Oh my word....my ears are still recoiling in terror. I've been a huge Orbital fan my whole life and seen them live multiple times.
Wtf happened at the end of their Glasto set....the spice girls? Really?
I'm trying not to be a mortally offended purist but whyyyyyyyyy?!?!?!?
To be honest the whole 'get with' lyric was problematic for me for different reasons.It's an interesting theory, and I've given it some consideration, but I think you are reaching. They list their friends (Easy V She's a real lady etc) and are adamant that to get with one means having to get along with the rest.
It's this dynamic that plays a major part of recreating the class system ...oh it didn't work out, they didn't get on with my friends/family etc. depressing values
That bit is fine tbf, but pretty shallow compared to the creation of utopia on earth. But that's what's happened to Glastonbury since the wall went up I guessYebbut zigga zig ahhhh.
You are dying on this hill and I am here for itThat bit is fine tbf, but a bit shallow compared to the creation of utopia on earth. But that's what's happened to Glastonbury since the wall went up I guess
I'm living, living free. it's everyone who still believes this radio one roadshow faint echo of a once real festival who is dying....dying inside......ooh look its Mel c! This is fun!!! Spiritual decline writ large.You are dying on this hill and I am here for it
I saw Orbitals last ever live performance at Glastonbury about 15 years ago. AND THEY'RE STILL FUCKING PLAYING
Ha, I saw that too.... it was quite an emotional moment. And then I think they were back a couple of years later once I assume financial issues arose.
They're terrible live anyway, as all acts of that ilk are. They're recording artists, not live artists.
Can confrim this is not the case
Say you don't understand dance music without saying you don't understand dance music.But it's not the style of music that is really great for a live scene.
Felt like a tribute to Pianomanhah that's acutally quite a fun "rework."
crucially it ditches almost all of the lyrics.
and the melody.
and any other identifying parts.
they managed to find the one line that isnt too embarrassing (if you want my future, forget my past). Just repeat that Mel and dance about.
Fair enough really.
I dont see what all the fuss is about
Angry middle aged males in meltdown because "their" music has somehow been ruined?hah that's acutally quite a fun "rework."
crucially it ditches almost all of the lyrics.
and the melody.
and any other identifying parts.
they managed to find the one line that isnt too embarrassing (if you want my future, forget my past). Just repeat that Mel and dance about.
Fair enough really.
I dont see what all the fuss is about
Which of course was composed by Delia Derbyshire, an absolute titan of experimental/early electronic musicI saw them in 95 and the only “pop/commercial” part of their set I can recall was the Dr Who theme. I was pretty mashed though.
I've never been a fan of the song, but I have it on my phone. . . . a few times it has come up (on shuffle) when I have been out running. It suddenly clicked. It was kind of euphoric and druggy, an anthem, yeah. My association with the song compleatly changed. Pump the air, googly eyes. No drugs needed.It started with Belinda's Heaven Is A Place on Earth right? The thing about that is thats not some wacky random song to use, Heaven Is A Place on Earth is the kind of philosophical realisation you get to when high enough. GOd is dead, there is no afterlife, heaven is a place on earth....this is it. So throwing that in towards the peak of a set has a sense to it.
I've never been a fan of the song, but I have it on my phone. . . . a few times it has come up (on shuffle) when I have been out running. It suddenly clicked. It was kind of euphoric and druggy, an anthem, yeah. My association with the song compleatly changed. Pump the air, googly eyes. No drugs needed.
Weird.
I saw them in 95 and the only “pop/commercial” part of their set I can recall was the Dr Who theme. I was pretty mashed though.
Oh to see the day Davos headlines GlastonburyFelt like a tribute to Pianoman
the opening credits of the first episode of Doctor Who was literally the high point of the entire franchise....down hill after there...Which of course was composed by Delia Derbyshire, an absolute titan of experimental/early electronic music
Zigga zig aaah