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Critiquing Oasis

Being utterly derivative was the point of Britpop. They all nicked loads from previous eras and were unashamed of it. And it got hyped to the skies partly because of how great that was for the record industry. Combined with the introduction of CD's it was a great way to get new generations to buy old shit and old farts to rebuy it in ''improved' formats. Win win.

Add in it all happening as Thatcherism was finally dying, a new world was about to be born (ohh, if only), England had a half decent football team and it was all just a beacon of positivity in massive contrast to the frequently depressive music of the eighties. Live Forever and Cigarettes & Alcohol are both magnificent three minutes of cockiness and swagger and fuck it. Who gives a shit if those chords had been used before. Then Beatles ripped of Chuck Berry (and others).

It couldn't last. Blur and Pulp both developed a bit and made more interesting noises, most of the others just seem to stop. Sadly, Oasis continued and put out umpteen albums of absolute dirges that no one could really give a flying fuck about.
 
I was in a bar tonight and the staff for playing Nirvana, Pearl Jam, that sort of thing. Funny to think they are probably only in the 20s or 30s at oldest
 
for anyone feeling nostalgic. they make me laugh. they always seem like they have just woken up. so half arsed 😄


Noel is funny....i enjoyed that podcast you posted with them just talking about favourite comedy shows....seems like someone you could genuinely spend time with...
THat DVD extra of Noel talking over Oasis videos posted somewhere on these boards was when I started warming to them.....theyre not taking themselves all that seriously ..Liam takes himself seriously but every band needs a frontman and he is that

And yeah at the time i found it all very ploddy, though next to DnB most things were tbh, but looking at the live videos poeple seem to jump up and down to them, and at this point in my life a bit slower and more turgid feels about right :D Still not really my thing but Id rather see them than most any other band mentioned on this thread....including revival Ringo and Mcartney! Wonderwall is really annoying but Hey Jude is even more so!! [hot take]
 
Noel Gallagher isn't fit to tune Johhny Marr's guitar.

Marr's obviously a better guitarist however Noel is a very very good songwriter. Listening back to those first two albums I'd put him up in the top echelon of UK songwriters. And he was doing it by himself pretty much whereas I gather the Smiths stuff was very much both Marr and Morrissey.
 
I'm not sure how, Johnny Marr was always cribbing from Motown etc

Because he (Moz) was an insular twat who only cared for his own internal dialogue.

I know Morrissey's (ex) tour manager of many many years and he said that when he had people like Boz Boorer around him to set him straight he kept his stupid thoughts to himself, but as those long term collaborators departed his side he had no one left to tell him when he was being an idiot. His band is now is mostly hired hands. If I was Johnny Marr I'd have ditched his arse in 86 when he came up with his Black Music conspiracy theories. Marr clearly didn't read the Melody Maker or was happy to work with a racist loon.

Another friend was a huge Morrissey fan and had a huge collection of rare records and memorabilia. He binned the lot and won't listen to him anymore.

The Stones Roses wrote 'Black bones are the original bones And this the whole wide world should know' because they knew where all music came from.

Morrissey loves Elvis - where did he think that music came from?
 
Journo to Liam about his brother: 'When is he ever wrong?
Liam to journo quick as a flash: 'When I'm right'

Fookin love them. Idiots.
Yeah
They came across as proper surprised at how well they were doing.
Liam is all over the place jittering... ..but behind the shades and bravado there is an innocence and I think some shyness....his replies are quite honest.

I'd say they were blown away by the success of that first album.
 
A really sad fact about them is noel used to have a stutter, which he put down to him being beaten all the time by his dad :(

there's is a vulnerability there in many of the songs
Yes..their dad was violent drunk and beat them and their mam up. She kicked him out and had to fight the council to stay in their house. They've got masses of respect for their mam.
 
Ah, only someone who knows nothing about The Smiths, nor their fans, would describe them as that.

They were the antithesis of Oasis, thank god. But there's room for all types in this world and I very much hope you manage to procure yourself a ticket.
I always thought the Smiths' music did sound joyful; Marr's guitar against Moz's lyrics and less tuneful voice. But Oasis sound flat and monotone by comparison.
 
The Smiths sound early on was a very thin Byrds jingle jangle. I really didn't like them, but gave them a few trys because lots of people went on about them. It wasn't until later (86/87) that I liked a couple of their songs, whereas I found Morrissey's early solo stuff was a vast improvement. I don't rate Johnny Marr as a guitar player really. I saw him live once. So dull.

The Smiths first album isn't a patch on Oasis first album.
 
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Being utterly derivative was the point of Britpop. They all nicked loads from previous eras and were unashamed of it. And it got hyped to the skies partly because of how great that was for the record industry. Combined with the introduction of CD's it was a great way to get new generations to buy old shit and old farts to rebuy it in ''improved' formats. Win win.

Add in it all happening as Thatcherism was finally dying, a new world was about to be born (ohh, if only), England had a half decent football team and it was all just a beacon of positivity in massive contrast to the frequently depressive music of the eighties. Live Forever and Cigarettes & Alcohol are both magnificent three minutes of cockiness and swagger and fuck it. Who gives a shit if those chords had been used before. Then Beatles ripped of Chuck Berry (and others).

It couldn't last. Blur and Pulp both developed a bit and made more interesting noises, most of the others just seem to stop. Sadly, Oasis continued and put out umpteen albums of absolute dirges that no one could really give a flying fuck about.

Johnny Marr gave Noel one of his guitars so he obviously disagrees.

Yea I knew that but still they are miles apart in terms of technical ability.
 
The Smiths sound early on was a very thin Byrds jingle jangle. I really didn't like them, but gave them a few trys because lots of people went on about them. It wasn't until later (86/87) that I liked a couple of their songs, whereas I found Morrissey's early solo stuff was a vast improvement. I don't rate Johnny Marr as a guitar player really. I saw him live once. So dull.

The Smiths first album isn't a patch on Oasis first album.
I haven't been interested in any of Marr's solo stuff. It bores the pants off me. He needed a Morrissey (or similar - i quite liked him when he played with Kirsty MacColl, The The, Bragg, Pretenders, even Bryan Ferry) imo.

The first Smiths album is famously rubbish though. It should be disregarded as no Smiths fan rates it.
 
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And they all ebb and flow, usually as their crowds age and move on, some to be picked up later by a different generation.
As a rule of thumb I reckon most big 'sounds' have a half life of ten years - ten strong, peak years at best, after which its diminishing returns after that ...
unless theres a massive update to the formula, in which case it qualifies as a new sound
 
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