That Molly Crabapple was having a right old tantrum about a piece that Kay <forgotten surname> had written, last week. I pointed out to MC that she'd missed the overarching point about the capitalisation and commodification of the sex industry in her rush to get angry about Kay not being entirely enamoured of porn.
It's something that came through in that netmums thing too. There was quite a bit of emphasis put on women finding it acceptable to vajazzle, get a boob job, and all the rest of it, and it seems like it's just an expression of being caught hook, line and sinker by the full acceptance of consumerism and individualism. We're the products. And we've got to package and market ourselves to be as desirable as possible (how we do that, of course, will depend on who we want to appear desirable to).
As with any acknowledgement of inconvenient truths, people will go quite a ways to avoid making such links.It's one thing to say, "I shouldn't feel ashamed about wanting to get my highlights done" but it's quite another to completely fail to make the link to the ways you're being positioned as the consumer of goods and a set of goods to be marketed yourself.
That Molly Crabapple was having a right old tantrum about a piece that Kay <forgotten surname> had written, last week. I pointed out to MC that she'd missed the overarching point about the capitalisation and commodification of the sex industry in her rush to get angry about Kay not being entirely enamoured of porn.
I can't help but shudder at MC's name. Maybe that's just me being irrational though
The porn thing is a fucking mine field. So many people, when trying to debate it, fall stupidly into the trap of thinking it's a black&white issue. That it's either totes liberating for women to be allowed to admit they like sex and sometimes like it rough and that they like watching porn and that it means they're dead cool and edgy and awesome; or you're a prude who wants to deny women their right to enjoy sex and be independent sexual beings, etc. There's no middle ground, and there's absolutely no discussion of the bad that comes with the good, no realisation that it's a nuanced issue. But then, that's the case with every discussion like this. No conception of the fact that good can exist with bad. You're either with us or you're against us. No wonder everything tears itself apart.
Intersectionality is bullshit and I say that not as a way of dismissing experiences of sexism, racism, homophobia etc but rather because it treats these things as discreet things that kind of simply add on to each other. It also completely misunderstanfs class as another -ism, just another form of oppression and privilege rather than the structuring substance of society, through which sexism, racism and such are always already mediated through.
The fact that critiques of Intersectionality are often dismissed as little more than the expression of privilege makes it especially problematic. In short intersectionality multiplies identity politics rather than really cutting across them and dissolving them.
So who, if any, would you say are decent modern feminist writers, Sihhi?
Yes. Which ties with this notion of being able to appoint an <other> to speak on behalf of <group of others with same defining characteristic>. It doesn't bear much examination "how the fuck can she speak on my behalf, or even think she can" etc.What i find offensive is the notion that women should have anymore a homogenous attitude towards feminism as men have had historically to humanisn. For me its tied to a notion that the other, be they women, black, gay, irish or whatever else have a inherent tie to some identity. A black person or women is treated as an example of blackness or womanhood in the way a white man isnt, there is an assumption of a kind of shirt circuit between a singular woman and woman as an abstract category.
I like Nina Power, she writes with a nice withering contempt, also has her feminists writings grounded in proper theory.
I'm not basing my assessment on that passage; it's been posted up as an example of something someone doe not like. Take a look at the book, read the first few pages and decide whether you like it based on that. I found it very funny and fairly thought-provoking. If nothing else, it makes feminism a recognisable context out in the mass media, and sitting there on the bestseller lists might prompt some people to look for more thorough analyses of power; she namechecks Germain Greer a lot. Moran herself is a mainstream journalist, who describes herself as a radical liberal. But for all that I find her book useful in parts and readable.I haven't read the book, but from that passage, I don't really see that she's talking about class in any meaningful way there. It sounds empty, vacuous, and really quite weird. I can't suss her tone about all this 'hot' thing. I really can't work out what she's going for there.
The one things socialist middle-class males can not do is examine why their own organisations are so middle class.
Attacking feminism wherever and whenever possible
'Women in history and what men have done to them' by Dale Spender examines a little how the Suffrage movement is treated by male historians.
