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*Poem of the day thread

Monkeyland - Sandor Weores

Monkeyland

Oh for far-off monkeyland,
ripe monkeybread on baobabs,
and the wind strums out monkeytunes
from monkeywindow monkeybars.

Monkeyheroes rise and fight
in monkeyfield and monkeysquare,
And monkeysanatoriums
have monkeypatients crying there.

Monkeygirl monkeytaught
masters monkeyalphabet,
evil monkey pounds his thrawn
feet in monkeyprison yet.

Monkeymill is nearly made,
miles of monkeymayonnaise,
winningly unwinnable
winning monkeymind wins praise.

Monkeyking on monkeypole
harangues the crowd in monkeytongue,
monkeyheaven comes to some,
monkeyhell for those undone.

Macaque, gorilla, chimpanzee,
baboon, orangutan, each beast
reads his monkeynewssheet at
the end of each twilight repast.

With monkeysupper memories
the monkeyouthouse rumbles, hums,
monkeyswaddies start to march,
right turn, left turn, shoulder arms-

monkeymilitary fright
reflected in each monkeyface,
with monkeygun in monkeyfist
the monkeys' world the world we face.

SANDOR WEORES
From the Hungarian (trans. Edwin Morgan)

--
because it's my birthday :)
and because we are just a bunch of monkeys not that far down from the trees. :(
 
You still haven't read the first post on this thread, have you liam? Not only have we already had a poem today, we've already had that poem on page 7, it's listed in Justin's index.

:p
 
The Raven
Edgar Allan Poe
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door --
Only this, and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; -- vainly I had sought to borrow
From my books surcease of sorrow -- sorrow for the lost Lenore --
For the rare and radiant maiden whom the angels name Lenore --
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me -- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'Tis some visiter entreating entrance at my chamber door --
Some late visiter entreating entrance at my chamber door; --
This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you " -- here I opened wide the door; ----
Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!" --
Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore --
Let my heart be still a moment and this mystery explore;--
'Tis the wind and nothing more!"

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not an instant stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door --
Perched upon a bust of Pallas just above my chamber door --
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore --
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the raven "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning -- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door --
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."

But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered -- not a feather then he fluttered --
Till I scarcely more than muttered "Other friends have flown before --
On the morrow he will leave me, as my hopes have flown before."
Then the bird said "Nevermore."

Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore --
Till the dirges of his Hope that melancholy burden bore
Of "Never -- nevermore."

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore --
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplght gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Angels whose faint foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee -- by these angels he hath sent thee
Respite -- respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the raven, "Nevermore."

"Prophet!" said I, "thing of evil! -- prophet still, if bird or devil! --
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted --
On this home by Horror haunted -- tell me truly, I implore --
Is there -- is there balm in Gilead? -- tell me -- tell me, I implore!"
Quoth the raven, "Nevermore."

"Prophet!" said I, "thing of evil -- prophet still, if bird or devil!
By that Heaven that bends above us -- by that God we both adore --
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore --
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the raven, "Nevermore."

"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting --
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! -- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the raven, "Nevermore."

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted -- nevermore!
 
Well, it's nearly midnight and that's close enough. It's only a fragment anyway: part of a part. You might recognise it, as the poem which Christopher Lee speaks to Britt Ekland in The Wicker Man. I didn't know what it was when I first heard it, and I'd imagine most people don't, which makes it all the more effective as poetry (you may like also to consider the fragment from Hamlet which Richard E Grant recites at the end of Withnail & I). It's from Song of Myself, which, as I understand it, is itself part of a much larger work, Leaves of Grass.

I think I could turn and live with animals, they are so placid and self-contain'd
I stand and look at them long and long.

They do not sweat and whine about their condition,
They do not lie awake in the dark and weep for their sins,
They do not make me sick discussing their duty to God,
Not one is dissatisfied, not one is demented with the mania of owning things,
Not one kneels to another, nor to his kind that lived thousands of years ago,
Not one is respectable or unhappy over the whole earth.


