Price also raises the point I made yesterday about Oasis and class "Oasis have been presented as the true voice of the council estates from the very start of their career. But what of their less stereotypical, but equally working class, 1990s contemporaries? Don’t they count? No band was more aware of class politics than Sheffield’s Pulp, for example, but Pulp were arty and sang about outsiderdom and dressed like Oxfam dandies instead of Arndale Centre townies, so they’re considered somehow less “real” than their Mancunian peers. Meanwhile, the Manic Street Preachers are as working class as they come, but refused to conform to lads-lads-lads cliches, played with androgyny and homoeroticism, and wore their (state) education on their leopard print sleeves."
If we want to be charitable, we could accept that Oasis initially represented a part of the culture of their class. But they quickly became a cliche of it. A pastiche (entirely missed by the music press who lapped up the danger and shit politics) that allowed easy access for the small town petit bourgeois who flocked, in their bucket hats and trainers, to the band.