Ratman (1988) - dir. "Anthony Ascot" (aka Guiliano Carnimeo) - This one involves a crazed scientist creating a rat/human hybrid on a tropical island, which immediately escapes from captivity and goes on a killing spree. Various people are bumped off within the first 20 minutes, including the daughter of a US senator, and the victim's sister (Janet Agren) teams up with TV screenwriter (David Warbeck) to investigate her murder. Their efforts to locate the murderer bear little fruit, and meanwhile more victims pile up, including the crazed scientist who meets his fate at the hands of his creation. The Ratman seems unstoppable, even turning up at the local police station for some killing. Warbeck and Agren board their plane home, having hit a dead end in their investigation. But who's that in the holdall, ready to cause airplane-bourne mayhem?
This film demonstrates how Italian horror had hit some truly unfathomable depths in the late 80's. "Ratman" is indifferently filmed, and the print is so dark at points that you can't see anything. The script, by the usually reliable Dardano Sacchetti, is shockingly poor. The plot and pacing of the film is all over the shop, and there's some rather scenery-chewing acting on offer, to say the least (the crazed scientist takes the top prize for this). The killings are either done off-screen, or filmed so badly it's hard to make out what's going on; the splatter element is poorly realised too. The ending is truly ridiculous (had Sacchetti run out of ideas, or was he simply bored with the script?). The direction is very lacklustre, and the film plods along for its 78 minute duration - I was hoping for it to end a lot sooner. The score - a Claudio Simonietti rip-off - is synth-driven mediocrity, and adds nothing to the film.
The only positive note at all is the presence of genre stalwarts Warbeck and Agren. However, they are underused in the film, and both give not exactly involved performances. As for the Ratman himself, the 2 foot 4 inches Nelson De La Rosa, his use in the film is not so much exploitation as exploitative. He comes across as a drooling, slobbering, blood crazed animal, and starts proceedings locked up in a very small, uncomfortable looking cage. You get the impression that the viewer is meant to point and laugh at him...a distasteful use of a man of his stature, really.
Guiliano Carnimeo is best known for his cycle of 70's spaghetti westerns, and directed his final effort in 1988. On the strength of "Ratman", whatever talent he had had all but dried up by this film. This, along with the Lucio Fulci/Bruno Mattei effort "Zombi 3", earmarked pretty much the end of the road for Italian horror cinema as a vital genre. Only the likes of Dario Argento and Michele Soavi were still delivering the goods, and as time has shown, Argento's quality control has subsequently nosedived, whilst Soavi retired in the mid 90's to care for his son, leaving the Italians with nothing to offer the cineaste these day. It's a sad state of affairs (Belusconi has a lot to blame for funding drying up in Italian genre cinema), but time moves on and the horror sphere is catered for by other nations these days.
As for "Ratman", this barrel-scraping effort deserves to be put on the "avoid" pile. Just remember that the late David Warbeck was a genuine stand up guy, and this film is unworthy of his talents.