butchersapron
Bring back hanging
It's a remake of an all time Korean classic - and a pretty well done one if i remember right.
It's a remake of an all time Korean classic - and a pretty well done one if i remember right.
Maybe I'll watch the original. In the meantime I'll go along with The Village Voice.
"But despite eccentric touches, like a handheld street-shot overture and Grand Guignol Omen references, there’s little difference between this story and soap-opera intrigue."
Just finished the excellent German mini-series In The Face of the Crime about east-european criminal gangs in Berlin. Directed by Dominik Graf (a proper film director).
Steel Dawn. My word. Patrick Swayze stars as a nomad wandering a post apocalypse landscape fighting with his sword. Incredibly bad. Ham fisted oveloud score, leaden direction, plot holes, dialouge that just has to be heard to be believed. Baddies who look like hair metal band members.
it makes Mad Max look like citizen kane
one of the baddies:
Fright Night (remake) - another childhood memory destroyed.
The original was hardly a great film. Have you watched it lately ? I actually thought this was the rare successful remake and it was a lot more fun. It takes everything that had promise in the original and improved on it by being much better directed and acted by a far better cast. It's still no masterpiece, but a nice enough time waster.
didn't the sidekick from fright night end up doing gay porn?
What Evil Ed? Or Brewster?
You're wrecking my childhood memories now
googles for answer
What Evil Ed? Or Brewster?
You're wrecking my childhood memories now
googles for answer
Repentance - Tenghiz Abuladze
A remarkable semi-allegorical tale of the evils of Stalinism by way of a dead body constantly being dug up and placed in various locations. I'm glad I read Brian Moynahan's book on Russia before I watched the film. It filled in a lot of what otherwise would have been missing spaces.
Technically it looked dated - too much sepia - and for some strange reason the opening scenes were confined to extreme close-ups. Nevertheless a brave attempt at dramatising a time in Russian history.
The last scene has an old woman saying: "What good is a road if it doesn't lead to a church?"
Conceived in vague outline some twenty years ago, Repentance began to take on life in the early 1980s after a near-fatal automobile accident convinced Abuladze to shoot the film no matter what the consequences. The director was subsequently encouraged by Eduard Shevardnadze, then Georgian party secretary, who offered Abuladze a special slot of television time exclusive to the Georgian republic and uncensored by Moscow. Nevertheless, Abuladze was clearly nervous. As a statement of commitment to the film, he cast his own family members in leading roles.
Halfway through filming, Georgi (Gegi) Kobakhidze, Abuladze’s young lead, was arrested for involvement in an airplane hijacking following a Georgian wedding. Together with his wife and friends (sons and daughters of prominent Tbilisi families), Kobakhidze was accused of “naziist” tactics and paraded on republic television next to a young Orthodox priest with an uncanny resemblance to Rasputin. Rezo Chkheidze, head of the Georgian Film Studio, Abuladze’s long-time colleague, and the director with whom Abuladze shared his first prize at Cannes in 1956 for Magdana’s Little Donkey, halted production. Several months later, with the fate of the young hijackers still unknown, filming resumed. Mirab Ninidze, a young Georgian theater actor, replaced Kobakhidze. When the film was finished, it was screened once and shelved.