I watched all six of the Paranormal Activity films over the last three evenings. I get that many people hate found footage films and that these films in particular split opinion but for enough others they must be working as they've made a ton of money. I find the best of these are genuinely creepy in a MR James' "The Mezzotint" kind of way and they did something new in the horror genre, making the audience more active participants. As found footage horror films go they work far better for me than The Blair Witch Project, but I get that everybody's responses to these are different. Many people often complain that modern horror films are too explicit and these films scare almost entirely by suggestion. The long held survaillance camera shots which are the trademark of the series, force you to examine the frame for details that may be "off" and while these long, basically action less shots create tedium for some, they create suspense for others. Like the J-horror films from a few years ago, these films use modern technology to put a spin on the classic ghost story.
I had seen the first five films before, but with a year in between each instalment and as they create an elaborate mythology as they go on, with different time lines where the plot of earlier films is nestled and elaborated on in later ones, I wanted to see how well they work as a whole. they make for a fun horror soap and four films I enjoyed, while two are rather poor.
The first film genuinely was a micro budget surprise hit. It's the most minimal of the lot, but also the one which explores it's concept with the most purity. The studio who bought up the film initial wanted to remake it on a bigger budget but in the end they just reshot the ending which does improve on the original ending, giving the film more of a pay off. A couple find that the malevolent supernatural force which has been plaguing the woman and her sister in their childhood becomes active again. The man puts up surveillance cameras to capture "teh activity". It doesn't end well. 3/5
The second film is more elaborate, with more dramatic incidents. It mostly stays with the surveillance cameras, which doesn't make you wonder why characters lug a camera everywhere, like with so many found footage films (and some of the later PA films). The film is both a prequel and a sequel to the first film, mostly taking place two months before the first film. It focuses on the family of the sister of the woman from the original and why the entity which plagued them in the first film came to haunt the sister in the first film. The last ten minutes are a sequel to PA1, which also starts a plot line the fourth film returns to. 4/5
The third film is another prequel, taking place nearly two decades before the first two films and it's about the sisters from 1&2 when they were little girls. It's probably the most fun in the series with the best set pieces, essentially becoming a found footage variation on Poltergeist and making a much better job of it than the official Poltergeist remake. On the down side, this is the first film which becomes more of a conventional found footage film, forcing characters to lug round a large VHS camera in 1988 to keep filming while scary stuff happens, which strand credibility. Some of the individual scenes are among the best in the series though and the last fifteen minutes which change location, introduce the bad apple in the family and explain how the demon became the scourge of the two sisters, I found genuinely creepy. It's a toss up between this and the 2nd film as to which is my favourite. 4/5
The fourth film is the first weak entry in the series. It's a sequel to the previous films, but especially the second one, elaborating on the fate of what happened to one of the children from PA2. It's watchable enough, but adds little which is new. From this one on the films are sequels, rather than prequels. 2/5
The fifth film called Paranormal Activity: The Marked Ones was promoted as more of a spin off, but by the end it ties into the overall mythology with some ingenuity, with the reappearance of some of the regular characters and locations. It's a return to form for the series and what really works is that the protagonists aren't for once white middle class people who live in large houses in suburbia, but a poor Latino family in an urban environment. The film features a lot of Catholic iconography which is genuinely spooky. This again is more of a regular found footage films, where characters keep filming under circumstances when no normal person would. The end is great though, returning to the scary house at the climax of PA3 and adding a supernatural time travelling element which explains something which happened in the first film, but which was never seen. 4/5
The sixth film called PA: The Ghost Dimension which also partially is in 3D has some good ideas but is also the weakest and least inventive of the films. It concerns a family who move to the location of the 3rd film where they discover the VHS tapes and the camera from that film, which meanwhile has aquired the ability to make the evil entity, which has so far never been seen despite possessing several characters, visible. There is an interesting scene where the characters from the video tapes from PA3 in 1988 comment on the current characters. The idea of finally showing you the invisible monster is not a bad one at this point, but otherwise the film is less inventive than the rest it doesn't actually show you enough of "teh activity". The 3D sequences are few and far between with only the ectoplasm and barely glimpsed demon being in 3 dimensions, which is an interesting concept but it's tiresome to wear 3D glass for so much of a film which isn't 3D. 1/5
Paranormal Activity and Saw were the two reigning horror franchises over the last decade and for all their flaws, they did something more interesting with their continuity than earlier series. The sequels to Halloween, Friday the 13th and A Nightmare on Elm Street for the most part merely repeated the plot of first film. The Paranormal Activity and the Saw films became elaborate horror soap operas, featuring a set of recurring characters and time hopping plotlines which at their best genuinely expanded their universe, rewarding fans who paid attention. Something seemingly minor which happens in one film could have a major pay off later on and the films would play with your expectations.