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*Poem of the day thread

Henry King

who chewed little bits of string, and was early cut off in dreadful agonies


The Chief Defect of Henry King
Was chewing little bits of String.
At last he swallowed some which tied
Itself in ugly Knots inside.

Physicians of the Utmost Fame
Were called at once; but when they came
They answered, as they took their Fees,
"There is no Cure for this Disease.

"Henry will very soon be dead.''
His Parents stood about his Bed
Lamenting his Untimely Death,
When Henry, with his Latest Breath,

Cried, "Oh, my Friends, be warned by me,
That Breakfast, Dinner, Lunch, and Tea
Are all the Human Frame requires...''
With that, the Wretched Child expires.


- Hilaire Belloc
 
THE TWO HOUR ASSASSINATION OF GOD

At 4am she entered the brain of God
& stumbled blindly through its convoluted
swamps until reaching a clearing
in which was reflected the image
of everything that had ever happened
to anyone anywhere in time & space.

We all got it right so long ago
in that there’s no final answer
or prior scheme of things but only
a wild & unknown frenzy in
which not even the anarchist treads water.

At 5am she piled her clothes
into a heap & made a fire upon
God’s grey mass which lit up
the universe with a fierce bonfire
& rained ashes over planet & star.

Few of us had figured that Buddha
got in the way of Buddhism that
Gods were better never thought up
that every king leader guru chief
was just another stone prison slab.

At 6am she clearly & directly saw
a myriad living things manifest
in joy & liberation upon the surface
of a world which didn’t really change
except some skins & scales just dropped away.

Dave Cunliffe
 
One Perfect Rose

A single flow'r he sent me, since we met.
All tenderly his messenger he chose;
Deep-hearted, pure, with scented dew still wet -
One perfect rose.

I knew the language of the floweret;
'My fragile leaves,' it said, 'his heart enclose.'
Love long has taken for his amulet
One perfect rose.

Why is it no one ever sent me yet
One perfect limousine, do you suppose?
Ah no, it's always just my luck to get
One perfect rose.

Dorothy Parker
 
I'm sorry to jump in and do a late night steal, esp. as i posted the poem before last, but i think i'll be away from the pc for the next few days, and i really wanted to post one up for a mate of mine called Jock (Mike).

SONG FOR THE MARCH

Now on the night march
now in the dark time you who have sung before
give us a Song, now.

You are the voice of the dead
you are the tongue, speak -
Sing with the numberless throat
of the dead and the weak

Should that song once rise,
and should they live again,
a wind of voices will spring
joined in my single voice

You have desired a song
should we dare to sing
though you kill all of us
the song will go on.

This has goodness, breath,
a blade against history
a blow at the old lie
life in time of death

this has culture, grace
the conscript who disobeys
a prison roof in a blaze
a heel in a ruler’s face

this is our poetry
every command that finds
a hand that takes a hand
voices like rising winds

Alex Comfort
 
One for Jock MacGrim

The Fiddler of Dooney

WHEN I play on my fiddle in Dooney,
Folk dance like a wave of the sea;
My cousin is priest in Kilvarnet,
My brother in Moharabuiee.

I passed my brother and cousin:
They read in their books of prayer;
I read in my book of songs
I bought at the Sligo fair.

When we come at the end of time,
To Peter sitting in state,
He will smile on the three old spirits,
But call me first through the gate;

For the good are always the merry,
Save by an evil chance,
And the merry love the fiddle
And the merry love to dance:

And when the folk there spy me,
They will all come up to me,
With ‘Here is the fiddler of Dooney!’
And dance like a wave of the sea.

W B Yeats
 
We havn't had any Kananagh yet I think. He is one of the lesser known Irish poets and in my opinion a genius.

Lines Written on a Seat on the Grand Canal, Dublin
by P. Kavanagh

'Erected to the Memory of Mrs. Dermot O'Brien'

O commemorate me where there is water,
Canal water preferably, so stilly,
Green at the heart of summer. Brother
Commemorate me thus beautifully.
Where by a lock Niagariously roars
The falls for those who sit in the tremendous silence
Of mid-July. No one will speak in prose
Who finds his way to these Parnassian islands.
A swan goes by head low with many apologies,
Fantastic light looks through the eyes of bridges-
And look! a barge comes bringing from Athy
And other far-flung towns mythologies.
O commemorate me with no hero-courageous
Tomb-just a canal-bank seat for the passer-by.

