1/50 The State of Capitalism by Costas Lapavitsas and the EReNSEP Writing Collective
2/50 The Turn of the Screw by Henry James
3/50 The True Deceiver by Tove Jansson
4/50 Army of Lovers by K.M. Soehnlein
5/50 Cold Nights of Childhood by Tezer Özlü
6/50 Sanditon by Jane Austen
7/50 Delilah Green Doesn't Care by Ashley Herring Blake
8/50 Cold Hand in Mine by Robert Aickman
9/50 A Long Time Dead by Samara Berger
10/50 Asia’s Unknown Uprisings Volume 1: South Korean Social Movements in the 20th Century by George Katsiaficas
11/50 Maigret at Picratt’s by Georges Simenon
12/50 Matrix by Lauren Groff
13/50 Persuasion by Jane Austen
14/50 The Glass Pearls by Emeric Pressburger
15/50 Hôtel Splendid by Marie Redonnet
16/50 Dandelions by Yasunari Kawabata
17/50 The Slave Ship: A Human History by Marcus Rediker
18/50 Of Wars, and Memories, and Starlight by Aliette de Bodard
19/50 The Cracked Looking Glass by Katherine Anne Porter
20/50 Film Making in 1930s Britain by Rachael Low
21/50 Revenge by Yoko Ogawa
22/50 After the New Economy by Doug Henwood
23/50 The Teachers’ Room by Lydia Stryk
24/50 The Small Back Room by Nigel Balchin
25/50 Dragon Palace by Hiromi Kawakami
26/50 In the Long Run We Are All Dead by Geoff Mann
27/50 Madame de by Louise de Vilmorin
28/50 Realizing Capital: Financial and Psychic Economies in Victorian Form by Anna Kornbluh
29/50 We Could Be So Good by Cat Sebastian
30/50 Falling Hour by Geoffrey D. Morrison
31/50 BFFs by Anahit Behrooz
32/50 My Darling Dreadful Thing by Johanna Van Veen
33/50 Go Back at Once by Robert Aickman
34/50 The Wall by Marlen Haushofer
35/50 The Late Americans by Brandon Taylor
36/50 All the Lovers in the Night by Mieko Kawakami
37/50 Chuǎng 1: Dead Generations by Chuǎng
38/50 Vampires of El Norte by Isabel Cañas
39/50 The World Turned Upside Down by Christopher Hill
40/50 The Covert Captain by Jeanelle M. Ferreria
41/50 Orbital by Samantha Harvey
42/50 The Scandalous Letters of V and J by Felicia Davin
43/50 Child of Fortune by Yūko Tsushima
44/50 Bruges-la-Morte by Georges Rodenbach
45/50 The Tell Tale by Clare Ashton
46/50 My Mortal Enemy by Willa Cather
47/50 The Red Scholar’s Wake by Aliette de Bodard
Very silly and probably the most space opera-ish of hers I’ve read, I must have been in just the right mood for this because I enjoyed it a lot.
48/50 Britain in Revolution by Austin Woolrych
History of the overthrow of Charles I, the wars in England, Scotland and Ireland and the establishment and fall of the Commonwealth. This was the type of history basically condensed into the interpersonal disputes of a small number of men within the government and army and everything else is treated only superficially, and Woolrych has a really annoying habit of making pointless swipes at other historians without actually engaging with their arguments at all. Far from the best history book I've read. That being said, the main thing I wanted from it was a general narrative of the period after reading Hill’s The World Turned Upside Down and realising how little I know about it, and for that purpose it was fine and quite detailed.
2/50 The Turn of the Screw by Henry James
3/50 The True Deceiver by Tove Jansson
4/50 Army of Lovers by K.M. Soehnlein
5/50 Cold Nights of Childhood by Tezer Özlü
6/50 Sanditon by Jane Austen
7/50 Delilah Green Doesn't Care by Ashley Herring Blake
8/50 Cold Hand in Mine by Robert Aickman
9/50 A Long Time Dead by Samara Berger
10/50 Asia’s Unknown Uprisings Volume 1: South Korean Social Movements in the 20th Century by George Katsiaficas
11/50 Maigret at Picratt’s by Georges Simenon
12/50 Matrix by Lauren Groff
13/50 Persuasion by Jane Austen
14/50 The Glass Pearls by Emeric Pressburger
15/50 Hôtel Splendid by Marie Redonnet
16/50 Dandelions by Yasunari Kawabata
17/50 The Slave Ship: A Human History by Marcus Rediker
18/50 Of Wars, and Memories, and Starlight by Aliette de Bodard
19/50 The Cracked Looking Glass by Katherine Anne Porter
20/50 Film Making in 1930s Britain by Rachael Low
21/50 Revenge by Yoko Ogawa
22/50 After the New Economy by Doug Henwood
23/50 The Teachers’ Room by Lydia Stryk
24/50 The Small Back Room by Nigel Balchin
25/50 Dragon Palace by Hiromi Kawakami
26/50 In the Long Run We Are All Dead by Geoff Mann
27/50 Madame de by Louise de Vilmorin
28/50 Realizing Capital: Financial and Psychic Economies in Victorian Form by Anna Kornbluh
29/50 We Could Be So Good by Cat Sebastian
30/50 Falling Hour by Geoffrey D. Morrison
31/50 BFFs by Anahit Behrooz
32/50 My Darling Dreadful Thing by Johanna Van Veen
33/50 Go Back at Once by Robert Aickman
34/50 The Wall by Marlen Haushofer
35/50 The Late Americans by Brandon Taylor
36/50 All the Lovers in the Night by Mieko Kawakami
37/50 Chuǎng 1: Dead Generations by Chuǎng
38/50 Vampires of El Norte by Isabel Cañas
39/50 The World Turned Upside Down by Christopher Hill
40/50 The Covert Captain by Jeanelle M. Ferreria
41/50 Orbital by Samantha Harvey
42/50 The Scandalous Letters of V and J by Felicia Davin
43/50 Child of Fortune by Yūko Tsushima
44/50 Bruges-la-Morte by Georges Rodenbach
45/50 The Tell Tale by Clare Ashton
46/50 My Mortal Enemy by Willa Cather
47/50 The Red Scholar’s Wake by Aliette de Bodard
Very silly and probably the most space opera-ish of hers I’ve read, I must have been in just the right mood for this because I enjoyed it a lot.
48/50 Britain in Revolution by Austin Woolrych
History of the overthrow of Charles I, the wars in England, Scotland and Ireland and the establishment and fall of the Commonwealth. This was the type of history basically condensed into the interpersonal disputes of a small number of men within the government and army and everything else is treated only superficially, and Woolrych has a really annoying habit of making pointless swipes at other historians without actually engaging with their arguments at all. Far from the best history book I've read. That being said, the main thing I wanted from it was a general narrative of the period after reading Hill’s The World Turned Upside Down and realising how little I know about it, and for that purpose it was fine and quite detailed.
