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Netflix recommendations

Cheers, plenty of intriguing films there. I’ve seen two and enjoyed both.

I increasingly feel I cannot trust reviews anymore. Often the disparity between professional critics and the public is astonishing. Funny how critics’s initially lukewarm or even negative reviews change if the public loves a given film (though that is certainly not a new phenomenon). And when the public ratings are much lower, it is often because of alt-right/ 4Chan dickheads objecting to films with strong female leads and voting en masse to discredit the film in question.

I get the feeling Netflix’s exclusives/ own productions in particular are given a rougher treatment by the critics simply because Hollywood is annoyed/ worried with them. Bird Box being a classic example.
 
Another one not to bother with - Black '47.

You'd think that calling the film that would indicate it was about that time and exactly what happened, but no. It's a fucking action thriller piece of shit that could have been set anywhere at any time and just happened to use this place and time. Left a nasty taste in my mouth - more than a bit exploitative. There's so much to say about the famine - say it!


Haha, I enjoyed it!...I don't usually get on with westerns but it's essentially a western set in the famine. When it finished I said I was glad it had some action rather than being a history lesson, like the fucking awful Peterloo.

You should've put Lunatics on! :D
 
Haha, I enjoyed it!...I don't usually get on with westerns but it's essentially a western set in the famine. When it finished I said I was glad it had some action rather than being a history lesson, like the fucking awful Peterloo
I quite liked it too. If you view it as a documentary it doesn’t work but as a revenge western it’s good fun despite being totally predictable (although I wasn’t expecting the bit with the pig’s head :D ). Agree about Peterloo too. Boring AF.
 
Men Behaving Badly has appeared on Netflix. I'm watching it just to see how bad and outdated it is. I'm expecting very bad and highly sexist but we'll see... it has a laughter track and harry enfield, neither of which are good signs.
i'm watching this. Never saw it first time round. Can't believe how wooden Enfield is. The sexism is expected and you kind of just have to take it on the chin as it a historical piece - at least Quentin and Ash (Ash is also awful which surprised me) kind of give it some back - but even so they don't do the one thing that which is believable, walk out and never go back. The writing isn't awful and it makes me laugh a couple of times which is more than most things.
 
I think in the case of Friends from College, it's just unrelentingly crap.

I tuned in for Cobie Smulders and Keegan Michael Key, but literally everyone is insufferable and I can fill that niche with IASIP already.
I thought I'd give it another chance, but it really is utter rubbish. Smulders and Key are really good, to the point where I object to seeing their characters humiliated.
 
And then there's Archer without the jokes - Berlin Station.

Disillusioned CIA bods on the job in der haupstadt, but starting to doubt that their moral compasses are accurate, or even exist at all.

This is the real deal - be sure to start with the first season.

I was afraid that the second season was going to suffer from "dreaded second album syndrome", but even though it doesn't have all the main characters from the first one, it still delivers - and it is in fact shaping up to be even darker than before.
 
Irish film "A bad day for the cut" is worth a look. Things turn rather dark for a mild-mannered farmer...
Goes a bit silly at the end, but the journey there is nicely done
I’ve just watched this. I’d agree that the end gets a bit far fetched, but the build up is done well. Pretty dark in places, but a few funny bits (the hot pan for one) too :D
 
We’ve watched three films from the Hidden Gems list posted upthread.

Catfish: certainly entertaining if flawed. OTT violent fights but in a Kill Bill kind of way rather than disturbing.

Creep: ‘found footage’ psychological horror. As films of that genre go, not bad if fairly predictable.

The Invitation: indie offbeat comedy drama about relationships, fairly watchable if you’re into that genre.

We also watched Triple Frontier, which is a bit crap and with a few major plot holes and absurdities.
 
We’ve watched three films from the Hidden Gems list posted upthread.

Catfish: certainly entertaining if flawed. OTT violent fights but in a Kill Bill kind of way rather than disturbing.

Creep: ‘found footage’ psychological horror. As films of that genre go, not bad if fairly predictable.

The Invitation: indie offbeat comedy drama about relationships, fairly watchable if you’re into that genre.

We also watched Triple Frontier, which is a bit crap and with a few major plot holes and absurdities.
I watched Safety Not Guaranteed and Young Offenders. Both great.
 
Haha, I enjoyed it!...I don't usually get on with westerns but it's essentially a western set in the famine. When it finished I said I was glad it had some action rather than being a history lesson, like the fucking awful Peterloo.

You should've put Lunatics on! :D

I quite liked it too. If you view it as a documentary it doesn’t work but as a revenge western it’s good fun despite being totally predictable (although I wasn’t expecting the bit with the pig’s head :D ). Agree about Peterloo too. Boring AF.

So neither of you thought it exploitative in the slightest?
 
So neither of you thought it exploitative in the slightest?
Not in any way that pretty much any non-exact period piece isn't. It was a reasonably entertaining show set in a specific time but I don't think every film has a duty to portray history accurately, and this doesn't set out to.
 
So neither of you thought it exploitative in the slightest?

It wasn't something I came away thinking at the time although I've found a few reviews that refers to it.

The showing I saw had an intro by Sorcha Ní Fhlainn, a senior lecturer in Film studies and the audience comprised of a large percentage of senior Irish descent folk. Afterwards there was a Gaeltacht where people could practice and learn more about the Irish language and generally people seemed to have liked the film although there was some disappoitment that the lead actors weren't Irish.
 
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