I also liked the contrast between when they were alone in the car, where they were jousting with one another, but in a good-natured way, just trying to make each other laugh; and the actual meal, where the jousting becomes a game of one-upmanship, because there are girls there.
An alarmingly recognisable contrast!
She was hawtI love that girl who played Coogan's PA, got a lovely little smile
some very good moments, altho not even Rob Brydon can be as sad as he came across in bed at the end, can he?
you didn't think he looked sad?
you didn't think he looked sad?
I am really starting to find the impressions to grating.
i think that was the idea in this episode. it was all a bit pathetic - but that was the idea. a dark episode this one , i think
It's brilliant. Melancholy, dark and brilliant.
Maybe the problem is that some are trying to judge it as a sit-com? It's not really a sit-com. More of a dark comedy drama.
Apparently, Michael Winterbottom shot it in the same way he'd shoot a film.
Apparently, Michael Winterbottom shot it in the same way he'd shoot a film.
A thought: something actually annoying you -- on purpose, to evoke a particular effect -- is a perfectly valid artistic approach.
The Trip is making us feel what Coogan is feeling. And it is making us feel what Brydon is feeling. It's pulling it off spectacularly.
it's already been shown as one at festivals and will in america iircIt would work much much better as a film, imo.