When he died a statue of him was erected sitting on a seat by the grand canal in Dublin
 
Some more William Blake:


Love's Secret

NEVER seek to tell thy love,
Love that never told can be;
For the gentle wind doth move
Silently, invisibly.

I told my love, I told my love,
I told her all my heart,
Trembling, cold, in ghastly fears.
Ah! she did depart!

Soon after she was gone from me,
A traveller came by,
Silently, invisibly:
He took her with a sigh.
 
This one is not because I think it's good but because it made me go "what the £$*%&? Are you on drugs Oscar?"


A Fragment

Beautiful star with the crimson lips
And flagrant daffodil hair,
Come back, come back, in the shaking ships
O’er the much-overrated sea,
To the hearts that are sick for thee
With a woe worse than mal de mer-
O beautiful stars with the crimson lips
And the flagrant daffodil hair.

O ship that shakes on the desolate sea,
Neath the flag of the wan White Star,
Thou bringest a brighter star with thee
From the land of the Philistine,
Where Niagara’s reckoned fine
And Tupper is popular-
O ship that shakes on the desolate sea,
Neath the flag of the wan White Star.


Oscar Wilde


Any light anyone can shed as to what he's on about would be v welcome!
 
Hard Times


When the sun can't melt
the ice coating our bones
nor thaw the blood
clogging our veins
We pace
We pace the city - your city, it's not ours
We don't call it "proud"


We walk the distance between here
and tomorrow - it's your future - not ours
We walk in the shadows of your corporate glory
We slip and slide down your
tried and tired ways
We cross streets named in your honour,
for your saints and heroes - not ours
We step on the cracks cursing
your grand plans
We circle monumental blocks of monied shops
the obscene repositories of your horded wealth
We flip through your twisted journals and read the news
and we mark these times as Hard Times and
Hard Times are your times - not ours


We're the ragged the haggard the worn and the weary
the sallow - skinned faces eyes bloodshot and bleary
We're the bawling the bleeding open sores leaking
the shadows in your dark the denizens of the car park
You file us away on sagging shelves til we fall off with
a crash and a scream for justice


We're the forgotten the forsaken
the one - in five barely alive the scavengers in front of you
on a Friday night
We're the upright drowsers toothless smilers blood salesmen
guinea pigs you play with
Pain? What pain? Colour us blind we're still on your screen
you can't zap us away
We're the howling broken pieces spit out of your machine
the rejects rejectable margins of acceptable loss
We're your canned laughter hysterical out of control
weeping bloody tears you'd never know


"You recognise me, sir? Spare a dollar, Sir? Spare a job? Wanna blow job?"


We're last night's garbage recycled each hour
We crawled out of the pit where you left us
faceless nameless creditcardless you couldn't care less
We're expendable forgettable victims of your excess
and we're fucking tired of these times
'cause these times are Hard Times and they're your times - not ours


Listen!
Our times are buzzin' round our brains
like mad bumblebees
Our times are fistfulls of exploding stars
clenched in your face
Our times are ticking softly under your pillow
within our reach
'cause our times are Rebel Times and
they're always 'round the corner


When we can spit out the fire burning in our bellies
When we can rip out the bricks you laid over our bones and
heave them through your windows your homes
When we can crack the codes that bind us
to a numbing blindness


When we can slice through your walls of fear and deceipt
like a hot knife straight from hell
When we can roll back your barbed wire with our bare hands
and haul each other across your wasteland to the mountains beyond
When we can overturn your Jags, Rolls and limos
and set them smoking in the midnight sun
When we can talk straight loud and clear with nothing to lose
When we can count angry hands razor minds and raging spirits
all together
your city will be ours and our times will begin
Our Times - a city where misery knows no home
where hunger knows no belly
where shame knows no soul
where our wildest dreams are your nightmare
Until then
We pace the city - your city
We don't call it "proud"


Norman Nawrocki
 
Just think it's quite powerful

"Still I Rise"
by Maya Angelou

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset wtih gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

I'm sooo sorry - I did a first line check and it didn't come up so I just wanted to apologise for posting it twice but now it won't let me delete the post

:oops:
 
In an effort to redeem myself and apologies for disrupting the thread.....

Success

To laugh often and much
to win the respect
of intelligent people
and the affection of children;
to earn the appreciation
of honest critics and endure
the betrayal of false friends;
to appreciate beauty,
to find the best in others;
to leave the world
a bit better, whether
by a healthy child,
a garden patch
or a redeemed social condition;
to know even one life
has breathed easier
because you have lived.
That is to have succeeded.


