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Cassettes

doubtless. but as this is the music forum rather than politics, I think it's ok for me to use the term colloquially.
 
Arabic music still works best on tape, I find. I've got hundreds of them. Mostly Yemeni, but also Iraqi, Egyptian, Syrian and a few from Somalia. For some reason this music sounds great on a worn-out cassette, maybe the wobble adds to the feel of the music? Will post a picture of my collection at some point.
Cassettes are still the main medium for music in Yemen. The tape shops are always an experience, to say the least. Most traders have modified their tape machines with an ultra-ultra fast fast-forward and backward function. That way, when you ask what a certain tape is like he can quickly show you the highlights by whizzing through it and randomly stopping and playing. I reckon some of the shops there can rewind a tape in under 15 secs. :cool:

You've reminded me of all the Arabic music tapes I bought on trips to Egypt in the early 90's, still have them packed away in a box!

In fact I still have all my cassettes but I've not really looked at them for some years.
When I was first in London in the late 90's I used to buy mix tapes in Camden, think I have a lot of Roots and Dub stuff as I was quite into that at the time.
 
I think some people see it as a way of resisting the prevalence of mp3s as a way of distributing and storing music. (And generally the "dematerialisation" of cultural artefacts).

In some ways mp3s have reduced the income labels and musicians gain from selling recorded music.

So it's not Luddism exactly but there are parallels?

I see what you mean, yes.

Delroy would've been here before me, if he still posted here.
 
I just had a memory of buying a Jah Shaka Live tape in around 92 from HMV Oxford Street and taking it home and feeling utterly ripped off because of the fucked up sound quality - i wasnt made of money and what kind of a joke was this recording! To be honest im still not that over it :D it was about a tenner IIRC!
that whole soundtapes sound takes some getting used to

ETA: Just found a bunch of those Shaka tape rips here
http://shaka.reggaeclub.org/tapes.html
1.jpg



ETA: Bah, no audio rips :( just the covers
 
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I just had a memory of buying a Jah Shaka Live tape in around 92 from HMV Oxford Street and taking it home and feeling utterly ripped off because of the fucked up sound quality - i wasnt made of money and what kind of a joke was this recording! To be honest im still not that over it :D it was about a tenner IIRC!
that whole soundtapes sound takes some getting used to

ETA: Just found a bunch of those Shaka tape rips here
http://shaka.reggaeclub.org/tapes.html
1.jpg



ETA: Bah, no audio rips :(
would love to hear that.

what's the shaka foundation project?
 
here we are:
Shaka has also established the Jah Shaka Foundation to carry out assistance with projects in Ghana, where the foundation has bought 7 acres (28,000 m2) of land in Agri, thirty miles outside of Accra.[7] It has also managed to distribute medical supplies, wheelchairs, library books, carpentry tools, drawing materials and records to clinics, schools and radio stations in the Accra area establishing important links with the local communities.[1] Shaka himself was actually a youth worker years ago, and has regularly been quoted encouraging youths to study geography and history so they know "whats happened, where it's happening and who's doing it".
 
I wonder if there's a sense of theatre in using cassettes... that background knowledge that their number of uses is finite, that the very act of playing them is shortening their lifespan. And that at any time they could warp or tangle and be destroyed.

Tapes are very big in noise music and amongst the artier end of that there are various ideas of the temporary and unique nature of performance, so that idea of decaying physical medium would fit in with that. Maybe someone here knows a bit more about that thinking?

Of course the other feature of noise music is that lots of acts sell about 20 copies, so it fits in with that too. And the idea of being awkward and different.
 
get them out! i'd be very interested in seeing them / hearing sound clips.

They are not anything very exciting - mainly classic arabic dance tunes and a bit of pop (I went to arabic dance classes and workshops for quite a number of years, hence the particular interest).
 
Tapes are very big in noise music and amongst the artier end of that there are various ideas of the temporary and unique nature of performance, so that idea of decaying physical medium would fit in with that. Maybe someone here knows a bit more about that thinking?

Of course the other feature of noise music is that lots of acts sell about 20 copies, so it fits in with that too. And the idea of being awkward and different.
Yeah, it allows very limited runs (loads of labels bring out 20 - 50 copies of an album) - partly I think that's a realistic assessment of how many physical copies you're likely to sell, partly it adds a sense of exclusivity.

I think there's also a bit of a nostalgia element to it too, harking back to the days of the 1980s industrial tape underground.
 
here we are:
Shaka has also established the Jah Shaka Foundation to carry out assistance with projects in Ghana, where the foundation has bought 7 acres (28,000 m2) of land in Agri, thirty miles outside of Accra.[7] It has also managed to distribute medical supplies, wheelchairs, library books, carpentry tools, drawing materials and records to clinics, schools and radio stations in the Accra area establishing important links with the local communities.[1] Shaka himself was actually a youth worker years ago, and has regularly been quoted encouraging youths to study geography and history so they know "whats happened, where it's happening and who's doing it".

On a related note: http://musik-line.blogspot.co.uk/2009/04/shaka-in-africa.html
 
I got my tapes out of a box recently, and have been listening to loads of 'em recently. Like a lost library.The first album I ever bought is there, Breakdance OST, and it sounds great. Not sure if I posted these pics before...

14417532190_cd696bdbfc_o_d.jpg
 
It's the mixtapes friends have made us I really love (sadly I seem to have lost all mine over the years) - little bits of history, time, place and a relationship all wrapped up in 90 minutes of magnetic tape and a hand-made insert.

I see you have some there mwgdrwg - can you tell us anything about them?
 

jsut checking out that Divine Styler thing - never heard of them before - not perfect but interesting stuff and definitely of its time
other than that i had pretty much all those tapes too
fistbump.gif
(Amerikkkas most wanted rather than The Predator, and didnt have the X Possee one either)
 
It's the mixtapes friends have made us I really love (sadly I seem to have lost all mine over the years) - little bits of history, time, place and a relationship all wrapped up in 90 minutes of magnetic tape and a hand-made insert.

I see you have some there mwgdrwg - can you tell us anything about them?

Yeah, I've got loads of tapes that friends made in school, one 90 minute tape full of house and hip hop taped from John Peel in the 80s, and other various radio shows. There's quite a few compilations and mixes made on decks by mates in Uni in the 90's, loads of house. But the best find of all....was a jam of my shoegaze band from 1993! I need to rip it to soundcloud. My mate even did a cover for it with photocopies and laminated it :D I have pics and will just hunt them out...
 
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