There is a 90s version by Abel Ferrara called Body Snatchers, which has no semblance to the original plot and feel more like a sequel and there is The Invasion by the director of Downfall, which apparently got ruined by studio interference but looks like it was probably never very good in the first place.There are other versions?
I've loved both of these for many years, and have them on DVD. I saw the 50s version as a kid as part of a sci Fi series on TV, before the Sutherland one came out. I've been hooked on 50s sci Fi ever since.
loved the bit where you realise he's on the wrong side of the wrong town in the wrong uniform and has no weapon. That's when you go 'fuuuuuuck''71 - Squaddie on the run from psychos on the mean streets of Belfast. Excellent performance from Jack O' Connell and one of the best "thrillers" I've seen in aeons.
loved the bit where you realise he's on the wrong side of the wrong town in the wrong uniform and has no weapon. That's when you go 'fuuuuuuck'
Do you see yourself as the Edward G Robinson character...or the Fred MacMurray one?What a brilliant film. Perfect for a rainy Saturday afternoon
I can' wait till my children are old enough to watch it. Lots of lessons for life in there
Do you see yourself as the Edward G Robinson character...or the Fred MacMurray one?
The 30s serial or the 1980 cinema blockbuster?Flash Gordon,
Camp, glorious tosh. Love it
Similar. Stranger Things was excellent. Coming to the end of Spotless now. It's improves as it goes on.Finished Stranger Things, started Spotless.
Dheepan, the latest by Jacques Audiard, still best known here for the prison film A Prophet. The man is incapable of making a film which isn't great. Audiard's style is a mixture of social realism and genre elements and they often go off into these dreamlike tangents. Dheepan is about a "family" of Sri Lankan immigrants who get housed on a grubby, French council estate where they end up in the firing line of a gang war, which isn't much better than what they escaped from. For the most part a low key character study which treats its immigrant protagonists as fully rounded human beings rather than as an issue to content with, this goes all Death Wish by the end. Some critics didn't like that shift in tone, but I thought it worked a treat especially as the action finale is shot in a really unusual way.
I watched an interview with the director and co-screenwriter in one of the extras and they said that the beginning of the idea for Dheepan was that they wanted to make a variation on Straw Dogs (outsider moves into a hostile community, violence erupts, vengeance follows), so the end was what came first.The ending did come out of nowhere, but as you say, shot in a manner which made it really quite intriguing and tense without seeing much of anything, but knowing it wasn't pretty....
It reminded me of the corridor scene in Oldboy, but shot at ankle to knee level.
The one criticism Audiard's films sometimes get is that despite the social realist elements, at heart they always are genre films, but Audiard isn't the Dardenne brothers and clearly loves genre. His last films, Rust & Bone may have dealt with disability but it was unashamedly a Douglas Sirk-style melodrama, which some critics found OTT.
It's more in line with Read My Lips, both are romances which centre on disabled female protagonists. Read My Lips is the stronger film tough, genre wise it's what would be considered a Hitchcock-style romantic thriller. It's my favourite film of his. All of his films are worth seeing, he has not made a bad film yet.I've yet to see Rust and Bone. Hadn't realised it was by Audiard.