Blood Ties (2013) - yet
another movie set in the early 70s, with a good (cop) brother and a bad (gangster) brother and a lot of lapels and a lot of classic pop and a lot of nasty 1970s hair (on everyone), which can't rescue a clichéd and pretty grubby dabbling in wannabe-
Mean Streets crime saga. Even a dream cast - including Clive Owen, Billy Crudup, Marion Cotillard, Mila Kunis, Zoe Saldana, Matthias Schoenaerts, and James Caan - can't rescue it. About the only thing to recommend it (kind of) is the unrelieved brutality and plenty of killings of innocent bystanders, so there's no idolising the scumbags.
The Bastard Executioner (TV series) - Kurt Sutter tries to do medieval gore and everybody loses. I'm quite partial to medieval gore and to some of Sutter's work so this should have panned out well. Instead it's just painfully relentlessly bad. Leering and exploitative and tacky ; it doesn't look right or sound right (it's supposedly medieval Wales, yet nobody sounds even the teeny tiniest bit Welsh and everything's brightly lit and clean). Has all the aesthetic and the depth of a cheesy self-published Tolkein fanfic. At least no dragons though. But I won't be wasting any more time with it, and given my huge appetite for historical schlock that's a sign of just how bad it is.
Barry Lyndon (1975) watching it again I'm less distracted by how much I hate all the characters, and the overall symmetry of the design and shape of the film come through more. Still astonishing-looking and the pacing is just so confident in taking its time and unspooling the story at will. For a Baroque romp, though, I felt it lacked a bit of a spark of essential life - more of the bawdiness and filth of the real 18th century and its literature. A few fart jokes would have livened things up nicely AND they would have been completely period-appropriate