Ralph Waldo Emerson
 
You'll probably need to know a bit about Pound to follow this one:

For Ezra Pound

I have waited to ask you this
I could not ask you in prison
I waited until you were free

But why, why did you let them use
Your name and your greatness
As so many pennies to put
Into the meters of their gas-machines?
You know what they did with their gas
Your gas, Ezra Pound
The crime was too big;
There are no extenuating circumstances
You should have known better

In Jerusalem i asked
The ancient Hebrew poets to forgive you;
And what would Walt Whitman have said
And Thomas Jefferson.

Paul Potts
 
A Visit
Margaret Atwood

Gone are the days
when you could walk on water.
When you could walk.

The days are gone.
Only one day remains,
the one you're in.

The memory is no friend.
It can only tell you
what you no longer have:

a left hand you can use,
two feet that walk.
All the brain's gadgets.

Hello, hello.
The one hand that still works
grips, won't let go.

That is not a train.
There is no cricket.
Let's not panic.

Let's talk about axes,
which kinds are good,
the many names of wood.

This is how to build
a house, a boat, a tent.
No use; the toolbox

refuses to reveal its verbs;
the rasp, the plane, the awl,
revert to sullen metal.

Do you recognize anything? I said.
Anything familiar?
Yes, you said. The bed.

Better to watch the stream
that flows across the floor
and is made of sunlight,

the forest made of shadows;
better to watch the fireplace
which is now a beach.
 
Silence; against me pushes a force,
making me rehearse words of forgiveness
which don't mean a thing.

If the words from us do fall,
smash on the floor without a sound,
their shards will be a danger
and a warning,
but will not mean a thing.



(my own, found in the bottom of my draw during a clear-out, must be about 6 or 7 years old.....I'm not passing judgement on it :) ;) :) It must have been at college or school.....anyway, here you go......
 
Originally posted by Anna Key
Reply to Ats:

<Name dropping section>

Vernon Scannell was a drinking partner of my dad's when I was eight. They're about the same age and, at that time, loved their booze. They drank in a pub called the Rose and Crown in Trent (a village on the Dorset/Somerset border). I'd be parked on the grass verge with a coke and a packet of crisps. The ones with salt wrapped in blue paper.

My main memory is of Scannell's enormous hands. He's a large man and professional boxer turned poet. He was one of the last fairground boxers in Britain. His job was to strut about the ring at country fairs and fight any beered-up lout who challenged for the purse. His hands (to an eight year old) looked like five pound hammers.

<End of name dropping>

I like his poems because they embody a left wing, fighting, British patriotism. He fought in WW2 and I think went mad with battle fatigue and possibly AWOL. He spent time in military prison.

He's a sort of left wing, working class, big hearted, Robert Graves. He also writes beautifully about love, children and drunks. His love poems sometimes draw the analogy between love and boxing - he claims love hurts more than any punch in the boxing ring.

I like the quoted poem because it attacks British saloon bar culture: the culture that says "emotions bad!" It also pokes fun at cruel male culture. Those "stiff gentlemen" those "guardsmen of propriety" threatened by a weeping man and refusing to comfort the "lonely fellow."

He also writes well on WW1:

Where fractured tree-trunks stand
And shells, exploding, open sudden fans
Of smoke and earth.
Blind murders scythe
The deathscape where the iron brambles writhe...

(Complete poem at http://www.aftermathww1.com/scannell.asp)

That is very interesting to hear. INCIDENT IN A SALOON BAR is remarkable. For some reason I had the author down as an American. Don't know why, perhaps his unpretentious and straightforward language.
 
The British

Originally posted by onemonkey
Take some Picts, Celts and Silures
And let them settle,
Then overrun them with Roman conquerors.

Remove the Romans after approximately 400 years
Add lots of Norman French to some
Angles, Saxons, Jutes and Vikings, then stir vigorously.

Mix some hot Chileans, cool Jamaicans, Dominicans,
Trinidadians and Bajans with some Ethiopians, Chinese,
Vietnamese and Sudanese.

Then take a blend of Somalians, Sri Lankans, Nigerians
And Pakistanis,
Combine with some Guyanese
And turn up the heat.

Sprinkle some fresh Indians, Malaysians, Bosnians,
Iraqis and Bangladeshis together with some
Afghans, Spanish, Turkish, Kurdish, Japanese
And Palestinians
Then add to the melting pot.

