The Two Faces of January
Patricia Highsmith is the best crime writer going (even now, despite being dead). Ripley is her greatest creation, a truly contemptible genius, who, somehow, has never been really succesfully portrayed on screen (I do like The American Friend, but its not really my idea of Ripley, so its a Wenders/Hopper movie, not a Highsmith one).
I rather like
Ripley's Game, but I agree that Malkovitch isn't playing the Ripley of the books. What did you think of Ian Hart in the R4Extra adaptations?
Looking over the stuff I saw this weekend it's quite weird but the three new films I saw all have some themes in common - coming of age, relationships between parents and children.
Young and Beautiful - François Ozon's new one, it's ok, the plot is that a young girl, Isabelle, decides to take up prostitution, more for the experience rather than for the money. The lead, Marine Vacth, is pretty good and Charlotte Rampling pops up. For me the best part of the film was the interactions between Isabelle and her younger brother which had a lot of depth, unfortunately I don't think that relationship was explored as much as it could have been. If you're an Ozon fan probably worth going to see otherwise I'd wait for it to come on TV/DVD.
Child's Pose - part of the "Romanian New Wave", the story is ostensibly about the, almost pathological, relationship between a mother and her son, though it uses this to highlight the corruption of modern Romania. Both major characters are pretty repellant (the son even more so than mother IMO) but the quality of the film is such that they never become caricatures. It doesn't have the sheer power or brilliance of
Beyond the Hills, but it's still a strong piece of work.
52 Tuesdays - Australian indie film, with the story being told using the events of 52 Tuesdays occurring to the central character, Billie, over the course of a year where her mother is undergoing gender transition, and she is exploring her own sexuality. There's a lot of very good stuff, the acting is mostly top notch, especially the young actors, and for the first two thirds the events unfold in a really natural way. The main problem is the last third which just seemed very artificial to me with the events forced to fit the story rather than arising sympathetically, I think part of the problem is one character in particular, Billie's uncle, who IMO always felt rather fake having a greater role in the events towards the end. In fact, I think the film could easily lose his character altogether and be much stronger for it. That said despite those problems and the rather hipster 52 days theme the overall film is very strong and worth going to see.
Also there's a samurai film festival on here, showing a bunch of classics so I went to see
The Seven Samurai - great of course, tot sure I really need to/can say much more.
The Wages of Fear - unlike
The Seven Samurai, I'd not seen this before, really enjoyed it, the print wasn't in quite as good condition as
The Seven Samurai, but it was still pretty good and the quality of the film made up for any blemishes. The initial setup, showing the boredom and squalor of their lives is done very well indeed, while he scene where they have to blow up the rock blocking their path I found particularly tense.