives stands up and leads the cast in song. If the hairs don't go up on the back of your neck at that point and your tear gland doesnae flinch then it's over for you
If you're not moved by that film down in Devon there's nothing left for ya or maybe I'm just a big softy
if the woman in question was quite young then, then there is every chance her name is Sian james, and she is now the MP for Swansea EastI remember being reduced to tears by a welsh miners wife who spoke on the main stage at London Pride in Jubilee Gardens (in 1985?) she said something about having no idea what lesbians and gays were when they first contacted them - but how she would be proud if a child of hers come out to her as lesbian or gay. She was an ordinary woman from the valleys who had never given a speech before the strike - but she was eloquent and it was emotional message. Non of this sort of stuff made the mainstream media back then.
She made me cry in front of my daughterI also loved the bit where the women sing Bread and Roses, and was curious as to who it was with the wonderful voice, who sings the first verse. Now I know, so am sharing
She is called Bronwen Lewis.
http://www.walesonline.co.uk/whats-on/film-news/bronwen-lewis-voice-finds-fame-7231041
In The Ritzy in Brixton it got a round of applase.As a matter of interest, was that London ? Sound like heartwarming response, look fwd to seeing how our gloomy ol N devon audience responds.
Yes that bit was lovely - really moving.I also loved the bit where the women sing Bread and Roses, and was curious as to who it was with the wonderful voice, who sings the first verse. Now I know, so am sharing
She is called Bronwen Lewis.
http://www.walesonline.co.uk/whats-on/film-news/bronwen-lewis-voice-finds-fame-7231041
There are always dark moments in 'feelgood' films They're required to contrast with the good bits!There have been comparisons to 'Billy Elliot' and 'Brassed Off'. Not having seen these films I can't make a direct comparison but had mixed feelings about the interpretation of it as a 'feelgood' film. It has many upbeat moments (the scene at the benefit gig made me want to join in!) and the overall message of solidarity is upbeat, but there is darkness in there - real darkness which is not overcome as it might be in a 'feelgood' film. The portrayal of Mark by Ben Schnetzer really gives a feel for his anxiety about what is to come. The two homophobic women (Maureen the committee chair and Joe's mother) are also chillingly realistic. I found myself really detesting Maureen, then saying to myself 'but she's only a character in a film' then thinking 'no, she was real'.
Saw the film with my freebie tickets last night. Very moving, very entertaining, very true to the spirit of the times. It's left me feeling somewhat depressed today though.
There are very few dramatic representations of what it was like to grow up gay in the 80s (in fact I'm struggling to think of anything apart from the video to Smalltown Boy) and reliving the virulent homophobia and dark shadow of AIDS was difficult, 'triggering' I guess is the word some people might use... The scene where Joe is confronted by his parents was a gruesome re-enactment, almost word-for-word of my own unmasking a couple of years later. I'm not sure though that a younger generation would quite pick up on all the references ('swirling in a cesspit of their own making' etc) and realise just how mainstream being actively homophobic was in those days.
I'm not sure if the making of this film represents victory or defeat. To my 15 year old self it would have seemed utterly remarkable that the 'loony left'/gay rights axis would ever be the subject of a heartwarming brit-com. But is that just because at 30 years distance all those ideas about solidarity are no longer a threat, a bit like how Tony Benn became a cuddly national treasure?
So yeah, really proud of those people and glad their story has been immortalised, still angry about the newspapers who ranted about perverts and now will probably give this film a 5 star review, and sad that we've collectively lost so much since those times, even if we've gained in terms of equality.
Conservative MPs regularly called for the station to be closed down after one queer programme or another had been screened and the tabloid Press nicknamed the station “Channel Porn”.
had forgotten but in its early days Channel 4 did give a voice to minorities. Something it gave up on later on.