Leave the ingredients to simmer.

As they mix and blend allow their languages to flourish
Binding them together with English.

Allow time to be cool.

Add some unity, understanding, and respect for the future,
Serve with justice
And enjoy.

Note: All the ingredients are equally important. Treating one ingredient better than another will leave a bitter unpleasant taste.

Warning: An unequal spread of justice will damage the people and cause pain. Give justice and equality to all.

-
Benjamin Zephaniah

Brilliant. As Mr Z always is!
 
I have been unwell and so away except for the very occasional comment elsewhere. Will I get blasted for self-indulgence for passing comment about some of the recent poems here? (Because I DO love this thread so much.)

RubyTooGood will delete this if it OTT, eh? (Which absolves me of responsibility :) )

Pearly Spencer, why is ‘The Terrible Things’ a favourite? It seems so dark, although it is a lovely poem in itself. I have to say that your cat in that superb McGough poem is more loyal to its owner than the somewhat promiscuous cat from the TV drinks advert!!! (Which I can no longer watch without thinking of the much nicer cat in the poem you posted above.)

Mr R, your Mrs is NOT of common stuff if she of this poem! She must be something else, no?

Wynn, your ‘After Love’ poem make me smile. It’s true, though, isn’t it? Sex is something wonderful sometimes and I love that loss of boundaries and then afterwards you get your own boundaries back but in the meantime you have gained something from the other which is not easy to express… until your poem, which is now on our bedroom wall.

I have problems with Justin’s posting style (which, when I told him, prompted him to tell me to ‘fuck off’ and I can’t really blame him - nor me to be honest), but he does know his ‘stuff’ and John Cooper Clarke’s Haiku is very witty. I am putting that up on my classroom door.

Maybe Yossarian can help me understand Atwood better. I’d like his take on the poem he posted.

Damn self-indulgent. Sorry. Life is a bit difficult at the mo’ and this thread and everyone who posts on it really helps.

My post is an extract from Keat’s Eve of St Agnes

XXX.

And still she slept an azure-lidded sleep,
In blanched linen, smooth, and lavender’d,
While he from forth the closet brought a heap
Of candied apple, quince, and plum, and gourd;
With jellies soother than the creamy curd,
And lucent syrops, tinct with cinnamon;
Manna and dates, in argosy transferr’d
From Fez; and spiced dainties, every one,
From silken Samarcand to cedar’d Lebanon.



The rest is at: Eve of St Agnes
 
Originally posted by chrissie

Pearly Spencer, why is ‘The Terrible Things’ a favourite? It seems so dark, although it is a lovely poem in itself. I have to say that your cat in that superb McGough poem is more loyal to its owner than the somewhat promiscuous cat from the TV drinks advert!!! (Which I can no longer watch without thinking of the much nicer cat in the poem you posted above.)


Difficult to say why it's a favourite. It's a poem I read a couple of years ago and for some reason it's stayed with me. The author dedicates it to "Amber". Who's Amber? Daughter, friend, sister, mother, you or me? It is dark but personally I find it inspirational too. A world where we can realise the colours of our dreaming - worth fighting for I reckon :)

McGough is superb. So here's another short one from him


The Leader


I wanna be the leader
I wanna be the leader
Can I be the leader?
Can I? I can?
Promise? Promise?
Yipee, I'm the leader
I'm the leader

OK what shall we do?


Roger McGough
 
BLIND

I was born blind and
have never wanted to see

I sense
the secrets of the stars
and share
shadows with the moon

I have learned to calculate
the brightness of black
and am afraid of nothing
but the light

I have seen nothing
yet, I bear witness
the moon is full
on every night
and every night
is every day

no one smells the same
I know how to summon
the scent of my mother
from the stars and I can smell
the stars in all souls

I am not certain of the sun
I have never seen a shadow cast

yet, I have seen shadows
cast rainbows and mountains

I am blind
I have never wanted to see

I fear nothing but light
light is the shadow of truth:
it sobers imagination and
leaves us drunk with perception

I have seen nothing and am not
convinced of the clouds
my days are
as bright as my nights

I am a star-gazer by day
and a fisherman by night
I cast my net under
the shadow of the moon
and I love the wind

I am blind
I have seen
all that there is to see

I have planted
shadows on the wind
in an attempt
to breeze blackness
over the Earth

this is a confession
you are guilty of light
repent and be reborn blind

or forever see
nothing

Saul Stacey Williams
 
More Blake

The Tyger

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?


