Two of the finest UK directors I can remember, working in the UK too (I like Nolan, but he's basically a Hollywood director).
Who's better?
Who's better?
Until Meadows does a film as fine as Sunshine then Boyle will always win.
A very stylish, ultimately quite silly film. I think there's often a little less to Boyle's films than it first appears. Same with Slumdog Millionaire – some brilliant scenes especially with the young boys, but a plot full of holes and an unconvincing artifice.Until Meadows does a film as fine as Sunshine then Boyle will always win.
They're so different, it's a bit invidious to compare them.
If I can indulge in a bit of film theory jargon for a moment, 'Dead Man's Shoes' shits in the grave of 'Sunshine' and then goes round to its house and does its grieving widow up the wrong'un.
If I can indulge in a bit of film theory jargon for a moment, 'Dead Man's Shoes' shits in the grave of 'Sunshine' and then goes round to its house and does its grieving widow up the wrong'un.
If I can indulge in a bit of film theory jargon for a moment, 'Dead Man's Shoes' shits in the grave of 'Sunshine' and then goes round to its house and does its grieving widow up the wrong'un.
Boyle really knows how to make an entertaining film, but something's lacking in his work somehow. He is a Hollywood director too, so not really comparable to Meadows. Perhaps it should have been Boyle vs Frears.