I don't get why the Mancs have to be all mutants with bad hair cuts and earings though.
It's all in the moves.
I don't get why the Mancs have to be all mutants with bad hair cuts and earings though.
Liked the early stuff and still listen to it.There was something deeply authentic and meaningful about oasis early doors. They were great, great fun, great energy. Can still remember my mate putting wtsmg on in a bong smoked filled room and being blown away and everyone in the room the same. Think I was 15. It gave a bit of lyricism to our drum and bass lives.
There was something deeply authentic and meaningful about oasis early doors. They were great, great fun, great energy. Can still remember my mate putting wtsmg on in a bong smoked filled room and being blown away and everyone in the room the same. Think I was 15. It gave a bit of lyricism to our drum and bass lives.
Same. Definitely Maybe has a sense of excitement and a real energy to it, Morning Glory is my favourite and has some bangers on it and The Masterplan is a great B-sides album. Be Here Now was when the rot set in.Liked the early stuff and still listen to it.
Definitely Maybe and The Masterplan, Morning glory and then that’s it. Then the energy and hunger they had initially has gone and it becomes overblown.
Same. Definitely Maybe has a sense of excitement and a real energy to it, Morning Glory is my favourite and has some bangers on it and The Masterplan is a great B-sides album. Be Here Now was when the rot set in.
Same. Definitely Maybe has a sense of excitement and a real energy to it, Morning Glory is my favourite and has some bangers on it and The Masterplan is a great B-sides album. Be Here Now was when the rot set in.
I know it's not everyone's cup of tea.. but that whole Britpop period of 93/94/95 felt very exciting at the time..
I knew about Shakermaker too and it just seemed kind of cool and mildly subversive (because Oasis seemed a touch edgy in the very beginning), but I didn't know C&A was a T-Rex rip off either.Some Might Say is...not a favourite. THAT was the one that got to Number 1? I didn't realise how derivative they were as well, I knew about Shakermaker but not that Cigarettes & Alcohol is a blatant T-Rex rip-off.
Tbf they did try to be more experimental with songs like Who Feels Love? and Fuckin' in the Bushes, but they were in a bit of a rut creatively compared to Blur, who didn't alway get it right but at least were willing to experiment and change their sound up, and even in the early days, they had their moments of weirdness (Pressure on Julian, for instance). Also, Be Here Now needed serious tweaking. It's Gettin' Better (Man!!) just has Liam singing the chorus for what, 3 minutes? No, Liam, it is not getting better, it is getting worse the longer you keep singing. And All Around the World does not need to be nearly 10 minutes. They were so blatantly trying to do some kind of big I Am the Walrus style epic and failed (and they tried covering the actual thing, but it is a very hard song to pull off).
By far their best song is Columbia, their first single, which appeared on Definitely Maybe. It has a certain chugging shoegaze quality to it, which they oddly seemed to abandon.
Some Might Say is...not a favourite. THAT was the one that got to Number 1? I didn't realise how derivative they were as well, I knew about Shakermaker but not that Cigarettes & Alcohol is a blatant T-Rex rip-off.
Tbf they did try to be more experimental with songs like Who Feels Love? and Fuckin' in the Bushes, but they were in a bit of a rut creatively compared to Blur, who didn't alway get it right but at least were willing to experiment and change their sound up, and even in the early days, they had their moments of weirdness (Pressure on Julian, for instance). Also, Be Here Now needed serious tweaking. It's Gettin' Better (Man!!) just has Liam singing the chorus for what, 3 minutes? No, Liam, it is not getting better, it is getting worse the longer you keep singing. And All Around the World does not need to be nearly 10 minutes. They were so blatantly trying to do some kind of big I Am the Walrus style epic and failed (and they tried covering the actual thing, but it is a very hard song to pull off).
I defy anyone to tell me this is not a choon
ok I agreeBeen thinking about them a while since the regroup and the word that comes to mind in those two first albums is “sincerity”. The songs sound sincere. Like they truly meant them. They had a sort of coherent energy that flowed out from them. They were still living at their mums when they played Maine road. You can hear “them” in the songs and it’s sincere.
Because they weren't very good.Went tonshit after that tho
Agree.Because they weren't very good.