- Walt Whitman
 
I'm still new to U75 and just found this thread, it's fantastic and I'm looking forward to reading all the poems that have been posted. And see if the one I'd like to add has already gone :) I've just skimmed through and dipped into a few so far.

I love the poem you posted Yossarian, it's gorgeous. Took me right into it and spat me out feeling lovely at the end!
 
Originally posted by RubyToogood
This one is not because I think it's good but because it made me go "what the £$*%&? Are you on drugs Oscar?"

Any light anyone can shed as to what he's on about would be v welcome!

Not sure if this will be help or hinderance, the White Star Line was a shipping company, like the Blue Star Line, that was built up on the slave trade - I think he's subverting images of slavery.




Or maybe he's just wasted on something as you said ;)
 
Contemplating Hell
Bertolt Brecht


Contemplating Hell, as I once heard it,
My brother Shelley found it to be a place
Much like the city of London. I,
Who do not live in London, but in Los Angeles,
Find, contemplating Hell, that is
Must be even more like Los Angeles.

Also in Hell,
I do not doubt it, there exist these opulent gardens
With flowers as large as trees, wilting, of course,
Very quickly, if they are not watered with very expensive water. And fruit markets
With great heaps of fruit, which nonetheless

Possess neither scent nor taste. And endless trains of autos,
Lighter than their own shadows, swifter than
Foolish thoughts, shimmering vehicles, in which
Rosy people, coming from nowhere, go nowhere.
And houses, designed for happiness, standing empty,
Even when inhabited.

Even the houses in Hell are not all ugly.
But concern about being thrown into the street
Consumes the inhabitants of the villas no less
Than the inhabitants of the barracks.
 
Happy first birthday to this thread! (Guess it's about time it was deleted to save server space then ;))

Haven't found a suitable birthday/anniversary poem but if anyone else can...
 
Has it been a year?? :)
I tried to find something upbeat for the occasion but it seemed like all the ones that weren't about love were about death...


Let Me Die a Youngman's Death
Roger McGough

Let me die a youngman's death
not a clean and inbetween
the sheets holywater death
not a famous-last-words
peaceful out of breath death

When I'm 73
and in constant good tumour
may I be mown down at dawn
by a bright red sports car
on my way home
from an allnight party

Or when I'm 91
with silver hair
and sitting in a barber's chair
may rival gangsters
with hamfisted tommyguns burst in
and give me a short back and insides

Or when I'm 104
and banned from the Cavern
may my mistress
catching me in bed with her daughter
and fearing for her son
cut me up into little pieces
and throw away every piece but one

Let me die a youngman's death
not a free from sin tiptoe in
candle wax and waning death
not a curtains drawn by angels borne
'what a nice way to go' death.
 
From the always amusing "Worst Poetry on the Internet" web sites, a bit of fun from me today :)

(and if this is breaking the rules, I'm packing up and going home);)

Drone

I am a pawn, a useless being
Controlled by simpletons of greater power
No will have I ; broken and beaten
A slug to follow the masters trail

Watch me as I grovel at your feet
Control my spineless whimpering body
Defeat my thoughts, my wishes and ideas
Punish me as I fall out of line

An empty shell, I am nothing
A slave
A drone
Your servant until death
You have destroyed my creative mind
to an empty
Barren
Wasteland

Forgotten.
 
I'd like to take this opportunity (which I should have taken yesterday) to present Yoss with the RubyToogood award for services to the Poem of the Day thread, for consistently coming up with fantastic poetry I'd never read before and sheer dedication to the cause.

rhaav2-img390x307-1049050391metallurg.jpg


Actually that's the USSR Medal for the Restoration of Iron and Steel Industries of the South.
 
Cheers Ruby! :) :oops:

This more than makes up for the way the Soviets ignored all my valiant efforts to restore the iron and steel industries along the Volga...
 
well done Yoss :)

Irritable Vowel Syndrome

A
E
I
o
fuck U

by some bloke who hijacked me at glasto this year.
 
