Oasis Of Fear (aka An Ideal Place To Kill) (1971) dir. Umberto Lenzi - A young couple (Ray Lovelock and Ornella Muti) begin the film by buying and distributing pornography to all and sundry in Italy. This raises the hackles of the authorities, and the couple try it on further by selling nude snaps of Muti. On the run from the police, they drive off to a large secluded villa (the "Oasis"), and try to siphon off petrol from a car. The villa is owned by a "NATO colonel", and his wife (Irene Papas) welcomes in the dirty-pics flogging couple inside. Initially getting on well with each other, things hot up when the colonel is found dead in the back of one of his cars. Suspicion and tension mount up, and Papas ends up being held up in her own home. The police and villa workers sniff around for the colonel, but are put off the scent by Muti and a frightened Papas. Lovelock and Muti eventually escape from the villa, and Papas is rescued by the police. In flashbacks, it is revealed that it is Papas herself who shot her colonel husband. The wayward couple make their escape plans across the border, whilst stopping off for a quick sunbathing session. Inevitably the police catch them at a roadblock, and Lovelock ends up driving off a cliff, after a dog runs in front of his car.
This has been billed as an entry in the giallo genre in some places, but this is more accurately describe as a crime/kidnap film. It's a pretty good entry by genre hopper Lenzi, who seemed to be comfortable in this period taking on giallos, thrillers and the like. Well filmed and put together, the pace moves along nicely, and there's enough tension going on during the latter part of the film. The script is fairly elementary, but has all the elements necessary for the film to hang together. Ray Lovelock and Ornella Muti carry off their performances pretty well, and Irene Papas is impressive as the victim with a murderous secret. The ending is perhaps a bit predictable, but doesn't detract from the rest of the film.
The version of this I saw (the Shameless DVD release) is uncut, but is compiled from different sources - the language swaps between English dubbing and Italian language w/English subtitles. It's not offputting for me personally, but other viewers may well find it distracting.
Overall then, an adequate entry into the 70's Italian film stakes by Lenzi, who would later tackle the poliziotteschi genre (eg with "Violent Naples"), and would eventually lose his way in the 80's with fare such as the notorious "Cannibal Ferox", and Conan clone "Ironmaster". Nevertheless, Lenzi had a sure hand on this one, and directs a film worthy of investigation by fans of thrillers and exploitation in general.