And what shoulder, & what art.
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?


What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?


When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?


Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
 
Originally posted by RubyToogood
I don't like it either since it sounds like one of your own. Read the first post on this thread - you too liampreston!


:( Sorry, I thought of putting it in without my name, then had a moment of honesty and put it up there.

And it's an awful poem in any case !:)
 
Let It Enfold You
Charles Bukowski


either peace or happiness,
let it enfold you

when I was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted
mind, a precarious
upbringing.

I was hard as granite,I
leered at the
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted,jailed,in and
out of fights,in and aout
of my mind.
women were something
to screw and rail
at,I had no male
friends,

I changed jobs and
cities,I hated holidays,
babies,history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
english accents,spain,
france,italy,walnuts and
the color
orange.
algebra angred me,
opera sickened me,
charlie chaplin was a
fake
and flowers were for
pansies.

peace an happiness to me
were signs of
inferiority,
tenants of the weak
an
addled
mind.

but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of
women-it gradually
began to occur to
me
that I wasn't diffrent

from the
others, I was the same,

they were all fulsome
with hatred,
glossed over with petty
greivances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
emptey,
darkness was the
dictator.

cautiously, I allowed
myself to feel good
at times.
I found moments of
peace in cheap
rooms
just staring at the
knobs of some
dresser
or listening to the
rain in the
dark.
the less I needed
the better I
felt.

maybe the other life had worn me
down.
I no longer found
glamour
in topping somebody
in conversation.
or in mounting the
body of some poor
drunken female
whose life had
slipped away into
sorrow.

I could never accept
life as it was,
I could never gobble
down all its
poisons
but there were parts,
tenous magic parts
open for the
asking.

I re formulated
I don't know when,
date,time,all
that
but the change
occured.
something in me
relaxed, smoothed
out.
I no longer had to
prove that I was a
man,

I didn't have to prove
anything.

I began to see things:
coffee cups lined up
behind a counter in a
cafe.
or a dog walking along
a sidewalk.
or the way the mouse
on my dresser top
stopped there
with its body,
its ears,
its nose,
it was fixed,
a bit of life
caught within itself
and its eyes looked
at me
and they were
beautiful.
then- it was
gone.

I began to feel good,
I began to feel good
in the worst situations
and there were plenty
of those.
like say, the boss
behind his desk,
he is going to have
to fire me.

I've missed too many
days.
he is dressed in a
suit, necktie, glasses,
he says, "I am going
to have to let you go"

"it's all right" I tell
him.

He must do what he
must do, he has a
wife, a house, children.
expenses, most probably
a girlfriend.

I am sorry for him
he is caught.

I walk onto the blazing
sunshine.
the whole day is
mine
temporarily,
anyhow.

(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
disillusioned)

I welcomed shots of
peace, tattered shards of
happiness.

I embraced that stuff
like the hottest number,
like high heels,breasts,
singing,the
works.

(dont get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems just for
the sake of
itself-
this is a shield and a
sickness.)

The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I didn't fight them off
like an alley
adversary.
I let them take me,
I luxuriated in them,
I bade them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw,almost
handsome,yes,
a bit ripped and
ragged,
scares,lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a babys
butt.

and finally I discovered
real feelings for
others,
unheralded,
like lately,
like this morning,
as I was leaving,
for the track,
I saw my wife in bed,
just the
shape of
her head there
(not forgetting
centuries of the living
and the dead and
the dying,
the pyramids,
Mozart dead
but his music still
there in the
room, weeds growing,
the earth turning,
the toteboard waiting for
me)
I saw the shape of my
wife's head,
she so still,
I ached for her life,
just being there
under the
covers.

I kissed her in the,
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the
hill
past the houses
full and empty
of
people,
i saw the mailman,
honked,
he waved
back
at me
 
Time for another Adrian Mitchell one:

The Oxford Hysteria of English Poetry

Back in the caveman days business was fair.
Used to turn up at Wookey Hole,
Plenty of action down the Hole
Nights when it wasn't raided.
They'd see my bear-gut harp
And the mess at the back of my eyes
And 'Right', they'd say, 'make poetry'.
So I'd slam away at the three basic chords
And go into the act ---
A story about sabre-toothed tigers with a comic hero;
A sexy one with an anti-wife-clubbing twist ---
Good progressive stuff mainly,
Get ready for the Bronze Age, all that,
And soon it would be 'Bring out the woad!'
Yeah, woad. We used to get high on woad.