Frame, An Epistle


Most of the things you made for me — blanket-
chest, lapdesk, the armless rocker — I gave
away to friends who could use them and not
be reminded of the hours lost there,
not having been witness to those designs,
the tedious finishes. But I did keep
the mirror, perhaps because like all mirrors,
most of these years it has been invisible,
part of the wall, or defined by reflection —
safe — because reflection, after all, does change.
I hung it here in the front, dark hallway
of this house you will never see, so that
it might magnify the meager light,
become a lesser, backward window. No one
pauses long before it. But this morning,
as I put on my overcoat, then straightened
my hair, I saw outside my face its frame
you made for me, admiring for the first
time the way the cherry you cut and planed
yourself had darkened, just as you said it would.


Claudia Emerson
Poetry
Volume CLXXXII, Number 4
July 2003
 
You know, just going through some of the earlier posts on here, there's some excellent examples of poetry here. Would be a bugger to do, but an U75 Anthology would be an interesting read all told :)
 
Reading Plato


I think about the mornings it saved me
to look at the hearts penknifed on the windows
of the bus, or at the initials scratched

into the plastic partition, in front of which
a cabbie went on about bread his father
would make, so hard you broke teeth on it,

or told one more story about the plumbing
in New Delhi buildings, villages to each floor,
his whole childhood in a building, nothing to

love but how much now he missed it, even
the noises and stinks he missed, the avenue
suddenly clear in front of us, the sky ahead

opaquely clean as a bottle's bottom, each heart
and name a kind of ditty of hopefulness
because there was one you or another I was

leaving or going to, so many stalls of flowers
and fruit going past, figures earnest with
destination, even the city itself a heart,

so that when sidewalks quaked from trains
underneath, it seemed something to love,
like a harbor boat's call at dawn or the face

reflected on a coffee machine's chrome side,
the pencil's curled shavings a litter
of questions on the floor, the floor's square

of afternoon light another page I couldn't know
myself by, as now, when Socrates describes
the lover's wings spreading through the soul

like flames on a horizon, it isn't so much light
I think about, but the back's skin cracking
to let each wing's nub break through,

the surprise of the first pain and the eventual
lightening, the blood on the feathers drying
as you begin to sense the use for them.



Rick Barot
The Darker Fall
2001 Kathryn A. Morton Prize in Poetry
Sarabande Books
 
REVOLUTIONARY LETTER #9


Advocating
the overthrow of government is a crime
overthrowing it is something else
altogether. it is sometimes called
revolution
but don't kid yourself : government
is not where it's at : it's only
a good place to start :

1. kill head of Dow Chemical
2. destroy plant
3. MAKE IT UNPROFITABLE FOR THEM

to build again
ie., destroy the concept of money
as we know it, get rid of interest,
savings, inheritance
(Pound's money, as dated coupons that come in the mail
to everyone, and are void in 30 days
is still a good idea)
or, let's start with no money at all and invent it
if we need it
or, mimeograph it and everyone
print as much as they want
and see what happens


declare a moratorium on debt
the Continental Congress did
'on all debts public and private'


& no one 'owns' the land
it can be held
for use, no man holding more
than he can work, himself and family working


let no one work for another
except for love, and what you make
above your needs be given to the tribe
a Common-Wealth


None of us knows the answers, think about
these things
The day will come when we have to know
the answers.


Diane Di Prima
 
I was really looking for a Grace Nichols poem that Mrs M quoted me a line of yesterday. Couldn't find it, but did find this one.

Thoughts drifting through the fat black woman's head while having a full bubble bath

Steatopygous sky
Steatopygous sea
Steatopygous waves
Steatopygous me

0 how I long to place my foot
on the head of anthropology

to swing my breasts
in the face of history

to scrub my back
with the dogma of theology

to put my soap
in the slimming industry's
profitsome spoke

Steatopygous sky
Steatopygous sea
Steatopygous waves
Steatopygous me


Grace Nichols

(note, according to dictionary.com, steatopygous = having fat buttocks)
 
please excuse the monster cut and paste.