Centrist male historians trumpet achievements of male national or economic figures (Churchills, Brunels, look admiringly at national enemies like Napoleon) and don't dwell on their class background. But these same historians make a special point of mentioning the class background of the Pankhursts and others, mocking them for their pretension to speak for all women.
Implicitly, until the war, "Asquith spoke for 'the nation' the Suffrage movement just for a slither of rich women".
Revisionist history of Irish nationalism, instead of examining women's contribution to it, and examining how it was weakened by its sexism, concentrates on painting it as an anti-Protestant self-indulgent quasi-racist movement.
We're not going to find a writer that no one hates. All we can do is find writers who we can learn something from, without falling into the trap of thinking we need to wholly accept or wholly reject their work or their political activity.On a general level so do I, but she was really against students trying to reign in the U.L.U.'s (London university's student's union) capitalist excesses and money-wasting. Someone I know and respect told me they hated her so I dunno.
A quick google shows that she not only took a prize named after trotsky-zionist Isaac Deutscher, but also became a member of the imperialist monarchist-lickspittle Royal Society of Canada. Hate her!No one hates Ellen Meiskins Woods
We're not going to find a writer that no one hates. All we can do is find writers who we can learn something from, without falling into the trap of thinking we need to wholly accept or wholly reject their work or their political activity.
Like I said, I thought it was funny, and I liked how her own experience growing up on an estate in Wolverhampton was brought into the analysis, rather than staying with a liberal-feminist view of meritocratic opportunities. Regarding being "hot" a lot of her argument is that women waste too much time on their appearance and shouldn't have to do any more work on themselves than the average man.That's a good point and on that basis only here is Caitlin Moran's book in text form
http://www.sendspace.com/file/76p046
And yes btw this Intersectionality and Privilige Theory stuff is the road to ruin. Eurocommunism for anarchists. This way lies dogma of the worst kind. It's something that has existed on the US Anarcho-left for a while, and is probably one of the contributing factors why the US anarcho-left is so fucking awful, but it's increasingly coming over here too. And for the record I'll happily accept that at least theoretically there's worthwhile idea's behind it, however practically every time I've ever seen in in action it's just a pretext to arbitrarily dismiss criticism or bully people based on their gender, skin colour and sexuality. You could if you were feeling charitable say that this is an abuse of an otherwise decent worthwhile theory, but I'm not charitable.
Kat Banyard, that's her! The one Molly was getting so angry about.The Equality Illusion by Kat Banyard is quite interesting. It's like a 21st century take on Faludi's Backlash
Ah yes.Kat Banyard, that's her! The one Molly was getting so angry about.
I don't like it at all, because I think the concept of 'privilege' itself is rightist and opens the gate to wholesale deny immigrant rights. If immigrants are under-privileged here (as they by and large are), then "the door is open for them to go back home" when they will become by comparison with Britain fairly privileged. It's a road to doing rightists' work for them.
My point remains: most in Britain are not homeless, do we call them habitation-privileged compared to the homeless? It's not a meaningful analysis and it will inevitable chip away at the poor male looking at the rich female boss (which rightists are eager to point out when it suits their agenda) or a white stay-at-home father looking at an Asian male business owner.
The Equality Illusion by Kat Banyard is quite interesting. It's like a 21st century take on Faludi's Backlash
I don't agree with her there but I think she's trying to broaden the appeal of feminism and make it relevant to everyone. And it is relevant to all women.In case anyone doesn't know she is the founder of UK Feminista, that is bringing along Tory MPs to its rallies as part of the pro-women strategy.
I had a quick snoop about her (because I'd never heard of her) when the MC rage broke out; it was very quick but the two things I remember are some kind of involvement with the Fawcett Society and that she's a "full time feminist" which implies it's a career.In case anyone doesn't know she is the founder of UK Feminista, that is bringing along Tory MPs to its rallies as part of the pro-women strategy.
I had a quick snoop about her (because I'd never heard of her) when the MC rage broke out; it was very quick but the two things I remember are some kind of involvement with the Fawcett Society and that she's a "full time feminist" which implies it's a career.