The Vikings only wanted sagas
Full of gigantic deadheads cutting off each other's vitals
Or Beowulf Versus the Bog People.
The Romans weren't much better,
Under all that armour you could tell they were soft
With their central heating
And poets with names like Horace.

Under the Normans the language began to clear,
Became a pleasure to write in,
Yes, write in, by now everyone was starting
To write down poems.

Well, it saved memorizing and improvizing
And the peasants couldn't get hold of it.
Soon there were hundreds of us,
Most of us writing under the name
Of Geoffrey Chaucer.

Then suddenly we were knee-deep in sonnets.
Holinshed ran a headline:
BONANZA FOR BARDS.

It got fantastic ---
Looning around from the bear-pit te tho Globe,
All those freak-outs down the Mermaid,
Kit Marlowe coming on like Richard the Two,
A virgin queen in a ginger wig
And English poetry is full whatsit ---
Bloody fantastic, but I never found any time
To do any writing till Willy finally flipped ---
Smoking too much of the special stuff
Sir Walter Raleigh was pushing.

Cromwell's time I spent on cultural committees.

Then Charles the Second swung down from the trees
And it was sexual medley time
And the only verses they wanted
Were epigrams an Chloe's breasts
But I only got published on the back of her left knee-cap.
Next came Pope and Dryden
So I went underground.
Don't mess with the Mafia.

Then suddenly --- WOOMF ---
It was the Ro-man-tic Re-viv-al
And it didn't matter how you wrote,
All the public wanted was a hairy great image.
Before they'd even print you
You had to smoke opium, die of consumption,
Fall in love with your sister
Or drown in the Mediterranean (not at Brighton).
My publisher said: 'I'll have to remainder you
Unless you go and live in a lake or something
Like this bloke Wordsworth'.

After that there were about
A thousand years of Tennyson
Who got so bored with himself
That he changed his name
To Kipling at half-time.

Strange that Tennyson should be
Remembered for his poems really,
We always thought of him
As a golfer.

There hasn't been much time
For poetry since the 'twenties
What with leaving the Communist Church
To join the Catholic Party
And explaining why in the C.I.A. Monthly.
Finally I was given the Chair of Comparative Ambiguity
At Armpit University, Java.
It didn't keep me busy,
But it kept me quiet.
It seemed like poetry had been safely tucked up for the night.

Adrian Mitchell
 
THE BAR BY THE SIDE OF THE ROAD

There are liquorless souls that follow paths
Where whiskey never ran -
Let me live in a bar by the side of the road
And drink from the old beer can.

Let me live in a bar by the side of the road,
When the race of man goes dry,
The men who are "drys" and the men who are "wets"
(But none are so "wet" as I.)

I see from my bar by the side of the road,
A land with drouth accurst;
And men who press on with the ardour of beer,
And men who are faint with thirst.

I know there are bars in Old Mexico,
And schooners of glorious height.
That the booze splashes on throught the long afternoon,
And floods through the gutters of night.

But still I take gin when the travellers take gin,
And Scotch with the whiskey man,
Nor ever refuse a thirsty old soul
A swig from my old beer can.

For why should I praise Prohibition's restraints,
Or love the revenue man?
Let me live in a bar by the side of the road,
And drink from the old beer can!

-Robert E Howard, 1906-1936
 
A Martian Sends a Postcard Home


Caxtons are mechanical birds with many wings
and some are treasured for their markings -

they cause the eyes to melt
or the body to shriek without pain.

I have never seen one fly, but
sometimes they perch on the hand.

Mist is when the sky is tired of flight
and rests its soft machine on ground:

then the world is dim and bookish
like engravings under tissue paper.

Rain is when the earth is television.
It has the property of making colours darker.

Model T is a room with the lock inside -
a key is turned to free the world

for movement, so quick there is a film
to watch for anything missed.

But time is tied to the wrist
or kept in a box, ticking with impatience.

In homes, a haunted apparatus sleeps,
that snores when you pick it up.

If the ghost cries, they carry it
to their lips and soothe it to sleep

with sounds. and yet, they wake it up
deliberately, by tickling with a finger.

Only the young are allowed to suffer
openly. Adults go to a punishment room

with water but nothing to eat.
They lock the door and suffer the noises

alone. No one is exempt
and everyone's pain has a different smell.

At night, when all the colours die,
they hide in pairs

and read about themselves -
in colour, with their eyelids shut.


Craig Raine
 
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