***

Ani DiFranco
Self Evident

yes,
us people are just poems
we're 90% metaphor
with a leanness of meaning
approaching hyper-distillation
and once upon a time
we were moonshine
rushing down the throat of a giraffe
yes, rushing down the long hallway
despite what the p.a. announcement says
yes, rushing down the long stairs
with the whiskey of eternity
fermented and distilled
to eighteen minutes
burning down our throats
down the hall
down the stairs
in a building so tall
that it will always be there
yes, it's part of a pair
there on the bow of noah's ark
the most prestigious couple
just kickin back parked
against a perfectly blue sky
on a morning beatific
in its indian summer breeze
on the day that america
fell to its knees
after strutting around for a century
without saying thank you
or please

and the shock was subsonic
and the smoke was deafening
between the setup and the punch line
cuz we were all on time for work that day
we all boarded that plane for to fly
and then while the fires were raging
we all climbed up on the windowsill
and then we all held hands
and jumped into the sky

and every borough looked up when it heard the first blast
and then every dumb action movie was summarily surpassed
and the exodus uptown by foot and motorcar
looked more like war than anything i've seen so far
so far
so far
so fierce and ingenious
a poetic specter so far gone
that every jackass newscaster was struck dumb and stumbling
over 'oh my god' and 'this is unbelievable' and on and on
and i'll tell you what, while we're at it
you can keep the pentagon
keep the propaganda
keep each and every tv
that's been trying to convince me
to participate
in some prep school punk's plan to perpetuate retribution
perpetuate retribution
even as the blue toxic smoke of our lesson in retribution
is still hanging in the air
and there's ash on our shoes
and there's ash in our hair
and there's a fine silt on every mantle
from hell's kitchen to brooklyn
and the streets are full of stories
sudden twists and near misses
and soon every open bar is crammed to the rafters
with tales of narrowly averted disasters
and the whiskey is flowin
like never before
as all over the country
folks just shake their heads
and pour

so here's a toast to all the folks who live in palestine
afghanistan
iraq

el salvador

here's a toast to the folks living on the pine ridge reservation
under the stone cold gaze of mt. rushmore

here's a toast to all those nurses and doctors
who daily provide women with a choice
who stand down a threat the size of oklahoma city
just to listen to a young woman's voice

here's a toast to all the folks on death row right now
awaiting the executioner's guillotine
who are shackled there with dread and can only escape into their heads
to find peace in the form of a dream

cuz take away our playstations
and we are a third world nation
under the thumb of some blue blood royal son
who stole the oval office and that phony election
i mean
it don't take a weatherman
to look around and see the weather
jeb said he'd deliver florida, folks
and boy did he ever

and we hold these truths to be self evident:
#1 george w. bush is not president
#2 america is not a true democracy
#3 the media is not fooling me
cuz i am a poem heeding hyper-distillation
i've got no room for a lie so verbose
i'm looking out over my whole human family
and i'm raising my glass in a toast

here's to our last drink of fossil fuels
let us vow to get off of this sauce
shoo away the swarms of commuter planes
and find that train ticket we lost
cuz once upon a time the line followed the river
and peeked into all the backyards
and the laundry was waving
the graffiti was teasing us
from brick walls and bridges
we were rolling over ridges
through valleys
under stars
i dream of touring like duke ellington
in my own railroad car
i dream of waiting on the tall blonde wooden benches
in a grand station aglow with grace
and then standing out on the platform
and feeling the air on my face

give back the night its distant whistle
give the darkness back its soul
give the big oil companies the finger finally
and relearn how to rock-n-roll
yes, the lessons are all around us and a change is waiting there
so it's time to pick through the rubble, clean the streets
and clear the air
get our government to pull its big dick out of the sand
of someone else's desert
put it back in its pants
and quit the hypocritical chants of
freedom forever

cuz when one lone phone rang
in two thousand and one
at ten after nine
on nine one one
which is the number we all called
when that lone phone rang right off the wall
right off our desk and down the long hall
down the long stairs
in a building so tall
that the whole world turned
just to watch it fall


and while we're at it
remember the first time around?
the bomb?
the ryder truck?
the parking garage?
the princess that didn't even feel the pea?
remember joking around in our apartment on avenue D?

can you imagine how many paper coffee cups would have to change their design
following a fantastical reversal of the new york skyline?!

it was a joke, of course
it was a joke
at the time
and that was just a few years ago
so let the record show
that the FBI was all over that case
that the plot was obvious and in everybody's face
and scoping that scene
religiously
the CIA
or is it KGB?
committing countless crimes against humanity
with this kind of eventuality
as its excuse
for abuse after expensive abuse
and it didn't have a clue
look, another window to see through
way up here
on the 104th floor
look
another key
another door
10% literal
90% metaphor
3000 some poems disguised as people
on an almost too perfect day
should be more than pawns
in some asshole's passion play
so now it's your job
and it's my job
to make it that way
to make sure they didn't die in vain
sshhhhhh....
baby listen
hear the train?

***

performed at the New York anti war demo earlier this year. well worth downloading if you have the facilities.
 
Yeah, that Ani DiFranco track is wicked, it's also on the "Peace Not War" CD available from Stop The War Coalition's website, and on a free CD on the cover of this month's New Internationalist...

Was looking for a Jean Binta Breeze poem called (i think) "Riddim Ravings" (the one that starts "when dem go kar mi fi Bellevue..."), but didn't find it, but found this one instead:

Dennis Scott
Apocalypse Dub

At first, there's a thin, bright Rider --
he doesn't stop at the supermarket, the cool
red meats are not to his taste.
He steals from the tin on the tenement table,
he munches seed from the land
where no rain has fallen, he feeds
in the gutter behind my house.
the bread is covered with sores
when he eats it; the children
have painted his face on their bellies

The second rides slowly, is visiting, watch him, he smiles
through the holes in the roof
of the cardboard houses.
His exhaust sprays pus on the sheets,
he touches the women and teaches them
fever, he puts eggs under the skin --
in the hot days insects will hatch and hide
in the old men's mouths,
in the bones of the children

And always, behind them, the iceman, quick,
with his shades, the calm oil of his eyes --
when he throttles, the engine
grunts like a killer. I'm afraid,
you said. Then you closed the window
and turned up the radio, the DJ said greetings
to all you lovely people.
But in the street the children coughed like guns.

In the blueblack evenings
they cruise in the corner
giggling. Skenneng! Skenneng!
 
A tribute to Arthur Moyse - anarchist and poet.

The City Was Quiet Today


Silent the city dressed in night
Absolves out stale collective sins
And in rented tombs we mouth through dreams
Locked in our street mapped catacombs


The watchman nods upon the hour
Bored lovers kiss and quickly part
Their final footsteps beat retreat
Night laps the town from bank to spire


The metered torches fixed in flame
Cut moveless shadows in their night
And in mute rotation mimes the light
In empty streets and carless drives


The news of distant wars must wait
With rancid gossip and the hymm
For the flaccid tongue and blinded eye
Obey the dark and ancient art


Only the homeless find no rest
For wind and rain and seeping cold
Deny the balm of sleep
As they patrol with rootless feet


Only the morning brings relief
The public grass a public bed
The homeless sleep within the crowd
And wear the city for a shroud.


Arthur Moyse
 
The Lost Pilot
James Tate


Your face did not rot
like the others--the co-pilot,
for example, I saw him

yesterday. His face is corn-
mush: his wife and daughter,
the poor ignorant people, stare

as if he will compose soon.
He was more wronged than Job.
But your face did not rot

like the others--it grew dark,
and hard like ebony;
the features progressed in their

distinction. If I could cajole
you to come back for an evening,
down from your compulsive

orbiting, I would touch you,
read your face as Dallas,
your hoodlum gunner, now,

with the blistered eyes, reads
his braille editions. I would
touch your face as a disinterested

scholar touches an original page.
However frightening, I would
discover you, and I would not

turn you in; I would not make
you face your wife, or Dallas,
or the co-pilot, Jim. You

could return to your crazy
orbiting, and I would not try
to fully understand what

it means to you. All I know
is this: when I see you,
as I have seen you at least

once every year of my life,
spin across the wilds of the sky
like a tiny, African god,

I feel dead. I feel as if I were
the residue of a stranger's life,
that I should pursue you.

My head cocked toward the sky,
I cannot get off the ground,
and, you, passing over again,

fast, perfect, and unwilling
to tell me that you are doing
well, or that it was mistake

that placed you in that world,
and me in this; or that misfortune
placed these worlds in us.
 
SONG BY DESIGN

A crocus is edgy sentimental and

unfocused like a rainy night not

red and greasy like flowers brought

down to the house from the store:

sweetest fat valentines

with message previously attached yes

like the ocean don't turn your back or

a bracing fuck in a cold room we're

mapmakers who work and sing

hearts in the pine forest

indicated in green.

-- Peter Bushyeager
 
The third worst poem in the galaxy IMO

Vogon Poetry (Untitled)

Oh freddled gruntbuggly thy micturations are to me
As plurdled gabbleblotchits on a lurgid bee.
Groop I implore thee my foonting turlingdromes.
And hooptiously drangle me with crinkly bindlewurdles,
Or I will rend thee in the gobberwarts with my blurglecruncheon,
see if I don't!


- Prostetnic Vogon Jeltz

analysis here
 
On a lighter note, caught on Radio 4 the other night - best read in a Lancashire accent.

Bring on the rosy-cheeked girls

Bring on the rosy-cheeked girls,
Bring on the smiling ones, the light-footed dancers,
Those that sing with their eyes,
Those with the warm breasts and the soft hands,
Those that look deep in the eyes, and not at the garbage
of garb.
Bring on the dark, the fair, the brown-as-a-berry,

Bring them on, all of them, with their wet, laughing
mouths,
The fat, the thin, the short and the lanky,
Let them be as full of life as a pod with peas,
Let them be as company-comfortable as an old friendly
jacket, young or old,
But most of all. . . . let them be merry.


And then take all the others.
All the tight-lipped, crab-faced, mewling, mithering,

Niggardly, sour-faced, crab-mouthed, cold-titted,
tight-arsed,
Moaning, sullen, frozen-legs-together, money-grubbing
bitches!
Take them and heap them all together
On some cold, bleary, dreary moor
In the howling sleet and moaning drizzle of November.
. . .
and leave them there!
For it deserves them, and they each other.


Then bring on the lads, the smiling lads!
Open-handed, shoulder-to-the-wheel lads,
Lame-dogs-helped-over-stiles lads,
Take-a-pint, stand-a-round lads,
Good, laughing lads.
Lads with a quart of life in their hands
And eyes that look straight. . .
Bring on the tall, the short, the long,
The runners, the walkers,
Those that can hammer, those that can turn out a song,

Bring on the fat, the thin, the bald and the hairy,
young or old,
So long as they sup life by the gallon. . . .
So long as they're merry


Then take all the others.
All the sly-eyed, twisty-mouthed grabbers and fumblers,

The shifty-faced, two-tongued, lead-swinging lizards,

The snotty-nosed, mardy-arsed bullies and false friends.
. . .
And stick them up to their necks in the foulest stinkpot
of an old bog you can find. . . . Head Down!
And leave them there!


But for God's sake, not too near that moor with all
the old whores. . .
If they meet up and breed. . . we're all buggered!


Mike Harding
 
A poem on a lighter note than a Vogon poem, pooka?

Perhaps. :D

I expect loki has read Adam's Dirk Gently's' books; most especially the one based upon The Rime of the Ancient Mariner (though I prefer the other - oddly enough in view of loki's tag, involving Norse gods).

Nice connections there, loki. :)
 
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